The Annotated Edition
On Fanny Godwin by Percy Bysshe Shelley
Shelley pens a brief, guilt-laden elegy for Fanny Godwin, his wife Mary's half-sister, who took her own life in 1816.
- Core theme
- Death
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Her voice did quiver as we parted, / Yet knew I not that heart was broken
Editor's note
The entire poem consists of a single stanza, which brings everything together. Shelley begins with a vivid memory: Fanny's voice trembled during their farewell. He quickly acknowledges that he didn't grasp the significance of that trembling — he was unaware that her heart was already shattered. The phrase 'knew I not' instead of 'I did not know' places his ignorance front and center, creating the feeling of a confession. The next two lines intensify the guilt: he left and paid little attention to what she said. The phrase 'Heeding not the words then spoken' serves as a stark self-accusation — he was present, she spoke, and he simply ignored her. The final couplet, 'Misery — O Misery, / This world is all too wide for thee,' transitions from personal reflection to a lament directed at Misery itself. It suggests that the world is so vast and empty that someone burdened by grief has nowhere to find solace. It feels almost like an epitaph, and the repetition of 'Misery' evokes the sound of someone struggling to articulate the word.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The quivering voice
- Fanny's trembling voice as they parted captures all the distress she couldn't express in words. It's the signal that Shelley overlooked, and it lingers throughout the poem as the one moment where everything could have changed.
- The wide world
- The world's width doesn't symbolize freedom or possibility here; rather, it does the opposite. For someone in deep misery, vastness signifies isolation, with no corner of comfort and nowhere to belong. This image transforms the world into an indifferent expanse that consumes the suffering person entirely.
- Misery (personified)
- By addressing Misery directly — 'O Misery' — Shelley portrays it as a living presence, almost like a companion that once followed Fanny and now accompanies him. This elevates the poem from a personal story to a more universal exploration of grief that struggles to find a place.
§06Form & structure
Form & structure
- Meter
- iambic tetrameter
- Rhyme
- ABAB CC
§07Historical context
Historical context
§08FAQ
Questions readers ask
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