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The Poet Index · Entry 617

Donald Hall
Poems

Lifespan
1928–2018
Nationality
United States
Indexed Works
0

Donald Hall was born in New Haven, Connecticut, in 1928 and spent his summers at Eagle Pond Farm in Wilmot, New Hampshire—a place that would inspire him throughout his life.

Editorial intro

Nikola Gulevski, Editor, Storgy

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Editorial intro

Donald Hall invented the "Art of Poetry" interview at *The Paris Review* in 1953, sitting across from T.S. Eliot and Ezra Pound and asking them, without ceremony, exactly how they did what they did. That act of plain curiosity shaped how generations of writers and readers think about craft — and it previewed everything Hall would do in his own poems: look directly at the thing in front of him and tell the truth about it.

He spent the first half of his career writing formally polished verse and editing from positions of institutional comfort. Then in 1975 he walked away from a tenured professorship, moved to Eagle Pond Farm in New Hampshire with Jane Kenyon, and started over. What came next was quieter and heavier and far more lasting. Readers who know him only as a literary statesman are often caught off guard by *Without*, the 1998 collection he wrote after Kenyon's death from leukemia — it offers no consolation, no transcendence, just grief held steady in clear language. That directness connects him to poets like Kenyon herself, and later to Marie Howe and others who refuse to dress loss up. Start with *Without*, then go back to *The One Day*. Both will stay with you.

Recurring themes

Biographical record

About Donald Hall

Donald Hall was born in New Haven, Connecticut, in 1928 and spent his summers at Eagle Pond Farm in Wilmot, New Hampshire—a place that would inspire him throughout his life. He was a remarkable talent: he attended Phillips Exeter Academy, then Harvard, and later Oxford on a fellowship. By his mid-twenties, he had already secured a significant editorial role in American literature, becoming the first poetry editor of *The Paris Review* in 1953, a position he held for nearly ten years. In this capacity, he created the magazine's renowned "Art of Poetry" interview series, speaking candidly with notable figures like T.S. Eliot and Ezra Pound, asking them straightforwardly how they crafted their work.

His early poetry was formally structured, earning praise and awards. However, a significant change occurred in 1975 when he left a tenured position at the University of Michigan and moved with his wife, poet Jane Kenyon, to Eagle Pond Farm full-time. This choice—to prioritize writing over stability—transformed everything. The farm, the changing seasons, the physical demands of rural life, and the long winters in New Hampshire contributed to a body of work that became increasingly open, deeply rooted, and more attuned to grief.

When Kenyon was diagnosed with leukemia in 1994 and passed away the following year, Hall was heartbroken.

The poems he wrote in response—gathered in *Without* (1998)—are some of the most honest and raw elegies in modern American poetry. He didn't seek comfort or abstract explanations; he simply faced the reality of what had occurred.

Hall later received the National Medal of Arts, the Ruth Lilly Poetry Prize, and served as U.S. Poet Laureate from 2006 to 2007. He authored over fifty books, spanning poetry, memoir, children's literature, biography, and essays—including the cherished children's book *Ox-Cart Man*, which won the Caldecott Medal in 1980. He continued to write and engage in interviews well into his eighties, maintaining his curiosity and insight into the craft until his death in 2018 at the age of eighty-nine.

Biographical span
1928Birth
2018Death

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