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Character analysis

Ben Finney

in Walk Two Moons by Sharon Creech

Ben Finney is a warm and perceptive classmate of Sal and Phoebe at Euclid's Bybanks school, providing a gentle romantic counterpoint to the novel's heavy emotional themes. He comes across as an eccentric and somewhat mysterious boy—known for his chicken sounds and quirky sketches—whose oddities initially keep him at a distance from Phoebe but pique Sal's interest. As the story unfolds, his role deepens, becoming Sal's closest confidant and offering her small yet meaningful moments of connection during a time when she's emotionally shut off due to her mother's disappearance and her own unaddressed grief.

Ben's defining quality is his empathy, shown not through grand gestures but through instinctive physical actions: he holds Sal's hand during a tense moment at the hospital and kisses her cheek toward the end of the novel. These actions feel genuine rather than sentimental because Sharon Creech develops his attentiveness gradually. His home life—a mother who is largely absent due to psychiatric care and a household managed by his free-spirited extended family—reflects Sal's own experience of maternal loss, creating a silent understanding between them.

His journey transforms him from a comic-relief background character to a symbol of the ordinary warmth that Sal needs to learn to embrace again. By the time Sal heads to Idaho, Ben embodies the life and affection she is beginning to allow herself to desire, making him vital to the novel's hopeful, albeit bittersweet, conclusion. He remains steady and grounded, which is precisely what makes him significant.

About this character

Form
Novel
Author
Sharon Creech
First published
1994

The person01–03

01·Who they are

Who is Ben Finney?

Ben Finney is introduced as the boy who makes chicken sounds in class — an oddity that earns him Phoebe Winterbottom's instant wariness and Sal's quiet, puzzled curiosity. He is a student at Euclid's school in Ohio, cousin to the exuberant Mary Lou Finney, and the son of a mother receiving psychiatric care in a hospital across town. Sharon Creech presents him first as comic relief: the sketching, clucking, inscrutable boy sitting nearby. Yet even in these early scenes his perceptiveness leaks through. He notices Sal in a way her other classmates do not, watching her without demanding anything from her in return. His eccentricities — the drawings, the animal noises, the unself-conscious manner — are not affectations but genuine expressions of a boy who has grown up in an unconventional household and learned to sit comfortably inside strangeness, which is precisely the quality that makes him useful to Sal at the worst moment of her young life.

02·Arc & motivation

What is Ben Finney's arc and motivation?

Ben begins the novel as atmospheric texture — part of the Ohio world Sal resents for not being Kentucky — and ends it as the most concrete reason she has to believe ordinary joy is still available to her. His arc is less a dramatic transformation than a gradual stepping forward into the narrative's light. His core motivation is understated: he is drawn to Sal and does not disguise it, but he is also instinctively patient. He does not push for explanations of her sadness, does not perform concern. His own experience of maternal absence — a mother who is alive but unreachable inside a psychiatric ward — has taught him that grief is not always linear or speakable. This knowledge quietly governs how he moves around Sal. By the novel's final chapters his role has shifted from curiosity to anchor: he is the person in Euclid who holds a place for Sal after she returns from the devastating road trip, evidence that something warm survived her absence.

03·Key moments

What are Ben Finney's key moments?

The hospital visit is the pivotal Ben scene. When Sal accompanies him to see his mother and the encounter leaves her overwhelmed, Ben takes her hand without commentary or explanation — a gesture Creech renders so simply that its emotional weight lands almost before the reader registers what has happened. This is Ben at his most characteristic: acting rather than explaining. A second key moment is the kiss on Sal's cheek near the end of the novel. Coming after Sal's confrontation with her mother's death and the collapse of the road trip's hopeful premise, the kiss is small but precisely placed — Creech uses it to signal that life and affection continue regardless of loss. Earlier in the novel, his sketches and the chicken sounds, initially read as silliness, retrospectively acquire meaning: they are the behaviour of someone who has processed instability by refusing to perform normalcy, and Sal recognises this even before she can articulate it.

The cast04–05

04·Relationships

What are Ben Finney's most important relationships?

With Sal: The novel's quiet love story. Ben senses Sal's grief without requiring her to narrate it, and this restraint allows her — someone who has walled off her feelings — to accept his presence. Their bond mirrors the novel's central argument: that being truly seen does not require full disclosure.

With Phoebe: Phoebe's suspicion of Ben functions as an indirect character contrast. Where Phoebe reads his oddness as threat or bad manners, Sal reads it as authenticity. The gap between their reactions illuminates Phoebe's defensiveness and Sal's deeper, more instinctive emotional literacy.

With Mary Lou: Mary Lou is Ben's cousin and the unwitting bridge into the Finney household. The Finney home's noise and affection — so different from the grief-stilled Hiddle farmhouse or the anxious Winterbottom house — show Sal a model of family that is messy and warm, and Ben has been shaped by it entirely.

With Chanhassen Hiddle (Sugar): Ben never meets Sal's mother, yet the parallel between his situation and Sal's is the novel's most quietly devastating structural choice. His mother breathes and remains inaccessible; Sal's mother is gone entirely. The shared experience of a mother-shaped absence gives their relationship its unspoken depth.

05·Connected characters

How is Ben Finney connected to the other characters?

Salamanca Tree Hiddle

Ben is Sal's primary peer relationship and nascent romantic interest. He intuitively senses her grief without pressing her to explain it, holding her hand at the hospital and offering small acts of warmth that slowly crack open her emotional guardedness. Their bond is the novel's quiet love story, grounded in shared experience of maternal absence.

