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The Poet Index · Entry 1066

Christopher Smart
Poems

Lifespan
1722–1771
Nationality
Kingdom of Great Britain
Indexed Works
2

The section about his cat Jeoffry is the easiest part of Smart's writing to connect with.

Editorial intro

Storgy editorial

Editorial intro

Christopher Smart wrote a long, ecstatic poem about God, cats, and the hidden names of things while locked in a madhouse — and nobody read it for nearly two hundred years. That poem, *Jubilate Agno*, follows the call-and-response structure of Hebrew liturgy and moves between theology, natural history, and a genuinely moving portrait of his cat Jeoffry with a freedom that has no real parallel in eighteenth-century English poetry. His other major work, *A Song to David*, was dismissed by contemporaries as the output of an unstable mind. They were wrong on both counts.

Smart sits awkwardly in the literary landscape of his era precisely because he does not fit it. He was writing in the age of Pope and Dryden's long shadow, when polish and decorum were the expected virtues of verse, and he produced something closer in spirit to Blake or Gerard Manley Hopkins — neither of whom he influenced directly, but both of whom feel like his natural company. First-time readers are usually surprised by two things: how funny and strange *Jubilate Agno* is line by line, and how formally controlled *A Song to David* turns out to be underneath its apparent intensity. Smart was not undone by madness. He was undone by a world that mistook vitality for instability.

Where to start

The Works

Sort byYearTitle
  1. 01A Song to DavidUndated
  2. 02Jubilate AgnoUndated

Recurring themes

Biographical record

About Christopher Smart

Christopher Smart was born in Shipbourne, Kent, in 1722 and grew up to become one of the most distinctive voices in eighteenth-century English poetry. He attended Pembroke College, Cambridge, where he demonstrated enough talent to earn a fellowship. His early career involved writing light verse, translations, and journalism in London. He regularly contributed to two popular periodicals of the time, *The Midwife* and *The Student*, and mingled with prominent figures like Samuel Johnson and Henry Fielding — a notable achievement in a literary scene where those names held significant influence.

Smart was a devout high church Anglican, and his faith was deeply embedded in his work. Unfortunately, it also led to his downfall. In the 1750s, he began to exhibit signs of what his contemporaries labeled madness — particularly, an uncontrollable urge to drop to his knees and pray in public, regardless of the situation. Johnson defended him, reportedly stating he would just as soon pray with Kit Smart as with anyone else, arguing that his only madness was a relentless desire to pray. Others were less sympathetic. Smart was placed in a private asylum, St. Luke's Hospital for Lunatics, and later confined to a madhouse in Bethnal Green for much of the late 1750s and into the 1760s.

During his time in confinement, he wrote *Jubilate Agno*, a long, unusual, ecstatic poem that remained unpublished during his life and wasn't fully printed until 1939.

The poem loosely follows the antiphonal call-and-response format of Hebrew liturgy, encompassing everything from theological reflection to natural history, including a well-known, tender passage about his cat Jeoffry. It stands apart from anything else created during that time.

After his release, Smart published *A Song to David* in 1763, a formally ambitious hymn of praise that many consider his masterpiece today. At the time, some readers interpreted its intensity as further proof of his instability. In his later years, Smart lived in poverty, faced imprisonment for debt, and ultimately died in a debtors' prison in 1771 at the age of forty-nine.

Biographical span
1722Birth
1771Death

Poets in the same orbit

Reader questions

Frequently asked

Why was Christopher Smart committed to an asylum?

Smart was put in an institution mostly due to his compulsive public praying. In the social climate of eighteenth-century London, kneeling in the street to pray was viewed more as a sign of mental illness than of genuine faith. He spent several years locked away, first at St. Luke's Hospital for Lunatics and later at a private madhouse in Bethnal Green. Samuel Johnson notably challenged the diagnosis, yet Smart’s family and friends went ahead with the commitment regardless.

What is Jubilate Agno and why wasn't it published in his lifetime?

*Jubilate Agno* (Latin for "Rejoice in the Lamb") is a lengthy poem that Smart penned while he was confined. This piece was never intended for publication; instead, it served as a personal spiritual journal expressed in verse. Although the manuscript endured, it wasn't completely edited and published until 1939, almost 170 years after his death. Today, it's recognized as one of the most distinctive and captivating poems of the century.

What is the famous passage about the cat Jeoffry?

Inside *Jubilate Agno*, there's a passage that starts with "For I will consider my Cat Jeoffry." This section stretches for dozens of lines, detailing the cat's daily routines, his spiritual importance, and his bond with God. It's written with precision, warmth, and genuine emotion. This part has become one of the most quoted in Smart's work, helping many modern readers discover him—readers who might not have otherwise explored his religious poetry.

Is A Song to David considered his best work?

*A Song to David* is frequently regarded as his best work. This formal hymn praises the biblical King David, organized into concise six-line stanzas, and it gradually builds in intensity, creating a musical quality. When it was published in 1763, some readers questioned its fervor. However, over the years, critics recognized that this intense energy is actually central to the poem — it's making a bold statement with its blend of devotion and poetic structure.

How did Smart fit into the literary world of his time?

He had strong connections from the start. His friendships with Samuel Johnson and Henry Fielding brought him into the heart of London's literary scene, and his journalism helped him gain public recognition. However, his writing style never fully aligned with the prevailing Augustan preference for wit, refinement, and classical restraint. His fervent religious beliefs and his tendency to adopt unconventional approaches put him at odds with what many readers anticipated from serious poetry in the 1750s and 1760s.

When did Smart's reputation recover?

It took a while. The Romantics mostly overlooked him, leaving him as a footnote for much of the nineteenth century. However, the publication of *Jubilate Agno* in 1939 significantly shifted perspectives, and by the mid-twentieth century, both that poem and *A Song to David* were getting serious attention from scholars and poets. Figures like Allen Ginsberg and W.H. Auden recognized his influence or praised his work, which contributed to his growing audience.

How did Smart die?

He died in 1771 in a London debtors' prison. His later years were filled with poverty and financial struggles, and he was imprisoned for debt shortly before his death. He was forty-nine years old. It's a grim conclusion for someone who had once been a fellow at Cambridge with powerful connections, highlighting how drastically his life had deteriorated after his time in asylum confinement.