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The Poet Index · Entry 034

Percy Bysshe Shelley
Poems

Lifespan
1792–1822
Nationality
Switzerland
Indexed Works
339

It's fourteen lines long, takes just two minutes to read, and presents one of the most striking ideas in English poetry—making it an ideal introduction to Shelley's work.

Editorial intro

Storgy editorial

Editorial intro

Percy Bysshe Shelley infused political rage into some of the most purely musical verse the English language has ever produced, merging these elements into a unified impulse. His 1819 poem *The Masque of Anarchy*, written in response to a government massacre of unarmed protesters, feels more contemporary than historical. This blend of genuine fury and lyrical beauty is what Shelley achieved in a way that few others have.

He lived as a radical in every sense: expelled from Oxford at nineteen for writing about atheism, estranged from his affluent family due to his political views, and largely overlooked by the literary establishment of his era. His reputation largely developed after his death at twenty-nine. Browning admired him, Yeats drew inspiration from him, and Hardy acknowledged his influence. First-time readers often find surprising the scale of his ambition — *Prometheus Unbound* is not a quiet lyric but a vast philosophical drama centered on human liberation that reads like a living manifesto. The other surprise is its accessibility. Shelley is not difficult; rather, he is serious, and this distinction is important.

Where to start

The Works

Sort byYearTitle
  1. 01Mont Blanc1817
  2. 02England in 18191819
  3. 03Love's Philosophy1819
  4. 04Music, When Soft Voices Die1824
  5. 05—bereavementUndated
  6. 06—on the Dark Height of JuraUndated
  7. 07—sister Rosa: A BalladUndated
  8. 08—st. Irvyne’s TowerUndated
  9. 09—the Drowned LoverUndated
  10. 10—The Drowned Lover: Song. 1811; The Lake-Storm, Rossetti, 1870Undated
  11. 11—victoriaUndated
  12. 12): the jeweller, the toyman, the actor gains fame and wealth by theUndated
  13. 13). Rossetti proposes interminable, or inexterminableUndated
  14. 14& J. Ollier in the spring of 1822. A transcript of the poem byUndated
  15. 151, 2:—Undated
  16. 16112, 113:—Undated
  17. 1713:—Undated
  18. 18135, 136:—Undated
  19. 19171-173:—Undated
  20. 20178, 179:—Undated
  21. 21189:—Undated
  22. 22198:—Undated
  23. 23203-207:—Undated
  24. 24242, 243:—Undated
  25. 25252, 253:—Undated
  26. 264-6Undated
  27. 2745, 46:—Undated
  28. 2858:—Undated
  29. 2967:—Undated
  30. 3093, 94Undated
  31. 31A BalladUndated
  32. 32A Bridal SongUndated
  33. 33A Chamber in the VaticanUndated
  34. 34A ConversationUndated
  35. 35A DialogueUndated
  36. 36A DirgeUndated
  37. 37A Forest. in the Background a CaveUndated
  38. 38A FragmentUndated
  39. 39A Garden of the Cenci PalaceUndated
  40. 40A Hall of the PrisonUndated
  41. 41A Hate-SongUndated
  42. 42A LamentUndated
  43. 43A Lyrical DramaUndated
  44. 44A Modern EclogueUndated
  45. 45A New National AnthemUndated
  46. 46A Philosophical Poem, with NotesUndated
  47. 47A Pinnacle of Rock Among MountainsUndated
  48. 48A Poem in Twelve CantosUndated
  49. 49A Satyric Drama Translated from the Greek of EuripidesUndated
  50. 50A Serpent-FaceUndated
  51. 51A Tragedy in Five ActsUndated
  52. 52A Vision of the SeaUndated
  53. 53Act 1Undated
  54. 54Adapted from the Vita Nuova of DanteUndated
  55. 55AdonaisUndated
  56. 56AdvertisementUndated
  57. 57Also St. John, with Some Gentlemen of the Inns of CourtUndated
  58. 58Amongst the late Mr. Fredk. Locker-Lampson’s collections atUndated
  59. 59An AllegoryUndated
  60. 60An Apartment in the CastleUndated
  61. 61An Apartment in the Castle of PetrellaUndated
  62. 62An Apartment in the Cenci PalaceUndated
  63. 63An Elegy on the Death of John Keats,Undated
  64. 64An Ode, Written October, 1819,Undated
