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Storgy

Year 12–13 / Grades 11–12

The Second Coming (Yeats) — Two Lessons

Lesson 1 begins with the falcon–falconer image and guides students through the entire poem, helping them grasp Yeats's gyre theory and his twist on the Christian Second Coming. It then asks them to annotate how the poem's form reflects its themes of collapse. In Lesson 2, the focus shifts to extended writing: students practice crafting an exam-style analytical paragraph that explores how Yeats employs the figure of the Rough Beast to convey post-war dread. They apply the close-reading techniques demonstrated in Lesson 1 to create a well-supported, assessable response. By the end, students are equipped to analyze imagery, form, and context in a coherent paragraph.

Objectives

  • Analyse how Yeats uses the falcon–falconer image in lines 1–3 to establish a controlling metaphor for political and civilisational collapse.
  • Explain how Yeats's gyre theory, as context, shapes the poem's argument that a new and terrifying historical cycle is beginning.
  • Identify how the shift from octave to sestet (line 9, 'Surely some revelation is at hand') marks a structural turn and link it to the poem's meaning.
  • Analyse how Yeats constructs the Rough Beast — its body, gaze, movement, and destination — to create a figure of dread that deliberately inverts Christian expectation.
  • Write a fully evidenced analytical paragraph that embeds a quotation, analyses language or form, and connects the poem to its 1919 context.

The sequence

  1. Lesson 1: Falcons, Gyres, and a World Unravelling: Close Reading 'The Second Coming'

    55 min · ch. 1
    Do now

    Read lines 1–3 ('Turning and turning in the widening gyre / The falcon cannot hear the falconer; / Things fall apart; the centre cannot hold'). The lines depict a falcon that is spinning in a widening circle, unable to hear its handler. I think the falcon might symbolize freedom or chaos, while the falconer could represent authority or guidance that is losing control.

    Teacher input

    Model a close reading of lines 1–8 (the first movement of the poem). Pay special attention to the word 'widening': the gyre doesn't just spin — it expands outward, indicating that the distance between falcon and falconer is not static but is continually increasing. Help students see how this single participial adjective captures Yeats's entire theory of history as an accelerating spiral. Next, look at 'the ceremony of innocence is drowned' (line 6): demonstrate how the passive voice removes any agent — no one is responsible for drowning it; it simply becomes overwhelmed — and how 'ceremony' suggests that what's lost goes beyond innocence to include the rituals and structures that bind society together. Compare the passive, helpless 'best' in line 6 with the active, dynamic 'worst' in lines 7–8 to illustrate Yeats's assessment of political crisis.

    Independent task

    Students will independently annotate lines 9–22 (from 'Surely some revelation is at hand' to the final line) and respond to three questions printed on their annotation sheets: (1) What does the phrase 'Spiritus Mundi' reveal about the source of this vision, and why is that significant? (2) Identify every physical detail Yeats describes about the Sphinx-like creature and discuss the emotion each detail evokes. (3) In the last two lines, Yeats poses a question instead of making a statement — what impact does leaving the ending as an unanswered question have? After completing their annotations, students will return their sheets with written answers to all three questions.

    Exit ticket

    In one sentence, explain what the 'rough beast' represents and why Yeats sends it toward Bethlehem rather than anywhere else — what does that destination add to the poem's meaning?

  2. Lesson 2: Writing the Beast: Constructing an Exam-Style Analytical Paragraph on Dread and Prophecy

    55 min · ch. 1
    Do now

    Without consulting your notes, jot down: (a) a quotation from the poem that you find particularly unsettling, and (b) the one word from that quotation that stands out the most. You have four minutes. Be prepared to explain your choices.

    Teacher input

    Analytical Paragraph Construction

    To explore how Yeats uses the figure of the Rough Beast to convey post-war dread, consider the lines: "A shape with lion body and the head of a man, / A gaze blank and pitiless as the sun, / Is moving its slow thighs…" Here, Yeats describes the beast's gaze as "blank and pitiless as the sun," effectively embedding the quotation within the analysis. The simile highlights the sun’s duality: while it sustains life, it is also indifferent and blinding. This comparison strips the beast of any moral nuance, suggesting that it embodies a chilling, impersonal force. In the context of 1919, following the upheaval of the Russian Revolution and the devastation of World War I, such mass violence felt similarly detached and relentless. Thus, Yeats not only paints a vivid picture of the Rough Beast but also reflects the pervasive dread that characterized a world grappling with the aftermath of chaos and brutality.

