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The Annotated Edition

Checking Out Me History by John Agard

Summary, meaning, line-by-line analysis & FAQ.

Read aloud in ~1 min

John Agard's poem boldly and playfully challenges a British school curriculum that taught Caribbean children about European history while ignoring their own.

Composed
2007 · Contemporary
Core theme
Freedom

In copyright · excerpt not reproduced

Read the full poem at Bloodaxe Books, 2007.

Our analysis below quotes only short phrases from the poem under fair-dealing criticism and commentary. The complete poem is available through the publisher above.

identitycolonial powervoice

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Study sheet (PDF)

§01Quick summary

What this poem is about

John Agard's poem boldly and playfully challenges a British school curriculum that taught Caribbean children about European history while ignoring their own. The speaker highlights important figures from Black and Caribbean history—such as Toussaint L'Ouverture and Mary Seacole—contrasting them with the nursery-rhyme nonsense he received instead. By the poem's conclusion, he firmly asserts his right to explore his own history.

§02Themes

Recurring themes

§03Tone & mood

How this poem feels

The tone is bold and lively, but it never crosses into bitterness. Agard maintains a playful vibe— the nursery-rhyme sections carry a teasing, almost sarcastic lightness— while the stanzas about real historical figures feel warm and celebratory. The overall impression is more like a victory speech than a sorrowful reflection: this is someone taking back something, rather than merely grieving its absence.

§04Symbols & metaphors

Symbols & metaphors

Dem / Dem tell me
The unnamed 'dem' symbolizes the colonial education system and the larger power dynamics that determined which histories were deemed worthy of teaching. By not naming them directly, Agard emphasizes the speaker's experience instead of providing the oppressor with a platform.
Nursery rhymes and folklore figures
Dick Whittington, Robin Hood, and similar figures represent the trivial, Eurocentric content that filled the curriculum. Their inclusion isn't just irrelevant to a Caribbean child; it also pushes aside the history that could help that child develop a sense of identity.
Carving
The act of carving at the end of the poem represents a conscious, physical process of self-creation. Identity isn’t something we simply receive; it’s shaped from stubborn material through effort and determination.
Light imagery (beacon, star, flame)
Agard frequently employs light to portray Black historical figures—Toussaint as a beacon and Seacole as a healing star. In a backdrop of historical darkness, light represents not only visibility but also guidance: these individuals ought to have been the ones illuminating the path all along.
Creole dialect
The poem's language serves as a symbol. By using Caribbean Creole instead of Standard English, the poet directly resists the system that the poem critiques — the language that faced suppression now becomes the voice of protest.

§05Historical context

Historical context

John Agard was born in Guyana in 1949 and moved to Britain in 1977. He wrote "Checking Out Me History" as a reaction to his experiences with a British education system that focused on European culture while largely overlooking the histories of the Caribbean and Africa. The poem appeared in his 1996 collection *Get Back Pimple* and eventually became one of the most commonly taught poems in the GCSE English Literature syllabus across England and Wales. It belongs to a larger tradition of Caribbean protest poetry that features voices like Linton Kwesi Johnson and Louise Bennett, who intentionally used Creole dialect as a form of political expression. The historical figures Agard highlights—Toussaint L'Ouverture, Nanny of the Maroons, Mary Seacole—were nearly absent from British school curricula at the time he wrote, and their inclusion serves as both a recovery of history and a call for recognition.

§06FAQ

Questions readers ask

What is the poem's main message?

The poem contends that a colonial education system robbed the speaker of his identity by focusing on European history and folklore while sidelining the stories of Black and Caribbean people. Ultimately, the speaker rejects this erasure and asserts his right to shape his identity based on his own history.

Why does Agard write in Creole dialect?

Because the dialect is part of the argument. The British education system that overlooked Caribbean history also dismissed Caribbean language. Writing the poem in Creole asserts: my language matters, my culture matters, and I'll use both to share my story.

Who are the historical figures mentioned in the poem?

The key figures include Toussaint L'Ouverture, who led the Haitian Revolution and is a crucial figure in the fight against slavery; Nanny of the Maroons, an 18th-century freedom fighter and a national hero of Jamaica; and Mary Seacole, a Jamaican-British nurse who served during the Crimean War but was mostly overlooked in British history.

Why does the poem have two different styles of stanza?

The short, clipped stanzas reflect the curriculum — dry, dismissive, and as simple as nursery rhymes. In contrast, the longer, more lyrical stanzas embody the history Agard is reclaiming — richer, more vibrant, and deserving of genuine storytelling. The difference in form visually sets up the argument before you even read the words.

What does 'carving out me identity' mean?

It means taking the initiative to shape your identity instead of just accepting the identity given to you. Carving is tough, physical labor — Agard emphasizes that reclaiming your history requires genuine effort, but it's a personal journey you undertake, rather than something you expect an institution to do for you.

Is this poem autobiographical?

Broadly, yes. Agard grew up in Guyana, where he experienced a British colonial education system, and later moved to Britain. The speaker's frustration mirrors his own experience of learning from a curriculum that excluded the history of people who resembled him.

What effect does the repetition of 'Dem tell me' have?

It creates a rhythm reminiscent of a drumbeat or chant, linking the poem to the Caribbean's oral and musical traditions. This repetition makes the indoctrination feel unyielding — the same message keeps repeating, drowning out all other sounds. By the end, when the speaker breaks this pattern, the shift feels like a true liberation.

Why is the poem on the GCSE syllabus?

It explores key themes in the curriculum—identity, power, history, and language politics—while presenting them in a technically engaging way (with its two-style structure, use of dialect, and repetition). Additionally, it critiques the British education system, making it notably self-aware for a poem being studied within that same system.

Citation

Cite this poem

MLA

Agard, John. "Checking Out Me History." 2007. Storgy, https://storgy.com/poems/checking-out-me-history-john-agard/.

APA

Agard, J. (2007). Checking out me history. Storgy. https://storgy.com/poems/checking-out-me-history-john-agard/

TeacherAQA scaffold — preview

AO1 — Interpretation + textual reference

In 'Checking Out Me History', Agard presents the speaker as someone actively reclaiming a stolen sense of self, arguing that colonial education has deliberately suppressed Black and Caribbean heritage. The repeated refrain 'Dem tell me' …

  • AO2 — Language, form, structure (with effect)
  • AO3 — Context woven into close reading
  • Comparison hooks
  • Common student errors
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