Phoebe Winterbottom

Phoebe regards Ben with suspicion and mild disdain, viewing his eccentricities as unsettling. He is largely indifferent to her disapproval, and the contrast between Phoebe's wariness and Sal's growing fondness for him subtly underscores the two girls' differing emotional openness.

Mary Lou Finney

Mary Lou is Ben's cousin and the connector who brings Sal into the Finney household orbit. The chaotic, affectionate Finney home—presided over in part by Mary Lou—offers Sal a glimpse of family warmth and implicitly shapes Ben's own empathetic, unguarded character.

Mr. Birkway

Ben and Sal share Mr. Birkway's English class, where journal assignments and myth discussions provide the intellectual backdrop for their growing closeness. Birkway's lessons on stories and hidden meanings parallel the way Ben and Sal gradually reveal themselves to each other.

Chanhassen (Sugar) Hiddle

Ben never meets Sugar, but his own experience of a mother who is physically present yet emotionally unreachable (due to psychiatric illness) creates a quiet parallel to Sal's loss, deepening the unspoken understanding between him and Sal.

Study06–07

06·Questions

Questions readers ask about Ben Finney

How does Ben Finney first come across to Sal and Phoebe?

Ben initially appears as an eccentric oddity — the boy in class who makes chicken sounds and fills notebooks with quirky sketches. Phoebe finds his behavior unsettling and views him with suspicion, while Sal is quietly puzzled yet intrigued. His unique strangeness, stemming from an unconventional upbringing, sets him apart from the Ohio world Sal resents and gradually draws her toward him.

What is Ben Finney's home life like, and why does it matter to his relationship with Sal?

Ben's mother is receiving psychiatric care and is largely absent from his life, leaving his household managed by his free-spirited extended family, including his cousin Mary Lou Finney. This mother-shaped absence reflects Sal's own grief over losing her mother, creating a silent understanding between them. Creech uses the parallel to suggest that their bond extends beyond a typical adolescent friendship or romance.

What is the significance of Ben Finney holding Sal's hand at the hospital?

Ben takes Sal's hand wordlessly when she feels overwhelmed during a visit to see his mother, representing a hallmark Ben moment — empathy expressed through action rather than explanation. He offers no commentary, asks no questions, and makes no demands of Sal in return. Creech renders the gesture so simply that its emotional weight is felt almost immediately, embodying the novel's argument that true comfort is often silent.

Why does Ben Finney kiss Sal on the cheek near the end of the novel?

Ben kisses Sal on the cheek after she has returned from the road trip and faced the reality of her mother's death. Occurring at the novel's most devastating emotional moment, the kiss is small yet significant: Creech uses it to indicate that life, warmth, and affection continue even after irreversible loss. It marks Ben's transition from a background presence to a concrete reason for Sal to believe that ordinary joy is still attainable.

Does Ben Finney have any famous or memorable quotes in Walk Two Moons?

No direct quotes from Ben Finney are found in the novel's attributed material. His impact is conveyed primarily through action rather than dialogue — the chicken sounds, the sketches, the hand-holding, the cheek-kiss — which serves a thematic purpose. Creech constructs him as a character whose importance lies in gesture and presence rather than articulate speech, reinforcing the novel's recurring idea that the deepest understanding between people is often wordless.

How does Ben Finney's relationship with Phoebe Winterbottom differ from his relationship with Sal?

Phoebe views Ben with suspicion and mild disdain, interpreting his eccentricities as bad manners or a vague threat, while Sal perceives these qualities as authenticity. Ben largely disregards Phoebe's disapproval. Creech uses the contrast between the two girls' reactions to reveal Phoebe's defensiveness, contrasting with Sal's deeper emotional literacy — Sal's ability to see past strangeness to genuine feeling contributes to her receptiveness to Ben.

What role does Ben Finney play in the novel's conclusion?

By the end of the novel, Ben acts as an anchor — the person in Euclid, Ohio who offers warmth to Sal after the road trip ends in devastation. He embodies the life and affection she is beginning to allow herself to desire, transforming from a comedic background character to a symbol of the ordinary joy that survives grief. His steady, grounded presence represents Creech's hopeful argument that something worth returning to exists, even after profound loss.

Why is Ben Finney connected to the Finney household, and what does that household represent for Sal?

Ben is the cousin of Mary Lou Finney, who serves as the connection bringing Sal into the Finney family sphere. The Finney home is chaotic, lively, and openly affectionate — a stark contrast to the grief-stilled Hiddle farmhouse and the anxious Winterbottom house. For Sal, it presents a model of family life that is messy yet warm, and Ben, molded by that environment, carries its unguarded empathy into every interaction.

07·Essay angles

Use this in your essay

Tool · Essay angles

  • Empathy as action, not speech: Argue that Ben's hand-holding and cheek-kiss represent Creech's claim that genuine empathy manifests in physical presence rather than articulate consolation

    compare with the novel's recurring theme of stories told in silence.

  • Parallel losses: Analyse how Ben's psychiatric-ward mother and Sal's dead mother function as structural mirrors, and what Creech suggests about the different

    and similar — griefs produced by absence versus death.

  • The eccentric as truth-teller: Consider whether Ben's chicken sounds and sketches position him as a fool-figure in the literary tradition

    the odd character who perceives most clearly — and how this archetype serves Creech's thematic purposes.

  • Ohio as possibility: Ben is inseparable from the Ohio setting Sal initially resists. Build a thesis on how Creech uses him to dramatise Sal's gradual acceptance that home and love can exist in unexpected geographies.

  • Gender and emotional labour: Examine how Ben inverts conventional gender expectations by performing quiet emotional attentiveness, and what this reversal implies about Creech's portrayal of grief and healing across the novel's male and female characters.

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