The Annotated Edition
PETER BELL THE THIRD. by Percy Bysshe Shelley
*Peter Bell the Third* is Shelley’s biting comic poem that mocks William Wordsworth.
- Themes
- art, freedom, identity
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Dedication: To Thomas Brown, Esq., the Younger, H.F.
Editor's note
Shelley writes the poem for his friend Tom Moore, using a humorous pseudonym. The mock scholarly details—initials and competing interpretations—quickly establish a satirical tone. Shelley is indicating that this entire venture is a playful game, though one with a serious edge.
Part the First: Death / Is yawning to a grave yawn...
Editor's note
The opening section sets up the poem's main joke: Peter Bell has already been reimagined in different forms (Wordsworth's original, John Hamilton Reynolds's parody, and now Shelley's version). Shelley joyfully adds to this, viewing literary immortality as a sort of ridiculous form of undeath.
Part the Second: The Devil / The Devil, I safely can aver...
Editor's note
Shelley's Devil isn't a typical fire-and-brimstone character; instead, he’s portrayed as a recognizable London gentleman—stylish, mundane, and distinctly modern. This portrayal critiques the comfortable, respectable evil of the establishment rather than presenting a supernatural threat.
Part the Third: Hell / Hell is a city much like London...
Editor's note
This section is the most celebrated. Shelley paints Hell as looking just like modern-day London, teeming with lawyers, spies, priests, and politicians. The satire is sharp, and the energy is palpable—it feels like a furious city guide.
Part the Fourth: Sin / Peter was dull — he was at first...
Editor's note
Peter's main flaw isn't wickedness; it's dullness—a complete numbness to moral and imaginative feelings. Shelley contends that this is more dangerous than outright evil, as a dull man can be manipulated by those in power without even realizing it.
Part the Fifth: Grace / Among the guests who often stayed...
Editor's note
Peter navigates aristocratic and literary circles, enjoying 'grace'—the kind of worldly success, patronage, and praise that many crave. However, Shelley emphasizes that this grace is more of a corruption than a true blessing. As Peter inches closer to power, he drifts further away from authentic poetry.
Part the Sixth: Damnation / Even the Preacher, who had kept...
Editor's note
Peter's damnation is complete: he supports the government of the Peterloo era, views Carnage as an instrument of God (a direct quote from Wordsworth's Thanksgiving Ode), and has completely turned his back on the radical sympathies he once held in his youth.
Part the Seventh: Double Damnation / The Devil now knew his proper cue...
Editor's note
In the final section, Peter finds himself abandoned even by the corrupt powers he once served. His soul delivers the poem's last bitter irony — a reminder that he will also be left behind. The poem concludes not with redemption but with the utter emptiness of a life devoted to seeking respectability.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Peter Bell
- Peter embodies Wordsworth, yet he also represents a wider archetype: the artist who sacrifices authentic emotion and political bravery for the sake of comfort and acceptance. Shelley takes this character from Wordsworth's poem and transforms him into a reflection of his creator.
- Hell as London
- By making Hell look just like the capital, Shelley suggests that the true inferno isn't something otherworldly but rather stems from social and political issues — created by inequality, corruption, and the relentless workings of the British state in the years following Waterloo.
- Dullness
- Shelley views dullness not just as a personality trait but as a moral failing and a political threat. Someone lacking imagination and emotion can’t stand up to power; they unwittingly become its tool.
- The Devil as gentleman
- The Devil's stylish yet ordinary look takes the drama out of evil, placing it within the everyday settings of dinner parties and social connections. According to Shelley, evil resembles respectability to a tee.
- Carnage as God's daughter
- The direct quotation from Wordsworth's Thanksgiving Ode serves as Shelley's smoking gun — clear proof that Wordsworth hasn't merely fallen silent but has actually endorsed state violence. It's the most damning evidence in the poem.
- The soul's final rejoinder
- When Peter's soul warns him that it will abandon him as well, it marks the totality of his downfall. He has lost his politics, his poetry, his supporters, and ultimately his inner life. There is nothing left.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Read next