Skip to content

The Poet Index · Entry 119

June Jordan
Poems

Lifespan
1936–2002
Nationality
United States
Indexed Works
0

June Millicent Jordan was born in Harlem in 1936 and raised in Brooklyn's Bedford-Stuyvesant neighborhood as the daughter of Jamaican immigrants.

Editorial intro

Nikola Gulevski, Editor, Storgy

About our editor →

Editorial intro

June Jordan built a body of work that treated a poem about her mother's depression and a poem about Israeli military strikes as equally urgent, refusing to apologize for putting them on the same page. This refusal to rank suffering or separate the intimate from the political sets her apart. She wrote in both standard English and Black English, using Black English not just as a stylistic choice but arguing publicly that it is a complete, rule-governed language deserving the same respect as any other.

Jordan sits at the intersection of the Black Arts Movement, second-wave feminism, and queer literature, influencing a wide range of writers who sometimes don't realize they are drawing from the same source. Readers encountering her for the first time are often surprised by two aspects: her humor and her directness. There is no fog in her lines. She was also among the first prominent Black writers to speak openly about bisexuality, demonstrating real courage at a time when that was significant in multiple directions. Start with *Things That I Do in the Dark* to appreciate the range, then follow it with *Civil Wars* to understand the mind behind the poems.

Recurring themes

Biographical record

About June Jordan

June Millicent Jordan was born in Harlem in 1936 and raised in Brooklyn's Bedford-Stuyvesant neighborhood as the daughter of Jamaican immigrants. Her upbringing was influenced by two contrasting forces: a father who strongly encouraged her to pursue literature, sometimes resorting to violence, and a city buzzing with Black cultural and political vibrancy. She began writing at a young age and never truly stopped.

Jordan attended Barnard College and the University of Chicago, though she didn't complete a degree at either institution. That didn't hinder her progress. By the 1960s, she was already publishing poetry and actively participating in the civil rights movement, maintaining her political engagement throughout her life — encompassing the Black Power movement, feminism, anti-war activism, and more.

What distinguished Jordan from many of her peers was her refusal to divide the personal from the political.

A poem about her mother's struggles with depression could easily sit alongside one addressing Israeli military actions or police brutality in America. She felt those topics deserved the same space. Her writing reflected this belief — she used both standard English and Black English, and she became a passionate advocate for Black English, viewing it as a valid, expressive, rule-governed language rather than a lesser form of another.

For decades, she taught, most notably at UC Berkeley, where she established Poetry for the People in 1991. This initiative was based on the belief that poetry should be accessible to everyone, not just to those with MFA degrees or library access. Students in the program wrote, performed, and brought poetry to communities that rarely had the opportunity to engage with it.

Biographical span
1936Birth
2002Death

Poets in the same orbit

Reader questions

Frequently asked