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The Poet Index · Entry 119

June Jordan
Poems

Lifespan
1936–2002
Nationality
United States
Indexed Works
0

June Millicent Jordan was born in Harlem in 1936 and raised in Brooklyn's Bedford-Stuyvesant neighborhood as the daughter of Jamaican immigrants.

Editorial intro

Storgy editorial

Editorial intro

June Jordan built a body of work that treated a poem about her mother's depression and a poem about Israeli military strikes as equally urgent, refusing to apologize for putting them on the same page. This refusal to rank suffering or separate the intimate from the political sets her apart. She wrote in both standard English and Black English, using Black English not just as a stylistic choice but arguing publicly that it is a complete, rule-governed language deserving the same respect as any other.

Jordan sits at the intersection of the Black Arts Movement, second-wave feminism, and queer literature, influencing a wide range of writers who sometimes don't realize they are drawing from the same source. Readers encountering her for the first time are often surprised by two aspects: her humor and her directness. There is no fog in her lines. She was also among the first prominent Black writers to speak openly about bisexuality, demonstrating real courage at a time when that was significant in multiple directions. Start with *Things That I Do in the Dark* to appreciate the range, then follow it with *Civil Wars* to understand the mind behind the poems.

Recurring themes

Biographical record

About June Jordan

June Millicent Jordan was born in Harlem in 1936 and raised in Brooklyn's Bedford-Stuyvesant neighborhood as the daughter of Jamaican immigrants. Her upbringing was influenced by two contrasting forces: a father who strongly encouraged her to pursue literature, sometimes resorting to violence, and a city buzzing with Black cultural and political vibrancy. She began writing at a young age and never truly stopped.

Jordan attended Barnard College and the University of Chicago, though she didn't complete a degree at either institution. That didn't hinder her progress. By the 1960s, she was already publishing poetry and actively participating in the civil rights movement, maintaining her political engagement throughout her life — encompassing the Black Power movement, feminism, anti-war activism, and more.

What distinguished Jordan from many of her peers was her refusal to divide the personal from the political.

A poem about her mother's struggles with depression could easily sit alongside one addressing Israeli military actions or police brutality in America. She felt those topics deserved the same space. Her writing reflected this belief — she used both standard English and Black English, and she became a passionate advocate for Black English, viewing it as a valid, expressive, rule-governed language rather than a lesser form of another.

For decades, she taught, most notably at UC Berkeley, where she established Poetry for the People in 1991. This initiative was based on the belief that poetry should be accessible to everyone, not just to those with MFA degrees or library access. Students in the program wrote, performed, and brought poetry to communities that rarely had the opportunity to engage with it.

Biographical span
1936Birth
2002Death

Poets in the same orbit

Reader questions

Frequently asked

What is June Jordan best known for?

Jordan is widely recognized as a poet and essayist who intertwined political activism with her literary work. She's also the founder of Poetry for the People at UC Berkeley, a program designed to help students introduce poetry to underserved communities. Her essays on race, gender, and language, along with her passionate and insightful voice, have ensured that her work continues to resonate with readers long after her passing.

What did June Jordan write about?

Everything related to human dignity—race and racism in America, gender and sexuality, war and U.S. foreign policy, the lives of Black women, language and its users, grief, desire, and the everyday experience of living in a body that others judge—was within her scope. She navigated the personal and the global, valuing both equally.

What is Poetry for the People?

It's the program Jordan started at UC Berkeley in 1991. The main idea was that poetry should be accessible to everyone — not just a privilege for the educated — and that learning to write and perform poetry can empower individuals politically. Students were trained as 'poet-teachers' and went into schools and community spaces. The program has carried on after her passing and has shaped the perspectives of many on poetry education.

How did Jordan write about Black English?

She passionately defended it, providing clear arguments. In her 1972 essay "White English/Black English: The Politics of Translation" and in her later works, she asserted that Black English isn't just a flawed version of standard English — it has its own grammar, logic, and expressive strength. She incorporated it into her own poetry and encouraged her students to appreciate it as a legitimate literary language. For Jordan, disregarding Black English was a political stance rather than an unbiased linguistic assessment.

Was June Jordan involved in politics beyond her writing?

Yes, definitely and with clarity. She participated in the civil rights movement during the 1960s, opposed the Vietnam War, criticized U.S. policies in the Middle East, and was an early and outspoken advocate for Palestinian rights — which led to some lost friendships and diminished platforms. She also candidly discussed bisexuality at a time when doing so carried real risks in various communities she was part of.

Where should a new reader start with June Jordan?

Her essay collection *Civil Wars* is an excellent way to grasp her thought process — the essays are incisive, personal, and maintain a sense of urgency. For poetry, *Things That I Do in the Dark* brings together her early pieces and showcases her diverse voice. If you're looking for a single poem to begin with, 'Poem about My Rights' is the one that most readers recommend first, and it’s easy to see why.

How did Jordan's background as the child of immigrants shape her work?

Her parents are from Jamaica, and themes of belonging, language, and identity shaped her upbringing. Growing up in Brooklyn, she navigated the complexities of being Black, American, and Caribbean all at the same time, and that rich sense of identity is reflected in her work. She's particularly interested in who gets to claim a place, a language, or a country — issues that immigrant families grapple with daily.

What is Jordan's legacy in American poetry?

She's a prime example of a poet who won't compromise between craft and conscience. Writers such as Claudia Rankine, Aracelis Girmay, and Ross Gay are part of a tradition she helped establish — poetry that's both formally rigorous and politically conscious. Poetry for the People still influences the way community poetry programs operate. Her essays on race and language feel more like fresh reflections than historical accounts.