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The Poet Index · Entry 051

Elizabeth Barrett Browning
Poems

Lifespan
1806–1861
Nationality
United Kingdom of Great Britain and Ireland
Indexed Works
4

It's the best way to experience her voice — a single sonnet that reveals her talent for creating emotional depth through gradual buildup, and it’s brief enough to read three times in a row, which is precisely what you s…

Editorial intro

Nikola Gulevski, Editor, Storgy

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Editorial intro

Elizabeth Barrett Browning composed a novel-length poem in blank verse about a woman striving for recognition as an artist — published in 1856, nearly a century before such narratives had cultural permission to emerge. *Aurora Leigh* is ambitious, argumentative, and vibrantly alive in ways that most poetry of its time is not, and it enjoyed widespread readership, rather than being relegated to obscurity. This alone merits attention. Additionally, she penned *Sonnets from the Portuguese* in secret; these love poems are so direct and emotionally precise that lines from them continue to be quoted at weddings by individuals who may never have read another Victorian poem.

She occupies a unique position in the literary landscape — receiving enough acclaim in her lifetime to be a strong candidate for Poet Laureate, only to be quietly marginalized after her passing. However, feminist scholars revived her work in the 1970s, acknowledging what had been overlooked. She influenced poets such as Christina Rossetti and Emily Dickinson. Many first-time readers are surprised by her political engagement: the same woman who wrote "How Do I Love Thee?" also vehemently opposed child labor and slavery, and infused her later work with aspirations for Italian unification. She sought to expand the scope of poetry.

Where to start

The Works

Sort byYearTitle
  1. 01Aurora LeighUndated
  2. 02GriefUndated
  3. 03How Do I Love TheeUndated
  4. 04Sonnet 43Undated

Recurring themes

Biographical record

About Elizabeth Barrett Browning

Elizabeth Barrett Browning was born in 1806 in County Durham, the eldest of twelve children in a wealthy family whose fortune came from Jamaican sugar plantations. She began writing poetry at the age of eleven, and her mother saved so many of those early pieces that the collection is one of the largest surviving bodies of juvenilia by any English writer. That early productivity wasn't just a phase — it foreshadowed her future success.

At fifteen, her health took a turn for the worse. She experienced severe head and spinal pain that would haunt her for the rest of her life, and she later developed serious lung issues, likely tuberculosis. Laudanum became a regular part of her life, prescribed to manage her pain, but it likely worsened her physical fragility over time. For years, she lived a reclusive life in her family home on Wimpole Street in London, under the strict control of a father who opposed all of his children marrying.

Then Robert Browning reached out to her. He had read her 1844 collection and admired it greatly.

What started as a literary exchange blossomed into one of the most famous love stories in English literary history. They met, fell in love, and in 1846 eloped to Italy — defying her father's wishes, who never forgave her for it. She never saw him again. The couple settled in Florence, where Barrett Browning found that her health improved in the warmer climate, and her writing flourished.

Her most ambitious work, *Aurora Leigh* (1856), is a novel-length poem in blank verse that explores a woman poet's struggle for artistic independence and social recognition. It was bold, unconventional, and widely read. Her *Sonnets from the Portuguese*, published in 1850, included the love poems she had written privately during her courtship with Robert — notably "How Do I Love Thee?" — which became some of the most quoted lines in the English language.

Biographical span
1806Birth
1861Death

Poets in the same orbit

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