    Summary of Changes

    • Rephrased to improve flow and clarity while retaining the original meaning.
    • Integrated the quotation seamlessly into the analysis.
    • Clarified the implications of the simile and its connection to historical context.
    Independent task

    Students are required to compose a complete analytical paragraph (around 150–200 words) addressing the question: 'How does Yeats convey the notion that history is heading toward catastrophe in "The Second Coming"?' In their response, they should: choose one quotation from lines 1–8 and another from lines 13–22; incorporate both quotations smoothly; analyze at least one specific word or technique from each; and include at least one reference to Yeats's historical context (1919, the gyre theory, or the inversion of Christian prophecy). Students will submit their paragraph either on paper or digitally to receive written feedback.

    Exit ticket

    Underline the single sentence in your paragraph where you move from analysing the language to connecting it to context — if you cannot find that sentence, write it now in the margin.

Activities

Widening Gyre Mapping 15 min · pairs

Each pair gets a large circle split into two interlocking spiral arms, which visually represent Yeats's gyres. Students label one arm with evidence of societal collapse from lines 1–8, including quotations and brief explanations. The other arm is labeled with evidence from lines 9–22 that reflects the emergence of a new era. Afterward, they draw or annotate the intersection of the gyres and write a sentence explaining Yeats's perspective on what occurs at that crossing. Finally, pairs return their completed gyre diagrams.

The Beast in Detail: Sensory Inventory 10 min · individual

Students get a printed outline of a humanoid lion figure. Using lines 18–22, they annotate each body part mentioned by Yeats — head, gaze, thighs — directly onto the outline, writing next to each the exact quotation and a one-word emotional effect (for example, 'pitiless' becomes 'indifference'). Then, they write two sentences at the bottom: one about the human qualities of the beast and another about its animal traits, along with what this hybrid suggests about the new era. Finally, students return their annotated figures.

Best vs. Worst: Political Reading of Lines 7–8 10 min · whole class

The teacher writes lines 7–8 on the board: 'The best lack all conviction, while the worst / Are full of passionate intensity.' Students participate in a whole-class discussion, nominating a historical or contemporary figure for each category and providing a one-sentence justification. The teacher then guides the conversation toward Yeats's syntax, highlighting that 'best' and 'worst' refer to moral categories rather than political ones. Students write one sentence summarizing Yeats's implied political argument in these lines and share it with the class before moving on.

Christian Expectation vs. Yeatsian Revelation: Comparative Close Reading 20 min · pairs

Pairs receive two short printed extracts side by side: Revelation 19:11–16 (the traditional Christian Second Coming featuring a triumphant rider on a white horse) and lines 9–17 from Yeats ('Surely some revelation is at hand… A shape with lion body and the head of a man'). Students annotate both extracts for tone, imagery, and movement, then fill out a two-column table: 'What the Christian Second Coming promises' vs. 'What Yeats's revelation delivers.' Each pair returns their annotated extracts and completed table.

Paragraph Peer-Assessment Using the PEEL Checklist 15 min · pairs

After completing the independent task in Lesson 2, students exchange paragraphs with a partner. Each student refers to a printed PEEL checklist (Point — does it directly answer the question? Evidence — is the quotation included within the text, not just dropped in? Explanation — is a specific word or technique identified and analyzed? Link — is there a connection made to context or structure?) to mark their partner's paragraph with ticks and provide one written suggestion for each criterion. Students then return the annotated paragraph along with the completed checklist to the original writer.

Final Line as Prophecy: Creative–Critical Response 20 min · individual

Students receive the final line — 'slouches towards Bethlehem to be born' — and are tasked with writing a brief response (100–120 words) from the viewpoint of someone in 1919 who is encountering this poem for the first time. They should express what they find unsettling about the image, relate it to a historical event, and pose a question they would like to ask Yeats. This assignment encourages both empathy and critical thinking. Students then submit their written responses for feedback from the teacher.

