- three-card montenounChapter 1 →
A street con game where a dealer shuffles three cards face-down and dares onlookers to track and pick the winning card; the dealer uses sleight of hand to ensure the mark always loses.
- hustlenounChapter 1 →
A swindle or street con — a scheme designed to trick people out of their money through skill and deception rather than honest work.
- targetnounChapter 1 →
Here, the paid role of a person who is meant to be shot at; Lincoln literally sits still so customers can aim at him as part of an arcade act.
“They pay me to be a target. I sit there, they come in, they shoot me, I fall down.”
- reformedadjectiveChapter 2 →
Having genuinely changed one's ways and given up a dishonest or criminal past life, not just claiming to have done so.
“I'm reformed. I'm a new man. I don't do that stuff no more.”
- legitadjectiveChapter 3 →
Short for legitimate — meaning lawful, honest work that does not involve cheating, stealing, or running cons.
“I am not going back to that life. I got a legit job. I am a changed man.”
- patternounChapter 3 →
The fast, smooth, rehearsed talk a street hustler uses to draw in a crowd, keep their attention, and distract them while the con is being run.
- sleight-of-handnounChapter 3 →
Skillful, deceptive movements of the hands used to manipulate cards or objects so quickly that onlookers cannot see what is really happening.
- whitefacenounChapter 2 →
White theatrical makeup applied to the face so a performer can pass as a different race or character; here Lincoln wears it to portray the historical President at an arcade.
- arcadenounChapter 1 →
An amusement venue with coin-operated games and novelty attractions; in this play it is the place where Lincoln is paid to be 'shot' as part of a historical re-enactment booth.
- replicanounChapter 5 →
An exact copy or living imitation of something or someone; Lincoln uses the word to describe himself as a stand-in for the historical president.
“I'm an exact replica of a historical personage. People pay good money to pretend to shoot me.”
- historical personagephraseChapter 5 →
A real, named individual from history — as opposed to a fictional character; Lincoln uses the phrase to describe the president whose assassination he re-enacts for pay.
“I'm an exact replica of a historical personage. People pay good money to pretend to shoot me.”
- inheritancenounChapter 6 →
Money or property passed on by a parent or relative; here each brother received $500 in an envelope from their parents the night they were abandoned.
- DealernounChapter 6 →
In three-card monte, the person who throws and controls the cards — the one running the con and manipulating the game against the players.
“3-Card Monte. The card game. The hustle. Thuh man who throws thuh cards is called thuh Dealer.”
- boarding housenounChapter 1 →
A cheap lodging house where residents rent a single room and share common spaces; it signals poverty and a lack of stable, private housing.
- rooming housenounChapter 1 →
A low-cost building where people rent individual rooms, often with shared bathrooms and no kitchen; a step below an apartment and associated with poverty.
- connounChapter 1 →
A confidence trick — a scheme in which a swindler gains a victim's trust in order to cheat them out of money.
- wagerverbChapter 6 →
To bet a sum of money on the outcome of a game or contest, risking losing it if you are wrong.
- slumpsverbChapter 6 →
Falls or collapses heavily and limply, as a body does when it loses all muscle control — here indicating Lincoln has been shot and is dying.
“BOOTH shoots LINCOLN. LINCOLN slumps. BOOTH stands over him.”
- cradlesverbChapter 6 →
Holds someone gently and closely in one's arms, the way you would hold a baby — here Booth holds his dying brother with grief and tenderness.
“BOOTH shoots LINCOLN. LINCOLN slumps. BOOTH stands over him. Then he cradles LINCOLN in his arms.”
- bestverbChapter 6 →
To defeat or outdo someone; used here as a verb meaning no one can beat or surpass the speaker.
“I am the best. There is no one who can best me.”
Topdog/UnderdogPlay by Suzan-Lori Parks