Skip to content
Storgy

Anne of Green GablesNovel by L. M. Montgomery

Chapter 20: A Good Imagination Gone Wrong

20 of 38 · summary, analysis, and key quotes

What happens in Chapter 20 of Anne of Green Gables?

Chapter 20 begins with Anne and Diana navigating the Haunted Wood, a pine forest that Anne has creatively named and transformed into a place of gothic fear. When Marilla discovers the intricate ghost stories Anne has shared with Diana, she reacts with disapproval, stating that the girls have acted foolishly and that Anne's imagination has crossed into mischief. Anne admits that she and Diana have been scaring themselves every night with stories of a headless man, a white lady, and various other spirits — so much so that they are both genuinely frightened to walk through the wood after dark. Marilla gives them a stern talk about the dangers of letting their imaginations run wild, and while Anne feels some remorse, she can't deny that the thrill of their fright was real, even if the ghosts weren’t. The chapter ends with Anne, a bit reluctantly, deciding to "undream" the Haunted Wood — a promise that's easier said than done, as once imagination is ignited, it's not so easily extinguished.

Analysis

Montgomery uses this chapter to pinpoint Anne's main flaw and her greatest gift: they are essentially the same. The Haunted Wood sequence appears comedic at first—two girls frightened by their own storytelling—but Montgomery skillfully maintains a critique that the humor can't fully diminish. Marilla's scolding comes through without irony; she's right, and the narrative doesn't shield Anne from that judgment.

The theme of naming is particularly significant here. Anne has named the wood into danger, just as she transforms everything at Green Gables into something beautiful. Montgomery makes a subtle yet clear distinction: imaginative naming that enriches (like the Lake of Shining Waters) versus imaginative naming that confines (a path two girls can no longer traverse peacefully). This chapter marks a moment where Anne's romanticism briefly teeters into a form of tyranny over her own surroundings.

The tone skillfully shifts between Marilla's dry frustration and Anne's mix of pride and embarrassment during her self-reflection. Montgomery also introduces a small irony: Anne vows to "undream" the wood, but the word itself hints at impossibility—you can’t un-imagine what imagination has already made real. Thus, the chapter serves as a compact bildungsroman moment, acknowledging growth that hasn’t yet been realized, which aligns perfectly with Montgomery's candid, unsentimental approach throughout the novel.

Key quotes from Chapter 20

  • “'We've imagined it so long that it's real to us now.'”

    Anne explains to Marilla why she and Diana are genuinely frightened by the Haunted Wood, inadvertently articulating the double-edged power of her own imagination.

  • “'I'm going to walk through the Haunted Wood without imagining a single thing, and cure myself.'”

    Anne's resolution to 'undream' the wood, offered to Marilla as proof of contrition, though Montgomery's phrasing quietly undercuts its likelihood of success.

  • “'It was very foolish of you to imagine such things, and still more foolish to let them frighten you.'”

    Marilla's verdict on the episode, delivered with characteristic economy and serving as the chapter's moral anchor.

Check your understanding

5 questions · answers checked on this page, free

  1. 01What name has Anne given to the pine forest that she and Diana must pass through?
  2. 02Which of the following is one of the frightening figures Anne has invented for the wood?
  3. 03How does Marilla respond when she learns what Anne and Diana have been doing in the wood each night?
  4. 04What does Anne's quote — 'We've imagined it so long that it's real to us now' — most clearly reveal about her situation?
  5. 05What does Anne resolve to do at the end of the chapter in order to overcome her fear of the wood?
0 of 5 answered

Ask about this work

The reader has this chapter in front of it — the summary, the analysis, the key quotes and the vocabulary — along with the rest of the book’s chapters. Ask what happens and why it matters, or push back on a reading.

It cites the chapter or the line it is working from, and it says so plainly when the guide doesn’t cover something. It’s instructed never to write an essay, a paragraph or an answer for you to hand in, and never to grade anything — it will show you how to approach the question instead.

Sign in to ask the reader about this work — 1 credit covers three messages.

Create an accountSign in