The Annotated Edition
The Farmer's Bride by Charlotte Mew
A farmer shares the story of the young woman he married, who became so afraid of him and others that she fled, forcing him to chase her down and lock her in the house.
- Poet
- Charlotte Mew
- Composed
- 1916 · Modernist
- Core theme
- Fear
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Three Summers since I chose a maid, / Too young maybe--but more's to do
Editor's note
The farmer starts by mentioning that he picked a wife three years ago, almost nonchalantly admitting that she was likely too young. The term "chose a maid" makes her sound like livestock or a tool he selected, and his excuse — that the harvest kept him too busy to properly court her — reveals a lot about his view of marriage. There's no romance in this; it’s purely transactional.
"Out 'mong the sheep, her be," they said, / 'Should properly have been abed;
Editor's note
The bride escapes one night, and the community teams up with the farmer to search for her across the fields under lantern light. Mew's language is intentionally harsh: she is pursued "like a hare," captured, brought back, and confined. The villagers view this as entirely justified — she *should* have been in bed, after all. This stanza highlights how utterly the woman's fear is disregarded by those around her.
She does the work about the house / As well as most, but like a mouse:
Editor's note
Now we see the bride's daily life after being locked in. She gets by — does the chores, even seems content — but only when the men keep their distance. She interacts with the animals in a natural and warm way, while her conversations with her husband are almost non-existent. The recurring animal comparisons (mouse, beasts in stall) indicate that she has withdrawn into a sort of wild silence. The farmer sees all of this but still blames *her* instead of acknowledging the situation.
Shy as a leveret, swift as he, / Straight and slight as a young larch tree,
Editor's note
The farmer transitions into a love lyric, stacking nature comparisons — a young hare, a larch tree, wild violets — to capture his wife's beauty. Yet, the stanza pivots on "But what to me?" He understands she belongs to her own untamed spirit, not to him. The autumn imagery that follows (falling leaves, frost, bare oaks) reflects his loneliness and the fading hope for the marriage he envisioned.
She sleeps up in the attic there / Alone, poor maid. 'Tis but a stair
Editor's note
The final stanza is where the poem really bursts with emotion. The farmer’s steady rural voice suddenly breaks with "Oh! my God!"—his only moment of unfiltered feeling. The repeated phrases "the brown, / The brown of her" followed by "her eyes, her hair, her hair!" escalate into a frenzy that feels more manic than loving. The small stair separating them is physically insignificant but emotionally insurmountable. Mew wraps up the poem in the midst of obsession, leaving us without any resolution.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The key turned upon her
- The locked door serves as the poem's clearest symbol of control. The farmer mentions it in a straightforward, unemotional way, as though it's the obvious answer. It represents the legal and social authority a husband had over his wife in Edwardian England—her body and movements weren't hers to own.
- Animals (hare, mouse, leveret, birds, rabbits)
- The bride is frequently compared to and depicted alongside both wild and domestic animals. This serves a dual purpose: it highlights her genuine connection to the natural world and reflects how the farmer and the community view her—as something to be pursued, captured, and retained. The animals are the only companions she selects for herself.
- Autumn and winter imagery
- Falling leaves, frost, and brown oaks signal the approach of Christmas and the passage of time, reflecting the farmer's growing emotional numbness. Three years have gone by in a marriage that never truly began. The chilly landscape outside echoes the emotional distance within the house.
- The attic
- The bride sleeps alone in the attic, just one stair away from her husband, which captures the poem's main tension. They are physically close yet completely emotionally and sexually distant within this confined space. The attic itself feels isolating — elevated, separate, and removed from everything else.
- Her hair and eyes (the brown)
- In the final lines, the farmer fixates on the color brown — her eyes, her hair — repeating the word until it becomes nonsensical. Brown also represents the earth, the autumn oaks, and the natural world she is part of. His obsession with this color hints at a desire to claim something fundamentally wild and untamable.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Citation
Cite this poem
MLA
Mew, Charlotte. "The Farmer's Bride." 1916. Storgy, https://storgy.com/poems/the-farmers-bride-charlotte-mew/.
APA
Mew, C. (1916). The farmer's bride. Storgy. https://storgy.com/poems/the-farmers-bride-charlotte-mew/
AO1 — Interpretation + textual reference
Mew presents the farmer as a man trapped by his own desire, simultaneously possessing and mourning a wife he has never truly known. He acknowledges his own negligence from the outset — admitting there was 'more's to do / At harvest-time …
- AO2 — Language, form, structure (with effect)
- AO3 — Context woven into close reading
- Comparison hooks
- Common student errors
Available on any Storgy plan — model paragraphs, band callouts, and common student errors for every poem.
The study desk
Teaching materials and reference tools prepared for this poem.