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The Poet Index · Entry 104

Gerard Manley Hopkins
Poems

Lifespan
1844–1889
Nationality
United Kingdom
Indexed Works
7

At only ten lines, it serves as the friendliest entry into Hopkins's world — a quick, heartfelt expression of gratitude for all the unique and unusual aspects of nature, without the syntactic challenges that can hinder…

Editorial intro

Nikola Gulevski, Editor, Storgy

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Editorial intro

Gerard Manley Hopkins invented a way of writing English that made the language sound like it was under physical pressure. He called it sprung rhythm, a system built on stress rather than syllable count, and it gave his lines a muscular, lurching energy that no Victorian poet before him had attempted. He developed it while learning Welsh, teaching Classics, and living under Jesuit vows, sharing it with almost no one except his friend Robert Bridges, who mostly found it baffling. Hopkins never published a collection in his lifetime and died in Dublin in 1889 at forty-four, largely unknown as a poet.

When Bridges finally released the poems in 1918, the modernists seized on them immediately. Eliot, Auden, Dylan Thomas—each found something useful in Hopkins's compressed syntax and restless sound patterns. Today's reader encountering him for the first time tends to be surprised by two things: how visually intense the nature poems are, almost violent in their precision, and how raw the so-called Terrible Sonnets feel, written during his final years when faith and exhaustion were grinding against each other in equal measure. He is a devotional poet who never sounds comfortable, and that tension is exactly what makes him worth reading.

Where to start

The Works

Sort byYearTitle
  1. 01As Kingfishers Catch FireUndated
  2. 02Carrion ComfortUndated
  3. 03Felix RandalUndated
  4. 04God's GrandeurUndated
  5. 05Pied BeautyUndated
  6. 06SpringUndated
  7. 07The WindhoverUndated

Recurring themes

Biographical record

About Gerard Manley Hopkins

Gerard Manley Hopkins was born in Stratford, Essex in 1844, the eldest of nine children in a prosperous family with a strong artistic background. He displayed early talents in both poetry and visual art, winning a poetry prize at school and pursuing Classics at Balliol College, Oxford. It was there that he came under the influence of Walter Pater and Benjamin Jowett, but it was John Henry Newman’s writings that had the most profound impact on him. In 1866, Hopkins converted to Roman Catholicism and a year later joined the Society of Jesus, the Jesuits. Upon entering the novitiate, he burned nearly all the poetry he had written up to that point, believing it conflicted with his religious calling.

For the next twenty years, he moved between Jesuit houses across England, Wales, and Ireland, where he studied, taught, and served as a parish priest. His time in Wales was particularly productive: he learned Welsh, developed a deep appreciation for its landscape, and began to formulate ideas about rhythm and sound that would come to define his later work. He referred to his new metrical system as "sprung rhythm," which focused on counting stresses rather than syllables, giving his lines a dynamic, energetic quality that was unique in Victorian poetry.

Hopkins wrote in relative obscurity, sharing his work almost solely with his friend and fellow poet Robert Bridges, who served as a sort of one-man archive for his poetry.

He never pursued publication during his lifetime, and the two men exchanged a lengthy correspondence, where Bridges often expressed confusion over Hopkins's experimental style, while Hopkins passionately defended his choices.

In 1884, Hopkins was appointed Professor of Greek and Latin at University College Dublin. He found this position isolating and exhausting. Ireland was politically unstable, his health was declining, and he grappled with what he termed "desolation," a spiritual dryness that influenced the bleak, introspective sonnets now known as the "Terrible Sonnets." He died of typhoid fever in Dublin in 1889 at the age of 44, reportedly saying at the end, "I am so happy, I am so happy."

Biographical span
1844Birth
1889Death

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