  65. 65And Charlotte CordayUndated
  66. 66And Panthea, Borne in the Car with the Spirit of the HourUndated
  67. 67And There Thou Shalt Serve Other Gods, Which Neither Thou nor ThyUndated
  68. 68Another Version of the PrecedingUndated
  69. 69Another Version of the SameUndated
  70. 70Apollo Stands Beside HimUndated
  71. 71April 30, 1810Undated
  72. 72ArethusaUndated
  73. 73Asia, AloneUndated
  74. 74Audisne Haec Amphiarae, Sub Terram Abdite?Undated
  75. 75August, 1810Undated
  76. 76B. Ten years later a reprint ‘in exact facsimile’ of the PisaUndated
  77. 77Before the Castle of PetrellaUndated
  78. 78Bristol ChannelUndated
  79. 79Bulls, and Arrange Themselves Quietly Behind the Altar. the Image OfUndated
  80. 80Buona NotteUndated
  81. 81By Miching Mallecho, EsqUndated
  82. 82Cancelled Fragments of Julian and MaddaloUndated
  83. 83Cancelled Fragments of the Ode to HeavenUndated
  84. 84Cancelled OpeningUndated
  85. 85Cancelled Opening of the Triumph of LifeUndated
  86. 86Cancelled PassageUndated
  87. 87Cancelled Passage of Mont BlancUndated
  88. 88Cancelled Passage of the Ode to LibertyUndated
  89. 89Cancelled StanzaUndated
  90. 90Cancelled Stanza of the Mask of AnarchyUndated
  91. 91Charles the FirstUndated
  92. 92Chorus of Priests, Accompanied by the Court Porkman on Marrow-BonesUndated
  93. 93Clarin and Moscon as Poor Scholars, with BooksUndated
  94. 94Comma added at end of line:Undated
  95. 95Comma added elsewhere:Undated
  96. 96Communicates Itself to Those Within. During the First Strophe, TheUndated
  97. 97ConclusionUndated
  98. 98ConstantinopleUndated
  99. 99Copies exist in the Harvard manuscript book, amongst the BoscombeUndated
  100. 100D. Locock’s “Examination”, etc., 1903, page 63.]Undated
  101. 101D., was issued by John Lane, in 1898. The punctuation of the originalUndated
  102. 102DamnationUndated
  103. 103DeathUndated
  104. 104DedicationUndated
  105. 105Dedication, to Leigh Hunt, EsqUndated
  106. 106DespairUndated
  107. 107Dirge for the YearUndated
  108. 108Double DamnationUndated
  109. 109Dowden and Woodberry print rightly which also appears in Forman’sUndated
  110. 110DreamUndated
  111. 111Enter BernardoUndated
  112. 112Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, NoblesUndated
  113. 113Enter Mamm0n, the Arch-Priest,Undated
  114. 114Enter Orsino and GiacomoUndated
  115. 115Enter PurganaxUndated
  116. 116Enter Swellfoot, in His Royal Robes, Without Perceiving the PigsUndated
  117. 117Enter Three ArchangelsUndated
  118. 118EpigramsUndated
  119. 119EpipsychidionUndated
  120. 120EpitaphUndated
  121. 121EpitaphiumUndated
  122. 122Farewell to North DevonUndated
  123. 123Faust, MephistophelesUndated
  124. 124Feelings of a Republican on the Fall of BonaparteUndated
  125. 125FiordispinaUndated
  126. 126FragmentUndated
  127. 127Fragment from the Wandering JewUndated
  128. 128Fragment of a Ghost StoryUndated
  129. 129Fragment of a Satire on SatireUndated
  130. 130Fragment on KeatsUndated
  131. 131Fragment, or the Triumph of ConscienceUndated
  132. 132Fragments Connected with EpipsychidionUndated
  133. 133Fragments of an Unfinished DramaUndated
  134. 134Fragments Supposed to Be Parts of OthoUndated
  135. 135Fragments Written for HellasUndated
  136. 136From the GreekUndated
  137. 137From the Greek of MoschusUndated
  138. 138From the Greek of PlatoUndated
  139. 139From the Italian of CavalcantiUndated
  140. 140From the Italian of DanteUndated
  141. 141From the Original Draft of the Poem to William ShelleyUndated
  142. 142From the Purgatorio of Dante, Canto 28, Lines 1-51Undated
  143. 143From the Spanish of CalderonUndated
  144. 144Full stop added elsewhere:Undated
  145. 145Ghasta or, the Avenging Demon!!!Undated
  146. 146Giacomo AloneUndated
  147. 147GinevraUndated
  148. 148Good-NightUndated
  149. 149GraceUndated
