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Drinking by Abraham Cowley

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Cowley observes the entire natural world—earth, plants, sea, sun, moon, stars—and notes that everything is always "drinking." Since nature is in constant motion, he wonders: why should he, as a human, be the only one who stays sober.

Poet
Abraham Cowley
Core theme
Beauty
The PoemFull text

Drinking

Abraham Cowley

The thirsty earth soaks up the rain, And drinks and gapes for drink again; The plants suck in the earth, and are With constant drinking fresh and fair; The sea itself (which one would think Should have but little need of drink) Drinks twice ten thousand rivers up, So fill'd that they o'erflow the cup. The busy Sun (and one would guess By 's drunken fiery face no less) Drinks up the sea, and when he 's done, The Moon and Stars drink up the Sun: They drink and dance by their own light, They drink and revel all the night: Nothing in Nature 's sober found, But an eternal health goes round. Fill up the bowl, then, fill it high, Fill all the glasses there--for why Should every creature drink but I? Why, man of morals, tell me why?

Public domain

Sourced from Project Gutenberg

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§01Quick summary

What this poem is about

Cowley observes the entire natural world—earth, plants, sea, sun, moon, stars—and notes that everything is always "drinking." Since nature is in constant motion, he wonders: why should he, as a human, be the only one who stays sober? It’s a clever, playful argument for pouring another glass.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. The thirsty earth soaks up the rain, / And drinks and gapes for drink again;

    Editor's note

    Cowley begins by giving the earth human-like qualities, portraying it as a creature with an insatiable thirst. The term "gapes," which means to open wide like a dry mouth, introduces the main joke right away: the planet itself is depicted as a drinker.

  2. The plants suck in the earth, and are / With constant drinking fresh and fair;

    Editor's note

    Plants absorb moisture from the soil, and Cowley describes this process as drinking. The twist is clever: drinking keeps them "fresh and fair," reversing the typical moral lesson that drinking leads to downfall. In this case, it has the opposite effect.

  3. The sea itself (which one would think / Should have but little need of drink)

    Editor's note

    The parenthetical aside is hilarious. The sea is already full of water, so why would it need more? Cowley feigns confusion before answering his own joke: even the sea swallows ten thousand rivers and still spills over.

  4. The busy Sun (and one would guess / By 's drunken fiery face no less)

    Editor's note

    The sun's fiery red face resembles that of a drunken person — a classic comic image. Cowley describes it as "busy" with a mock-serious tone, suggesting that the sun is diligently sipping away at the sea. This cycle of consumption has now reached a cosmic level.

  5. The Moon and Stars drink up the Sun: / They drink and dance by their own light,

    Editor's note

    The drinking chain hits its high point: the moon and stars devour the sun itself. Their lively celebration under their own glow transforms the night sky into a massive celestial party, a sight that's both ridiculous and truly beautiful all at once.

  6. Nothing in Nature 's sober found, / But an eternal health goes round.

    Editor's note

    A "health" is a toast—implying that nature is seen as an endless cycle of toasts shared among its elements. This is the natural conclusion of the entire argument: sobriety goes against the flow of nature.

  7. Fill up the bowl, then, fill it high, / Fill all the glasses there--for why

    Editor's note

    The poem shifts from observation to instruction. The repeated use of "fill" captures the urgency and excitement of someone eagerly calling for drinks at a table. The energy is contagious.

  8. Should every creature drink but I? / Why, man of morals, tell me why?

    Editor's note

    The closing couplet delivers the punchline. Cowley directly addresses an imagined moralist—the killjoy who would urge him to stop drinking—and dares him to explain why nature's universal rule shouldn't apply to just one person. This question is rhetorical, leaving the moralist without a response.

§04Tone & mood

How this poem feels

Playful and irreverent from start to finish, Cowley maintains a straight face while crafting an increasingly absurd argument, which is what makes it so funny. Beneath the humor lies a sense of warmth—this isn't bitter or cynical; it's the voice of someone truly having a good time and inviting you to join in on the fun.