Assessment

  • Do-Now (Lesson 1): checks whether students can move from literal to figurative reading of the falcon–falconer image without teacher scaffolding.
  • Annotation sheet (Lesson 1 independent task): checks whether students can identify specific physical details of the Rough Beast and articulate the emotional effect of each.
  • Exit ticket (Lesson 1): checks whether students understand the significance of Bethlehem as a destination — i.e., that it inverts rather than fulfils Christian prophecy.
  • Do-Now (Lesson 2): checks retention of specific quotations from Lesson 1 and whether students can identify a single word as a site of meaning.
  • Paragraph peer-assessment checklist (Activity 5): checks whether students can recognise the difference between evidence that is embedded and evidence that is dropped, and whether context is connected rather than bolted on.
  • Exit ticket (Lesson 2): checks whether students have successfully made the language-to-context move in their own writing, which is the key skill being assessed.

Summative task

Write a full analytical paragraph (150–200 words) in response to the question: 'How does Yeats present the idea that history is moving toward catastrophe in "The Second Coming"?' You must embed one quotation from lines 1–8 and one from lines 13–22, analyse at least one specific word or technique in each, and connect your analysis to at least one aspect of the poem's 1919 context — the aftermath of World War I, the Russian Revolution, or Yeats's gyre theory. Your paragraph will be assessed on the precision of your language analysis, the relevance of your contextual connection, and the coherence of your argument.

Marking notes

Top-band responses will select quotations that perform genuine analytical work — not vague phrases like 'Things fall apart' but specific references such as 'widening gyre' or 'blank and pitiless' — and will identify a particular technique (like simile, passive voice, or participial adjective) before clearly explaining its effect. Context should be integrated into the analysis rather than tacked on at the end. Mid-band responses will include quotations but will analyze the effect in broader terms ('this creates a sense of fear'). Lower-band responses will focus on paraphrasing instead of analyzing, or will list context without linking it to the language used.

Standards covered

Common Core 11 12
  • RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
  • RL.11-12.5 — Analyse how an author's choices concerning how to structure specific parts of a text contribute to its overall structure and meaning.
  • RL.11-12.9 — Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American and world literature, including how two or more texts from the same period treat similar themes or topics.
AP Literature
  • Literary Argumentation (LAN-1): Explain the function of specific words and phrases in a literary text, including connotation, figurative language, and syntax.
  • Character (CHR-1): Explain the function of a character, including how character is developed through imagery and symbol.
  • Structure (STR-1): Explain the function of structure in a text, including how the shift at line 9 contributes to the poem's argument.
  • Figurative Language (FIG-1): Explain the function of a simile, metaphor, or symbol and its contribution to the text's meaning — specifically the falcon–falconer metaphor and the 'blank and pitiless as the sun' simile.
  • Literary and Intellectual Context (LAN-1.E): Explain how a text reflects its historical and cultural context — here, post-WWI disillusionment and Yeats's gyre theory.
AQA
  • AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
  • AO2 — Analyse ways in which meanings are shaped in literary texts, including Yeats's use of the gyre metaphor, the passive voice in 'the ceremony of innocence is drowned,' and the simile 'blank and pitiless as the sun.'
  • AO3 — Demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received — specifically the post-WWI crisis of 1919 and Yeats's occult system in A Vision.
  • AO4 — Explore connections across literary texts — applicable when comparing Yeats's vision of historical collapse with other modernist texts.
Edexcel
  • AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology and coherent, accurate written expression.
  • AO2 — Analyse ways in which meanings are shaped in literary texts — here, how Yeats's diction, imagery, and structural turn at line 9 construct a vision of catastrophe.
  • AO3 — Demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received, including the political upheaval of 1919 and Yeats's private mythology.
  • AO5 — Communicate clearly, effectively and accurately in a written analytical paragraph that embeds evidence and sustains an argument.

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The Second ComingW. B. Yeats

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