  150. 150Hampden, Pym, Cromwell, His Daughter, and Young Sir Harry VaneUndated
  151. 151He had been advised by a physician to live as much as possible inUndated
  152. 152HeavenUndated
  153. 153HellUndated
  154. 154HellasUndated
  155. 155Her Own WordsUndated
  156. 156HopeUndated
  157. 157Hymn of ApolloUndated
  158. 158Hymn of PanUndated
  159. 159Hymn to Mercury. Translated from the Greek of HomerUndated
  160. 160I have excluded “The Wandering Jew”, having failed to satisfyUndated
  161. 161In HorologiumUndated
  162. 162Indian Youth and LadyUndated
  163. 163Inferno 33, 22-75Undated
  164. 164Introduced by a Servant,Undated
  165. 165Invocation to MiseryUndated
  166. 166January, 1810Undated
  167. 167Julian and MaddaloUndated
  168. 168Kneels on the Steps of the Altar, and Speaks in Tones at First FaintUndated
  169. 169Lechlade, GloucestershireUndated
  170. 170Letter to Maria GisborneUndated
  171. 171LibertyUndated
  172. 172LinesUndated
  173. 173Lines to a CriticUndated
  174. 174Lines to a ReviewerUndated
  175. 175Lines Written Among the Euganean HillsUndated
  176. 176Lines Written During the Castlereagh AdministrationUndated
  177. 177Lines Written in the Bay of LericiUndated
  178. 178Lines Written in the Vale of ChamouniUndated
  179. 179Lines Written on Hearing the News of the Death of NapoleonUndated
  180. 180List of Punctual VariationsUndated
  181. 181LoveUndated
  182. 182Love, Hope, Desire, and FearUndated
  183. 183Maglian called; and after dinner, and while walking with him on theUndated
  184. 184MarenghiUndated
  185. 185Mary W. ShelleyUndated
  186. 186Marzio Is Led InUndated
  187. 187Melody to a Scene of Former TimesUndated
  188. 188Miching MallechoUndated
  189. 189Miscellaneous PoemsUndated
  190. 190MusicUndated
  191. 191MutabilityUndated
  192. 192O, Follow, Follow!Undated
  193. 193Ode to HeavenUndated
  194. 194Ode to LibertyUndated
  195. 195Ode to NaplesUndated
  196. 196Ode to the West WindUndated
  197. 197On a Faded VioletUndated
  198. 198On an Icicle that Clung to the Grass of a GraveUndated
  199. 199On DeathUndated
  200. 200On Fanny GodwinUndated
  201. 201On Launching Some Bottles Filled with Knowledge into the Bristol ChannelUndated
  202. 202On Leaving London for WalesUndated
  203. 203On the Medusa of Leonardo Da VinciUndated
  204. 204On the Medusa of Leonardo Da Vinci in the Florentine GalleryUndated
  205. 205OrpheusUndated
  206. 206OthoUndated
  207. 207OzymandiasUndated
  208. 208Passages of the PoemUndated
  209. 209Passages of the Poem, or Connected TherewithUndated
  210. 210Passages of the PrefaceUndated
  211. 211Percy B. ShelleyUndated
  212. 212Peter Bell the ThirdUndated
  213. 213Pigna, a MinisterUndated
  214. 214Poems from St. Irvyne, or, the RosicrucianUndated
  215. 215Poems Written in 1817Undated
  216. 216Posthumous Fragments of Margaret McholsonUndated
  217. 217PostscriptUndated
  218. 218Postscript in Second Edition of 1839Undated
  219. 219Prince AthanaseUndated
  220. 220Prom the Greek of BionUndated
  221. 221Prometheus UnboundUndated
  222. 222Prynne as a Prisoner, and Then BastwickUndated
  223. 223Punctual VariationsUndated
  224. 224RainUndated
  225. 225Ravine Is Split, and the Phantasm of Jupiter Rises, Surrounded ByUndated
  226. 226RemembranceUndated
  227. 227RevengeUndated
  228. 228Rosalind and HelenUndated
  229. 229Saint Edmond’s EveUndated
  230. 230Scene 2Undated
  231. 231Scenes from the Faust of GoetheUndated
  232. 232ShakespeareUndated
  233. 233Showing the Various Printed Sources of the Contents of This EditionUndated
  234. 234Similes for Two Political Characters of 1819Undated
  235. 235SinUndated
  236. 236SongUndated
  237. 237Song from the Wandering JewUndated
  238. 238Song of Proserpine While Gathering Flowers on the Plain of EnnaUndated
  239. 239Song to the Men of EnglandUndated
  240. 240SonnetUndated
  241. 241Sonnet to ByronUndated
