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The Poet Index · Entry 021

Phillis Wheatley
Poems

Lifespan
1753–1784
Nationality
United States
Indexed Works
1

Phillis Wheatley was born in West Africa around 1753.

Editorial intro

Storgy editorial

Editorial intro

Phillis Wheatley accomplished what no one else had achieved: she took the polished, rule-bound poetic form of the eighteenth century — the heroic couplet — and employed it to assert her own humanity from within the institution of slavery. She did not bend or rebel against the form. Instead, she mastered it so thoroughly that eighteen of Boston's most powerful men were compelled to sit down in a room and formally acknowledge they couldn't explain her away. In 1773, her *Poems on Various Subjects, Religious and Moral* was published in London, making her the first African American and one of the first American women to publish a book of poetry.

Her work marks the origin point of an entire tradition — writers like Jupiter Hammon, and later the entire arc of African American literary expression, owe her a significant debt. Modern readers discovering her for the first time are often surprised by two aspects: her formal precision and the quietly subversive nature of that precision. The faith expressed is genuine, the classical references are authentic, and woven throughout is a persistent insistence on her own worth and voice. She wrote elegy, ode, and religious verse — yet the underlying subject within all of it is freedom, which makes her work feel less like a historical artifact and more like a living argument.

The Works

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  1. 01On Being Brought from Africa to America1773

Recurring themes

Biographical record

About Phillis Wheatley

Phillis Wheatley was born in West Africa around 1753. When she was about seven or eight years old, she was captured, enslaved, and shipped to Boston, where John and Susanna Wheatley bought her to serve as a household servant. What happened next was truly remarkable.

The Wheatleys noticed that she was teaching herself to read by observing others, and instead of discouraging her, they encouraged her learning. Susanna and her daughter Mary began to formally educate Phillis in English, Latin, and classical literature. Within a few years, she was reading works by Virgil and Pope and writing her own poetry. Boston's intellectual circles began to take notice, and in 1772, she was invited to appear before a panel of eighteen prominent men — including clergymen, merchants, and the governor — who questioned her to confirm that a young enslaved Black woman could actually have written the poems attributed to her. She passed their scrutiny. The following year, *Poems on Various Subjects, Religious and Moral* was published in London, making her the first African American and one of the first American women to publish a book of poetry.

The book brought her a sort of celebrity that crossed the Atlantic.

She corresponded with George Washington, who invited her to meet him after she sent him a poem in his honor, as well as with figures in the British abolitionist movement. She was manumitted — freed — around the time of her book's publication, likely in late 1773.

However, freedom did not guarantee security. John Wheatley died, the household was disbanded, and Phillis found herself navigating Boston during the Revolutionary War without any financial safety. She married John Peters in 1778, a free Black man whose business ventures consistently failed. She had three children, but none lived past infancy. She attempted to publish a second collection of poems but was unsuccessful. By 1784, she was working in a boarding house, in poor health, and she died in December of that year at around thirty-one. Tragically, her last child died on the same day.

Biographical span
1753Birth
1784Death
1773Median work

Poets in the same orbit

Reader questions

Frequently asked

Was Phillis Wheatley actually the first African American published poet?

She is the first African American to publish a *book* of poetry—*Poems on Various Subjects, Religious and Moral* was released in London in 1773. While individual poems by Black writers had been printed earlier, there had never been a full collection. This distinction is significant: producing a book meant securing funding, finding a publisher, and reaching a transatlantic audience ready to purchase it.

Why was she examined by a panel of men before her book could be published?

The publisher and the Boston establishment had to convince skeptics who couldn't accept that an enslaved Black woman could write sophisticated poetry. In 1772, eighteen prominent men, including John Hancock and the governor of Massachusetts, interrogated her to verify her authorship. They signed an attestation that was printed at the front of the book. This document is remarkable: it not only proves her talent but also highlights the challenges she faced.

Did her poetry address slavery directly?

Sometimes directly, but more often indirectly. She wrote about her journey from Africa to America in ways that reshape the Christian narrative of salvation to include her own experiences. The poem 'On Being Brought from Africa to America' is the most frequently analyzed example — it consists of just eight lines, yet those lines carry significant weight regarding race and redemption, sparking ongoing debates among readers.

What happened to the second book of poems she tried to publish?

It never showed up. In 1779, she sent out a proposal that included more than thirty poems and thirteen letters, but she couldn’t gather enough subscribers to make publication possible. The manuscript has never been located. Considering the quality of her work under such challenging circumstances, the loss of that missing collection stands out as one of the true tragedies of American literary history.

How did she end up corresponding with George Washington?

In late 1775, she sent him a poem that praised his leadership of the Continental Army. Washington responded, apologized for the delay, called the poem elegant, and invited her to visit him at his headquarters in Cambridge. She made the visit in early 1776. It's a strange and intriguing moment — an enslaved-turned-free Black poet meeting the future first president over a complimentary ode.

What poetic style did she write in?

She primarily wrote in the neoclassical style that was prevalent in 18th-century English poetry — using heroic couplets, formal language, and allusions to Greek and Roman figures, as well as crafting elegies for the deceased. Her biggest influence was Alexander Pope. Critics have occasionally viewed this as mere imitation or conformity. However, a more insightful interpretation is that she adopted the most esteemed literary form of her time and repurposed it to express ideas that it was never intended to convey.

When and how did she die?

She passed away in December 1784 in Boston, around the age of thirty-one. At the time, she was struggling with poverty while working in a boarding house and suffering from poor health. Tragically, her third infant child also died that same day. She was laid to rest in an unmarked grave.