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The Poet Index · Entry 617

Donald Hall
Poems

Lifespan
1928–2018
Nationality
United States
Indexed Works
0

Donald Hall was born in New Haven, Connecticut, in 1928 and spent his summers at Eagle Pond Farm in Wilmot, New Hampshire—a place that would inspire him throughout his life.

Editorial intro

Storgy editorial

Editorial intro

Donald Hall invented the "Art of Poetry" interview at *The Paris Review* in 1953, sitting across from T.S. Eliot and Ezra Pound and asking them, without ceremony, exactly how they did what they did. That act of plain curiosity shaped how generations of writers and readers think about craft — and it previewed everything Hall would do in his own poems: look directly at the thing in front of him and tell the truth about it.

He spent the first half of his career writing formally polished verse and editing from positions of institutional comfort. Then in 1975 he walked away from a tenured professorship, moved to Eagle Pond Farm in New Hampshire with Jane Kenyon, and started over. What came next was quieter and heavier and far more lasting. Readers who know him only as a literary statesman are often caught off guard by *Without*, the 1998 collection he wrote after Kenyon's death from leukemia — it offers no consolation, no transcendence, just grief held steady in clear language. That directness connects him to poets like Kenyon herself, and later to Marie Howe and others who refuse to dress loss up. Start with *Without*, then go back to *The One Day*. Both will stay with you.

Recurring themes

Biographical record

About Donald Hall

Donald Hall was born in New Haven, Connecticut, in 1928 and spent his summers at Eagle Pond Farm in Wilmot, New Hampshire—a place that would inspire him throughout his life. He was a remarkable talent: he attended Phillips Exeter Academy, then Harvard, and later Oxford on a fellowship. By his mid-twenties, he had already secured a significant editorial role in American literature, becoming the first poetry editor of *The Paris Review* in 1953, a position he held for nearly ten years. In this capacity, he created the magazine's renowned "Art of Poetry" interview series, speaking candidly with notable figures like T.S. Eliot and Ezra Pound, asking them straightforwardly how they crafted their work.

His early poetry was formally structured, earning praise and awards. However, a significant change occurred in 1975 when he left a tenured position at the University of Michigan and moved with his wife, poet Jane Kenyon, to Eagle Pond Farm full-time. This choice—to prioritize writing over stability—transformed everything. The farm, the changing seasons, the physical demands of rural life, and the long winters in New Hampshire contributed to a body of work that became increasingly open, deeply rooted, and more attuned to grief.

When Kenyon was diagnosed with leukemia in 1994 and passed away the following year, Hall was heartbroken.

The poems he wrote in response—gathered in *Without* (1998)—are some of the most honest and raw elegies in modern American poetry. He didn't seek comfort or abstract explanations; he simply faced the reality of what had occurred.

Hall later received the National Medal of Arts, the Ruth Lilly Poetry Prize, and served as U.S. Poet Laureate from 2006 to 2007. He authored over fifty books, spanning poetry, memoir, children's literature, biography, and essays—including the cherished children's book *Ox-Cart Man*, which won the Caldecott Medal in 1980. He continued to write and engage in interviews well into his eighties, maintaining his curiosity and insight into the craft until his death in 2018 at the age of eighty-nine.

Biographical span
1928Birth
2018Death

Poets in the same orbit

Reader questions

Frequently asked

What is Donald Hall best known for?

Most readers discover Hall through his heartfelt elegies for his wife, the poet Jane Kenyon, especially in the collection *Without* (1998). In addition to this, he's recognized for his long poem *Kicking the Leaves*, his children's book *Ox-Cart Man*, and his lasting impact as an editor and essayist within American poetry.

What was Hall's relationship with Jane Kenyon?

Hall and Kenyon first crossed paths when she was a student of his at the University of Michigan. They tied the knot in 1972 and relocated to Eagle Pond Farm in New Hampshire in 1975. For almost twenty years, they lived and wrote together there. Kenyon passed away from leukemia in 1995, and her death profoundly influenced some of Hall's most impactful writing. The documentary *A Life Together* beautifully showcases their life at the farm.

What is Eagle Pond Farm and why does it matter to his poetry?

Eagle Pond Farm in Wilmot, New Hampshire, was where Hall spent his childhood summers with his grandparents. When he moved there for good in 1975, it became the heart of his poetry — a setting for exploring themes like seasons, labor, memory, and the enduring connections between generations. The farm is a recurring presence in his work, almost like a character of its own.

What role did Hall play at The Paris Review?

Hall was the magazine's first poetry editor, a role he held from 1953 to 1961. He also contributed to the well-known interview series that explored writers' craft and processes. His conversations with prominent poets established a model for literary magazines, focusing less on their life stories and more on the actual mechanics of creating a poem.

How did Hall's style change over his career?

His early work had a formal structure that reflected his Oxford training. However, over the years, particularly after relocating to Eagle Pond Farm, his poetry became more relaxed—with longer lines, a stronger narrative, and a greater willingness to let simple sentences hold significance. The grief poems written after Kenyon's death are striking in their straightforwardness. He shifted from trying to impress to embracing the more challenging task of simply stating what is true.

Did Hall write in forms other than poetry?

Constantly. He wrote memoirs, personal essays, literary criticism, sports journalism (his love for baseball shone through), biographies, plays, and children's books. *Ox-Cart Man*, illustrated by Barbara Cooney, won the Caldecott Medal in 1980 and continues to be a favorite among readers. He believed there was no contradiction in shifting between genres — a writer who only stuck to poetry was, in his eyes, missing out on a broader experience.

Was Hall ever U.S. Poet Laureate?

Yes, he was the Poet Laureate Consultant in Poetry at the Library of Congress from 2006 to 2007. In his late seventies then, he took the opportunity to promote poetry as a part of everyday life, not just confined to universities.

Is Hall considered a confessional poet?

Not exactly. He's personal and often draws from his own experiences, but he doesn't quite align with the confessional style of Sylvia Plath or Anne Sexton. Hall's poems usually expand beyond the personal moment to explore broader themes, like the landscape, time, or the reality of mortality. The self is there, but it isn't the main focus.