  242. 242Sonnet. from the Italian of CavalcantiUndated
  243. 243Sonnet. from the Italian of DanteUndated
  244. 244SorrowUndated
  245. 245Spurs, and a Hunting-Cap, Buckishly Cocked on One Side, and Tucking UpUndated
  246. 246StanzaUndated
  247. 247Stanza from a Translation of the Marseillaise HymnUndated
  248. 248Stanza, Written at BracknellUndated
  249. 249Stanzas 1 and 2Undated
  250. 250Stanzas Written in Dejection, Near NaplesUndated
  251. 251Strophe 1Undated
  252. 252Strophe 2Undated
  253. 253Summer and WinterUndated
  254. 254Supposed to Be Addressed to William GodwinUndated
  255. 255SymphonyUndated
  256. 256The AuthorUndated
  257. 257The AziolaUndated
  258. 258The BagUndated
  259. 259The Birth of PleasureUndated
  260. 260The Boat on the SerchioUndated
  261. 261The Car Pauses Within a Cloud on the Top of a Snowy MountainUndated
  262. 262The Cave of DemogorgonUndated
  263. 263The CenciUndated
  264. 264The CloudUndated
  265. 265The Daemon Goes Out at One Door,Undated
  266. 266The Daemon Tempts Justina, Who Is a ChristianUndated
  267. 267The DevilUndated
  268. 268The DirgeUndated
  269. 269The Enchantress Comes ForthUndated
  270. 270The False Laurel and the TrueUndated
  271. 271The FugitivesUndated
  272. 272The Indian SerenadeUndated
  273. 273The Irishman’s SongUndated
  274. 274The IsleUndated
  275. 275The Magnetic Lady to Her PatientUndated
  276. 276The Mask of AnarchyUndated
  277. 277The Masque of the Inns of CourtUndated
  278. 278The PastUndated
  279. 279The Pine Forest of the Cascine Near PisaUndated
  280. 280The Revolt of IslamUndated
  281. 281The SameUndated
  282. 282The Sensitive PlantUndated
  283. 283The SolitaryUndated
  284. 284The Spectral HorsemanUndated
  285. 285The SunsetUndated
  286. 286The Tower of FamineUndated
  287. 287The Triumph of LifeUndated
  288. 288The Upper End of the TempleUndated
  289. 289The Waning MoonUndated
  290. 290The Witch of AtlasUndated
  291. 291The Woodman and the NightingaleUndated
  292. 292The ZuccaUndated
  293. 293There is a copy amongst the Shelley manuscripts at the BodleianUndated
  294. 294There Is No Work, nor Device, nor Knowledge, nor Wisdom,Undated
  295. 295Thomas Hutchinson, M. AUndated
  296. 296TimeUndated
  297. 297Time Long PastUndated
  298. 298To a Balloon Laden with KnowledgeUndated
  299. 299To a SkylarkUndated
  300. 300To a StarUndated
  301. 301To ConstantiaUndated
  302. 302To Constantia, SingingUndated
  303. 303To DeathUndated
  304. 304To Edward WilliamsUndated
  305. 305To Emilia VivianiUndated
  306. 306To First Collected Edition, 1839Undated
  307. 307To HarrietUndated
  308. 308To IantheUndated
  309. 309To IrelandUndated
  310. 310To MaryUndated
  311. 311To Mary ShelleyUndated
  312. 312To Mary Who Died in This OpinionUndated
  313. 313To Mary Wollstonecraft GodwinUndated
  314. 314To NightUndated
  315. 315To the Lord ChancellorUndated
  316. 316To the MoonUndated
  317. 317To the MoonbeamUndated
  318. 318To the NileUndated
  319. 319To the Queen of My HeartUndated
  320. 320To the Republicans of North AmericaUndated
  321. 321To the Volume of Posthumous Poems Published in 1824Undated
  322. 322To Thomas Brown, Esq., the Younger, H.fUndated
  323. 323To William ShelleyUndated
  324. 324To WordsworthUndated
  325. 325To-MorrowUndated
  326. 326Translated by Medwin and Corrected by ShelleyUndated
  327. 327Translated from the GermanUndated
  328. 328Translated from the ItalianUndated
  329. 329Translated from the Original DoricUndated
  330. 330TranslationsUndated
  331. 331Two Young Fauns Are Sitting on a Rock ListeningUndated
  332. 332UgolinoUndated
  333. 333Uncancelled PassageUndated
  334. 334Universe Not Convinced?Undated
  335. 335Variation of the Song of the MoonUndated
  336. 336Verses on a CatUndated
  337. 337WarUndated
  338. 338With a Guitar, to JaneUndated
  339. 339Written on the Occasion of the Massacre at ManchesterUndated