§05Symbols & metaphors

Symbols & metaphors

Drinking / thirst
The main idea here is that drinking symbolizes our natural cravings and the fundamental instincts shared by all living beings. By presenting it as a universal concept, Cowley removes the moral judgment often associated with human drinking.
The sun's "drunken fiery face"
The red face of the sun reflects the flushed face of someone who's been drinking. It's a humorous image, yet it brings the most powerful object in the sky down to the level of a barfly, strengthening the poem's argument.
The eternal health (toast)
A "health" was a formal toast shared around a table. Cowley uses this concept to portray the cosmos as a friendly gathering—nature isn't chaotic; it's simply one extended, joyful round of drinks.
The bowl and glasses
These everyday, human objects show up only at the end, bringing the cosmic discussion back to the dinner table. The difference between the immense universe and a simple bowl adds to the humor.
The "man of morals"
A substitute for Puritan or stoic disapproval. By speaking to him directly, Cowley recognizes the moral objection to drinking but quickly brushes it aside with a rhetorical question, suggesting that the moralist is out of touch with nature itself.

§06Historical context

Historical context

Abraham Cowley wrote during one of the most chaotic times in English history. Born in 1618, he experienced the Civil War, the execution of Charles I, and the Interregnum, spending several years in exile in France as a Royalist. After the Restoration in 1660, he returned home and enjoyed a quieter life focused on writing poetry and essays. "Drinking" is part of the Anacreontic verse tradition — short, clever poems celebrating wine and pleasure that originated with the ancient Greek poet Anacreon. This style was very popular among educated English poets in the 17th century as a way to celebrate leisure and counter Puritan strictness. Cowley's take is particularly clever because it incorporates the language of natural philosophy — the observational reasoning that was in vogue with the scientific advancements of his time — to humorously advocate for enjoying a drink.

§07FAQ

Questions readers ask

What is the poem actually arguing?

Cowley presents a mock-logical argument: since everything in nature drinks constantly, it would be unnatural — even irrational — for a human to abstain. It’s a joke, but a thoughtfully crafted one.

Is this poem serious or is it meant to be funny?

It's supposed to be humorous. Cowley draws from the Anacreontic tradition, which focuses on clever, lighthearted celebrations of wine and enjoyment. The deadpan delivery — portraying the sun as a tipsy character while keeping a straight face — is key to the humor.

What does "an eternal health goes round" mean?

A "health" was a toast — you lift your glass to someone's well-being and share it around the table. Cowley suggests that nature itself is like an ongoing series of toasts, where each element cheers for the next.

Who is the "man of morals" at the end?

He's the imagined critic—someone who might frown upon drinking for moral or religious reasons. Cowley speaks directly to him and challenges him to justify why nature's universal rule shouldn't apply to this one individual. It's a rhetorical trap from which the moralist can't escape.

What is Anacreontic verse?

It's a type of short, upbeat poem that celebrates wine, love, and pleasure, named after the ancient Greek poet Anacreon. This style gained immense popularity among 17th-century English poets who sought to embrace enjoyment and challenge rigid moral views.

What poetic devices does Cowley use?

The primary device is personification — the earth, sea, sun, moon, and stars are portrayed with human desires. He also employs rhetorical questions at the end to leave the argument feeling unresolved, and uses comic bathos by shifting from the majesty of the cosmos to an ordinary bowl on a table.

What is the rhyme scheme and meter?

The poem uses rhyming couplets and has a loose iambic tetrameter, featuring four beats per line. This lively, bouncy rhythm creates the vibe of a drinking song, making it a great match for the theme.

Does the poem have a deeper meaning beyond praising drinking?

It explores the notion that humans are part of nature rather than distinct from it. Cowley questions why moral codes that govern human behavior shouldn't also apply to the rest of the natural world, implying that humans shouldn't be held to a different standard. While it's a light poem, there's a genuine philosophical argument beneath the humor.

Citation

Cite this poem

MLA

Cowley, Abraham. "Drinking." Storgy, https://storgy.com/poems/drinking-abraham-cowley/.

APA

Cowley, A. (n.d.). Drinking. Storgy. https://storgy.com/poems/drinking-abraham-cowley/

TeacherAP Lit Q1 scaffold — preview

Row A — Thesis

1 pt

In 'Drinking,' Abraham Cowley constructs a comic syllogism: every element of the natural world drinks without restraint, therefore the human speaker is absurd to deny himself the same pleasure. This transformation of a drinking-song …

  • Row B — Evidence + Commentary4 pts
  • Row C — Sophistication1 pt
  • Common student errors
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