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The Poet Index · Entry 138

Giovanni Boccaccio
Poems

Lifespan
1313–1375
Nationality
Republic of Florence
Indexed Works
0

Giovanni Boccaccio was born in 1313, probably in Certaldo, a small town in Tuscany that became so closely associated with him that people referred to him as "the Certaldese." His early life revolved around commerce, as…

Editorial intro

Storgy editorial

Editorial intro

Giovanni Boccaccio transformed the plague into literature in a way no previous writer had attempted: he used the Black Death as a framework to narrate one hundred stories about ordinary human desire, folly, and resilience, thereby creating the blueprint for the European short story. The *Decameron*, written in the years following the 1348 catastrophe that claimed half of Florence, does not treat suffering as the focal point. Rather, it emphasizes that people continue to scheme, fall in love, argue about money, and laugh — even when death looms nearby. This refusal to adopt a solemn tone is the book's subtle radicalism.

Boccaccio often finds himself overshadowed by Dante and Petrarch on reading lists, which is unfortunate, as he profoundly influenced modern storytelling. Chaucer drew inspiration from him. Shakespeare borrowed plots from him. One striking aspect for readers is the humor in the *Decameron* — genuinely funny, not just cleverly witty. Another notable element is how seriously Boccaccio portrayed women as characters: they speak, reason, and outsmart men on nearly equal footing, a remarkable achievement for the fourteenth century. Read his stories, and you will be drawn to the underlying argument he makes, almost inadvertently, that earthly life merits close examination.

Recurring themes

Biographical record

About Giovanni Boccaccio

Giovanni Boccaccio was born in 1313, probably in Certaldo, a small town in Tuscany that became so closely associated with him that people referred to him as "the Certaldese." His early life revolved around commerce, as his father was a merchant banker who took him to Naples during his teenage years, hoping he would pick up the trade. However, Boccaccio had different plans. Naples in the 1330s was a vibrant, cosmopolitan court, and he spent his time reading, writing, and falling in love with a woman he later immortalized in his early works as "Fiammetta." The debate continues about whether she was real or a figment of his imagination, but she certainly inspired a creative spark that never dimmed.

When he returned to Florence in the early 1340s, he had already penned several ambitious works that combined classical knowledge with storytelling in vernacular Italian. Then the Black Death struck. The plague ravaged Florence in 1348, claiming about half the city's residents. Boccaccio survived, and from that tragedy emerged his masterwork: the *Decameron*, a collection of one hundred tales narrated by ten young people who escape to the countryside to flee the disease. The book is humorous, bawdy, tragic, and profoundly human — capturing a society caught between medieval devotion and a newfound desire for earthly pleasures.

In his later years, Boccaccio developed a close friendship with Petrarch, another major literary figure of the time.

The two corresponded for decades, and Petrarch's influence nudged Boccaccio towards more serious humanist scholarship. He wrote Latin treatises, compiled encyclopedic works on mythology and notable women, and publicly lectured on Dante's *Divine Comedy* in Florence — one of the first instances where a work in the vernacular was held in the same esteem as classical literature.

Boccaccio passed away in Certaldo in 1375, just over a year after Petrarch. While he never achieved the same lasting fame as his two illustrious contemporaries, Dante and Petrarch, his influence was significant. The *Decameron* inspired Chaucer's *Canterbury Tales*, influenced Shakespeare's stories, and essentially laid the groundwork for the European short story tradition. He was a writer who valued pleasure as much as wisdom, and that blend proved to be remarkably enduring.

Biographical span
1313Birth
1375Death

Poets in the same orbit

Reader questions

Frequently asked

What is Boccaccio best known for?

The *Decameron*, composed between 1351 and 1353, is a frame narrative featuring ten characters who escape the plague-stricken Florence. To pass the time, they each tell a story every day for ten days — which is where the title comes from, as it means "ten days" in Greek. The collection includes a hundred tales, varying from keen social satire to romance and outright comedy, making it a standout piece in world literature.

Was Boccaccio primarily a poet or a prose writer?

Both are significant, but he is primarily remembered for his prose. Early in his career, he penned verse romances and narrative poems, such as *Filostrato* (which Chaucer later adapted into *Troilus and Criseyde*) and *Teseida*, an epic poem that influenced Chaucer's *Knight's Tale*. However, the *Decameron* is so dominant in his legacy that his poetry often gets overshadowed.

How did the Black Death affect his writing?

Directly and profoundly, the *Decameron* starts with a striking firsthand account of the 1348 plague in Florence — capturing the chaos, social breakdown, and bodies lying in the streets. This introduction does more than set the scene; it lends the subsequent storytelling a genuine moral gravity. The characters share their stories because life is fleeting, and enjoying it is important.

What was his relationship with Petrarch?

They met in the late 1340s and formed a true friendship as well as intellectual allies. Boccaccio held Petrarch in high regard and even attempted to gift him a manuscript of Dante's works at one point. Their correspondence continued regularly until Petrarch passed away in 1374. Petrarch's serious approach to humanism had a lasting impact on Boccaccio's later Latin scholarship, while Boccaccio's earlier passion for vernacular literature had already made a significant mark.

Did Boccaccio write anything other than the Decameron?

Quite a lot. *De mulieribus claris* ("On Famous Women") is a collection of biographies celebrating notable women from history and myth — making it one of the first works in Western literature to focus solely on women. In contrast, *De casibus virorum illustrium* explored the downfalls of famous men. He also authored *Genealogia deorum gentilium*, a comprehensive encyclopedia of classical mythology that became a key reference for Renaissance scholars.

Why does Boccaccio matter for English literature specifically?

Chaucer was an attentive reader. The *Canterbury Tales* takes its frame-narrative structure directly from the *Decameron*, and several of its individual tales can be traced back to Boccaccio's stories. Shakespeare also tapped into *Decameron* plots, using them as sources for *All's Well That Ends Well* and *Cymbeline*. Boccaccio is one of those writers whose influence can be felt everywhere, even if his name isn't always cited.

Is the Decameron difficult to read today?

Not really. Modern translations, particularly Wayne Rebhorn's, are easy to read and enjoyable. The stories are genuinely entertaining, featuring clever priests, scheming lovers, and merchants trying to outsmart one another. You don’t need any special background to appreciate it. You can dive in at random; the frame structure allows each tale to stand alone.

Where should a complete newcomer start with Boccaccio?

Start with the *Decameron*. Begin with the plague introduction — it’s brief yet captivating — then choose any tale from Day One to grasp the rhythm. If you're looking for something shorter before diving into the entire book, check out the tale of Federigo's falcon (Day Five, Story Nine). It's about fifty pages long in most editions and stands out as one of the most beautifully crafted short stories ever written.