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The Poet Index · Entry 070

Laurence Dunbar
Poems

Lifespan
1872–1906
Nationality
United States
Indexed Works
0

Paul Laurence Dunbar was born on June 27, 1872, in Dayton, Ohio, to Matilda and Joshua Dunbar, both of whom were formerly enslaved people from Kentucky.

Editorial intro

Storgy editorial

Editorial intro

Paul Laurence Dunbar was the first African American poet to build a genuinely national audience in the United States, and he did it partly by selling his own poems to elevator passengers in Dayton, Ohio, because no other door was open to him. That hustle led to a breakthrough: a glowing 1895 review in Harper's Weekly from the era's most powerful literary critic, but this breakthrough came with a trap. The public fell in love with his dialect poems, written in Black Southern vernacular, and largely ignored the formal English verse he considered just as serious. He called this out directly in his poem "The Poet," which is a quiet indictment of being celebrated for the wrong reasons.

Dunbar sits at the root of a tradition that runs straight through the Harlem Renaissance. Langston Hughes, James Weldon Johnson, and Alice Dunbar-Nelson all pointed back to him. What surprises first-time readers is the range: the dialect poems are warm and musical, but the standard-English poems carry a controlled anger that feels startlingly modern. Another surprise is how clearly his career anticipated arguments that Black writers are still having today — about authenticity, who gets to define a writer's "real" voice, and what an audience's enthusiasm can cost the person receiving it.

Recurring themes

Biographical record

About Laurence Dunbar

Paul Laurence Dunbar was born on June 27, 1872, in Dayton, Ohio, to Matilda and Joshua Dunbar, both of whom were formerly enslaved people from Kentucky. His father escaped slavery and served in the 55th Massachusetts Infantry during the Civil War, an experience that shaped the environment in which Dunbar grew up — one where history was very much a lived reality.

Dunbar exhibited a talent for language at an early age. As the only Black student at Dayton's Central High School, he edited the school newspaper, led the literary society, and was elected class poet. Among his classmates were Orville and Wilbur Wright, who would later help him print his first collection of poems on their printing press.

He published that initial collection, *Oak and Ivy*, in 1893, selling copies to elevator passengers while working as an elevator operator, as he struggled to find employment that matched his education.

His determination paid off. *Majors and Minors* followed in 1895, and when the influential critic William Dean Howells reviewed it in *Harper's Weekly*, Dunbar's national reputation skyrocketed almost overnight.

However, this acclaim came with a caveat. Howells highlighted Dunbar's dialect poems, written in the vernacular of Black Southern speech, as his most genuine work, and the public agreed. Publishers began to seek more dialect pieces. Dunbar, however, regarded his poems in standard English as equally serious and finely crafted, leading to his growing frustration as that work was overlooked. He expressed this conflict directly in "The Poet," a poem that serves as a subtle critique of being celebrated for the wrong reasons.

Biographical span
1872Birth
1906Death

Poets in the same orbit

Reader questions

Frequently asked

Why did Dunbar write in dialect, and did he actually want to?

It's complicated. Dunbar wrote dialect poems partly because he grew up hearing that speech and found real beauty in it. However, the literary establishment, with critics like William Dean Howells at the forefront, pressured him to focus on dialect and move away from his standard English poems. Dunbar resented this pressure. His poem "The Poet" reflects a writer who is celebrated for his catchy verses while his more profound work remains overlooked — most readers interpret that as autobiographical, and it's tough to disagree.

What is "We Wear the Mask" about?

It's about how Black Americans had to perform contentment in a society dominated by white people—smiling on the outside while holding grief and anger within. The mask mentioned in the title is a tool for survival, not a matter of choice. The poem is brief, just fifteen lines, but it makes a strong impact because Dunbar doesn't feel the need to elaborate. He relies on the image to convey the message.

How did Dunbar become famous so quickly?

The short answer is William Dean Howells. In 1896, Howells reviewed *Majors and Minors* in *Harper's Weekly* and praised Dunbar's use of dialect as a true artistic achievement. At that time, Howells was America's most influential literary critic, and his endorsement quickly led to opportunities with major publishers, lecture tours, and a national audience.

What was his relationship with Alice Dunbar-Nelson like?

They were both poets, creating an intellectually vibrant connection, but their marriage faced serious challenges. Dunbar's struggles with alcoholism and the violence that came with it prompted Alice to leave him in 1902. She went on to build a respected literary career of her own. Although they never divorced before his death in 1906, she continued to write about him — grappling with mixed emotions — for the remainder of her life.

How did tuberculosis affect his writing career?

He received his diagnosis in 1900, right when his fame was peaking. The illness sapped his strength, and his doctors advised him to seek dry climates, forcing him to take time off from his work and community. To cope with the pain, he began drinking, which only sped up his deterioration. In his final years, he struggled against his own body, ultimately losing that battle at the age of thirty-three.

What did the Harlem Renaissance writers take from Dunbar?

Mainly, the proof that it was possible — that a Black American poet could establish a significant literary career and reach a national audience. Langston Hughes appreciated Dunbar's use of vernacular speech, viewing it as a valid artistic choice rather than a compromise. James Weldon Johnson was more critical of the dialect tradition but still recognized Dunbar as a crucial pioneer. Without Dunbar, the Harlem Renaissance would have faced a much tougher journey.

Is Dunbar read much today?

"We Wear the Mask" and "Sympathy" (which inspired the title of Maya Angelou's *I Know Why the Caged Bird Sings*) are frequently included in anthologies and taught in classrooms. However, the rest of his work doesn't receive the attention it deserves, partly because the dialect poems need some background for better understanding, and partly because American literary culture has been slow to recognize the contributions of Black writers from before the Harlem Renaissance. Fortunately, this is starting to change.

What does "Sympathy" mean when it says 'I know why the caged bird sings'?

The caged bird doesn’t sing from joy; it sings from a deep yearning for freedom — it’s a cry, not a performance. Dunbar uses the bird to represent anyone whose freedom has been stripped away, reflecting his own feelings of being trapped: by racism, by a literary world that sought to define him, and by his declining health. Maya Angelou borrowed this line for her memoir title because it perfectly expressed her own experiences.