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The Poet Index · Entry 1035

Abraham Cowley
Poems

Lifespan
1618–1667
Nationality
Kingdom of England
Indexed Works
1

It's brief, clever, and quickly demonstrates how Cowley can transform a classical concept into something truly enjoyable—a great introduction to his style without the heaviness of his longer poems.

Editorial intro

Storgy editorial

Editorial intro

Abraham Cowley published his first collection of poems at fifteen and spent the next five decades building a formidable reputation that led to fourteen printings of his collected works between 1668 and 1721 — only to be largely dismissed by Samuel Johnson in a single critical essay that characterized him as the poster child for Metaphysical excess. No other English poet of comparable stature experienced such a rapid decline based on one critic's opinion.

Today, he remains in the shadow of Donne, Milton, and Marvell, but that shadow distorts the perspective. Cowley influenced the structure of the English ode more directly than any of those three, and his late essays — written while he gardened in the countryside and recovered from years of unremarkable exile work as a royal cipher secretary — possess a warmth and self-awareness that evoke Montaigne more than typical seventeenth-century verse. First-time readers are often surprised by two aspects: how genuinely funny his wit can be when it hits, and how candid the essays are about ambition, disappointment, and the relief found in relinquishing both. He is not a difficult poet. He is an underread one.

Where to start

The Works

Sort byYearTitle
  1. 01DrinkingUndated

Recurring themes

Biographical record

About Abraham Cowley

Abraham Cowley was born in London in 1618, the posthumous son of a stationer, and he displayed his talents early on—his first collection of poems was published when he was just fifteen. This early achievement set the stage for a life devoted to literature and ideas.

He attended Trinity College, Cambridge, where he became deeply engaged with the intellectual movements of his time. When the English Civil War erupted, Cowley sided with the Royalists. He followed the court into exile in France, where he worked as a cipher secretary for Queen Henrietta Maria, encoding and decoding diplomatic correspondence for several years. This unglamorous and tedious role didn’t match his abilities, and those long years abroad cost him the stable literary career he might have otherwise pursued.

After Charles II was restored to the throne in 1660, Cowley returned to England, hoping for recognition and reward from the Crown.

However, he received far less than he believed he deserved. He spent his later years in relative seclusion in the English countryside, writing essays and tending to a garden—activities he truly enjoyed, even if they marked a retreat from his earlier ambitions.

He passed away in 1667, and in the years following his death, his reputation soared. Between 1668 and 1721, his collected works went through fourteen printings, a remarkable feat that highlights how seriously his contemporaries regarded him. He was considered one of the great voices of the century, alongside Donne and Jonson.

Biographical span
1618Birth
1667Death

Poets in the same orbit

Reader questions

Frequently asked

Why is Abraham Cowley not as well known today as poets like Donne or Milton?

Blame Samuel Johnson. In his 1779 essay on Cowley, Johnson highlighted him as the prime example of what he termed the Metaphysical poets — writers who, according to Johnson, prioritized intellectual display over genuine emotion. The label stuck, and Cowley bore the brunt of the criticism, even though he wasn't any more guilty of elaborate conceits than Donne. Subsequent generations continued to read Donne while letting Cowley fade into the background.

What did Cowley do during the English Civil War?

He chose to align with the Royalists and eventually went into exile in France along with the court. There, he served as a cipher secretary for Queen Henrietta Maria, managing encrypted diplomatic correspondence. His years of diligent, behind-the-scenes work kept him away from England and the literary life he longed for.

What are the Metaphysical poets, and where does Cowley fit in?

The Metaphysical poets are a diverse group of 17th-century English writers—Donne, Herbert, Marvell, Vaughan, and others—recognized for their use of elaborate comparisons known as conceits, and for blending deep emotions with philosophical discussions. Cowley is often counted among them, although his work reflects influences from classical models and the Pindaric ode tradition, which adds a distinct flavor compared to Donne's style.

What is a Pindaric ode, and why does it matter for understanding Cowley?

Pindar was an ancient Greek poet renowned for his intricate and unconventional odes celebrating athletic champions. Cowley brought a more relaxed English version of this style to life — with varied line lengths and stanza shapes, yet ambitious and elevated in tone. His Pindaric odes had a significant impact in the late 17th and early 18th centuries, inspiring poets such as Dryden and later Gray.

Did Cowley write anything other than poetry?

Yes, his essays are definitely worth checking out. Written during the final years of his life, they explore themes like solitude, gardening, and the joys of a peaceful life. They feel less like formal literary pieces and more like sincere personal reflections — the thoughts of someone who had been deeply involved in political intrigue and truly wanted to escape.

How popular was Cowley in his own lifetime and just after?

Extremely popular. His collected works had fourteen printings between 1668 and 1721, which is quite notable for that time. He was regarded as one of the top English poets of the century, and his impact on the ode form significantly influenced the generation of writers that followed him.

What is the poem 'Drinking' about?

'Drinking' is a clever and playful tribute that presents a philosophical argument for wine. Cowley references classical tradition — the notion that the earth itself drinks (through rain, rivers, the sea) — to suggest that drinking is not just a luxury but an engagement with the natural world. Its tone is light yet thoughtfully crafted, showcasing how Cowley could express his knowledge in a relaxed manner when he chose to.