What happens in Chapter XXXIX of Sense and Sensibility?
After more than two months in London, the Dashwood sisters are eager to leave, with Marianne particularly longing for Barton. When Elinor arranges for their journey home through Cleveland—the Palmers' estate in Somerset—Marianne initially refuses, upset that the county is linked to Willoughby. Elinor convinces her by highlighting how quickly they could reunite with their mother, and they get her approval. Mrs. Jennings urges them to return to London with her after Cleveland, but Elinor declines. When Colonel Brandon visits, Mrs. Jennings hints broadly at how boring things will be without the sisters, trying to inspire a marriage proposal. She then observes from her seat near the piano, where Marianne is playing, as Brandon speaks privately with Elinor by the window. Misinterpreting their conversation and Elinor's visible emotion, she assumes he is proposing marriage. The narrator then clarifies what was actually said: Brandon has learned that Edward Ferrars has been disinherited for staying loyal to Lucy Steele, and he offers Edward the newly vacant living at Delaford—worth about £200 a year—through Elinor as a go-between. Elinor is taken aback and deeply thankful, praises Edward's character, and agrees to pass on the offer, having gotten Edward's address from Miss Steele. Brandon regrets that the small rectory cannot support a married man, and the chapter concludes by noting that Elinor's heartfelt thanks, although misinterpreted by Mrs. Jennings as a reaction to a proposal, were nonetheless genuine.
Analysis
The chapter revolves around a sustained comic irony: Mrs. Jennings observes a scene she can't hear well and pieces together an entirely incorrect story from the snippets she picks up. Austen organizes the episode into two parts—first, Mrs. Jennings's delighted misinterpretation, followed by the narrator's clarification ("What had really passed between them was to this effect")—a method that allows readers to hold both interpretations at once and assess the disparity between social appearances and reality. The piano acts as a clever acoustic device: Marianne's playing obscures most of the conversation, and only the breaks between pieces enable Mrs. Jennings to catch the revealing phrases she misreads. Brandon's comment "I am afraid it cannot take place very soon" is the crux of the misunderstanding, and Austen quotes it twice—first as Mrs. Jennings hears it, then in its actual context—to emphasize how the same words can mean entirely different things based on the listener’s prior beliefs. Elinor's inner thoughts are depicted with precision: her "emotion" is recognized as mixed ("whatever minor feelings less pure, less pleasing"), providing a rare glimpse of psychological complexity that stops her from coming off as merely noble. The chapter also explores the theme of delicacy: both Elinor and Brandon shy away from the pleasant task of delivering good news, considering Edward's feelings, creating a subtle contest of mutual refinement. The Cleveland plan, mentioned at the beginning of the chapter, frames the narrative as one of transitions—geographical, emotional, and social—all held in tension before the journey starts.
Key quotes from Chapter XXXIX
““I am afraid it cannot take place very soon.””
Colonel Brandon says this to Elinor at the window, referring to Edward's marriage; Mrs. Jennings overhears it and believes he is delaying a marriage proposal to Elinor.
““I shall always think myself very much obliged to you.””
Elinor says this to Colonel Brandon as they part, expressing genuine gratitude for the living offered to Edward; Mrs. Jennings hears it as a lover's thanks.
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Create an accountSign inVocabulary in Chapter XXXIX
- circumstanced
- Placed in a particular set of circumstances or financial conditions; here, being in an unfortunate or difficult situation with respect to money or prospects.