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The Poet Index · Entry 1066

Christopher Smart
Poems

Lifespan
1722–1771
Nationality
Kingdom of Great Britain
Indexed Works
2

The section about his cat Jeoffry is the easiest part of Smart's writing to connect with.

Editorial intro

Nikola Gulevski, Editor, Storgy

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Editorial intro

Christopher Smart wrote a long, ecstatic poem about God, cats, and the hidden names of things while locked in a madhouse — and nobody read it for nearly two hundred years. That poem, *Jubilate Agno*, follows the call-and-response structure of Hebrew liturgy and moves between theology, natural history, and a genuinely moving portrait of his cat Jeoffry with a freedom that has no real parallel in eighteenth-century English poetry. His other major work, *A Song to David*, was dismissed by contemporaries as the output of an unstable mind. They were wrong on both counts.

Smart sits awkwardly in the literary landscape of his era precisely because he does not fit it. He was writing in the age of Pope and Dryden's long shadow, when polish and decorum were the expected virtues of verse, and he produced something closer in spirit to Blake or Gerard Manley Hopkins — neither of whom he influenced directly, but both of whom feel like his natural company. First-time readers are usually surprised by two things: how funny and strange *Jubilate Agno* is line by line, and how formally controlled *A Song to David* turns out to be underneath its apparent intensity. Smart was not undone by madness. He was undone by a world that mistook vitality for instability.

Where to start

The Works

Sort byYearTitle
  1. 01A Song to DavidUndated
  2. 02Jubilate AgnoUndated

Recurring themes

Biographical record

About Christopher Smart

Christopher Smart was born in Shipbourne, Kent, in 1722 and grew up to become one of the most distinctive voices in eighteenth-century English poetry. He attended Pembroke College, Cambridge, where he demonstrated enough talent to earn a fellowship. His early career involved writing light verse, translations, and journalism in London. He regularly contributed to two popular periodicals of the time, *The Midwife* and *The Student*, and mingled with prominent figures like Samuel Johnson and Henry Fielding — a notable achievement in a literary scene where those names held significant influence.

Smart was a devout high church Anglican, and his faith was deeply embedded in his work. Unfortunately, it also led to his downfall. In the 1750s, he began to exhibit signs of what his contemporaries labeled madness — particularly, an uncontrollable urge to drop to his knees and pray in public, regardless of the situation. Johnson defended him, reportedly stating he would just as soon pray with Kit Smart as with anyone else, arguing that his only madness was a relentless desire to pray. Others were less sympathetic. Smart was placed in a private asylum, St. Luke's Hospital for Lunatics, and later confined to a madhouse in Bethnal Green for much of the late 1750s and into the 1760s.

During his time in confinement, he wrote *Jubilate Agno*, a long, unusual, ecstatic poem that remained unpublished during his life and wasn't fully printed until 1939.

The poem loosely follows the antiphonal call-and-response format of Hebrew liturgy, encompassing everything from theological reflection to natural history, including a well-known, tender passage about his cat Jeoffry. It stands apart from anything else created during that time.

After his release, Smart published *A Song to David* in 1763, a formally ambitious hymn of praise that many consider his masterpiece today. At the time, some readers interpreted its intensity as further proof of his instability. In his later years, Smart lived in poverty, faced imprisonment for debt, and ultimately died in a debtors' prison in 1771 at the age of forty-nine.

Biographical span
1722Birth
1771Death

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