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Twelfth NightModern English

Twelfth Night, Act 1, Scene 4

A Room in the Duke’s Palace.

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Which text to show for Act 1, Scene 4

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Modern English

  1. Enter Valentine and Viola in man’s attire.

    Valentine comes in with Viola, dressed as a man.

  2. Valentine1

    If the duke continue these favours towards you, Cesario, you are like to be much advanced; he hath known you but three days, and already you are no stranger.

    If the duke keeps on showing you these kindnesses, Cesario, you're likely to be promoted a great deal. He's only known you three days, and already you're no outsider.

  3. Viola4

    You either fear his humour or my negligence, that you call in question the continuance of his love. Is he inconstant, sir, in his favours?

    You must be afraid either of his changing moods or of my carelessness, since you doubt whether his affection will last. Is he unreliable, sir, in the favour he shows?

  4. Valentine6

    No, believe me.

    No, believe me.

  5. Enter Duke, Curio and Attendants.

    The Duke comes in with Curio and attendants.

  6. Viola7

    I thank you. Here comes the Count.

    Thank you. Here comes the Count.

  7. Duke8

    Who saw Cesario, ho?

    Hey, has anyone seen Cesario?

  8. Viola9

    On your attendance, my lord, here.

    Waiting to serve you, my lord, right here.

  9. Duke10

    Stand you awhile aloof.—Cesario, Thou know’st no less but all; I have unclasp’d To thee the book even of my secret soul. Therefore, good youth, address thy gait unto her, Be not denied access, stand at her doors, And tell them, there thy fixed foot shall grow Till thou have audience.

    The rest of you stand back a while.—Cesario, you know everything; there's nothing you don't know. I have opened up to you the very book of my secret heart. So, good young man, make your way to her. Don't let them refuse you entry; stand at her doors, and tell them your feet will stay planted there and take root until you're let in to speak with her.

  10. Viola17

    Sure, my noble lord, If she be so abandon’d to her sorrow As it is spoke, she never will admit me.

    Surely, my noble lord, if she has given herself over to her grief as completely as people say, she will never let me in.

  11. Duke20

    Be clamorous and leap all civil bounds, Rather than make unprofited return.

    Make a noise and break through every limit of good manners, rather than come back with nothing gained.

  12. Viola22

    Say I do speak with her, my lord, what then?

    Suppose I do get to speak with her, my lord—what then?

  13. Duke23

    O then unfold the passion of my love, Surprise her with discourse of my dear faith; It shall become thee well to act my woes; She will attend it better in thy youth, Than in a nuncio’s of more grave aspect.

    Oh, then lay open the passion of my love; astonish her with an account of my devoted faithfulness. It will suit you well to perform my sufferings; she'll listen to it better from someone as young as you than from a messenger of more solemn appearance.

  14. Viola28

    I think not so, my lord.

    I don't think so, my lord.

  15. Duke29

    Dear lad, believe it; For they shall yet belie thy happy years, That say thou art a man: Diana’s lip Is not more smooth and rubious; thy small pipe Is as the maiden’s organ, shrill and sound, And all is semblative a woman’s part. I know thy constellation is right apt For this affair. Some four or five attend him: All, if you will; for I myself am best When least in company. Prosper well in this, And thou shalt live as freely as thy lord, To call his fortunes thine.

    Dear boy, believe it. Anyone who says you are a man will be doing an injustice to your happy young years. Diana's lip is not smoother or redder; your light voice is like a girl's, high and clear, and everything about you is like a woman's role. I know the stars you were born under make you exactly right for this errand. Four or five of you go with him—all of you, if you like, because I'm at my best when I have the fewest people around me. Succeed in this, and you'll live as freely as your master does, and call his fortune your own.

  16. Viola41

    I’ll do my best To woo your lady. [Aside.] Yet, a barful strife! Whoe’er I woo, myself would be his wife.

    I'll do my best to court your lady. [Aside.] And yet, what a struggle full of obstacles! Whoever I court, I would want to be his wife myself.

  17. Exeunt.

    They all leave.

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Original text: Project Gutenberg edition #1526 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.