Recurring themes

Biographical record

About Percy Bysshe Shelley

Percy Bysshe Shelley was born in 1792 in Sussex, England, to a wealthy, politically conservative family—a background he would spend most of his life pushing against. In 1811, he got expelled from Oxford for co-authoring a pamphlet titled *The Necessity of Atheism*, which reveals a lot about who he was at just nineteen. He eloped twice: first with Harriet Westbrook and later with Mary Godwin—who would go on to write *Frankenstein*—after the tragic death of Harriet by suicide in 1816.

Shelley moved among influential figures of the Romantic era. He was a close friend of Lord Byron, and the three of them, including Mary, spent a famous summer in Geneva in 1816 that sparked some of the most memorable writing of that time. Shelley's creative output during his brief life was remarkably ambitious: he wrote long philosophical poems, political odes, lyrical verses with extraordinary musicality, and a verse drama, *Prometheus Unbound*, that feels like a manifesto for human liberation.

His political views were genuinely radical for his time.

He was a dedicated republican, a vegetarian, an advocate for Irish independence, and deeply opposed to the ruling class into which he was born. These weren't just empty gestures—he distributed pamphlets, penned political essays, and allowed his beliefs to cost him relationships, his inheritance, and his social standing. His poem *The Masque of Anarchy*, written in response to the Peterloo Massacre of 1819, stands as one of the most powerful protest poems in the English language.

Shelley drowned in the Gulf of Spezia, Italy, in 1822, just a month shy of his thirtieth birthday, when his sailing boat capsized in a storm. He was cremated on the beach, and his ashes were buried in Rome, close to the grave of his friend John Keats.

Biographical span
1792Birth
1822Death
1819Median work

Poets in the same orbit

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