- roarersnounChapter 1 →
A word used for the roaring waves and winds of a storm, which obey no human authority and cannot be calmed by rank or title.
“What care these roarers for the name of king?”
- tak'stverbChapter 1 →
An archaic second-person singular form of 'take,' meaning 'you take' or 'you have taken away from me.'
“This island's mine, by Sycorax my mother, / Which thou tak'st from me.”
- profitnounChapter 1 →
Here, the gain or benefit one gets from something — used bitterly to mean the only useful thing learned from being taught language was the ability to curse.
“You taught me language, and my profit on't / Is I know how to curse.”
- contrariesnounChapter 2 →
The opposite of what is normally done; doing everything in reverse of the usual order or custom, as in running a society by rules that contradict all established ones.
“I' the commonwealth I would by contraries / Execute all things.”
- trafficnounChapter 2 →
Trade or commerce between people; the buying and selling of goods. Here it refers to any form of business or economic exchange in an imagined ideal society.
“for no kind of traffic / Would I admit; no name of magistrate.”
- magistratenounChapter 2 →
An official who holds public authority and enforces laws; a government officer or judge. Here it stands for any form of official rule or governance.
“no name of magistrate.”
- damsnounChapter 2 →
Small barriers or walls built across a stream or shallow water to trap fish, used as a method of catching them without a rod or net.
“No more dams I'll make for fish, / Nor fetch in firing / At requiring.”
- firingnounChapter 2 →
Firewood or fuel gathered for burning; the act of fetching wood to keep a fire going, here presented as a menial chore imposed on a servant.
“Nor fetch in firing / At requiring.”
- trencheringnounChapter 2 →
Wooden plates or flat boards used as dishes for serving food; scraping them clean was a lowly kitchen task assigned to servants.
“Nor scrape trenchering, nor wash dish.”
- afeardadjectiveChapter 3 →
An archaic or dialect form of 'afraid,' meaning frightened or alarmed. Shakespeare uses it to give the speech a folk or rustic quality.
“Be not afeard; the isle is full of noises, / Sounds, and sweet airs, that give delight and hurt not.”
- maidnounChapter 3 →
A female servant, but also an unmarried woman who remains chaste; here Miranda uses it to mean she will serve Ferdinand faithfully as a devoted companion if he will not marry her.
“I am your wife, if you will marry me; / If not, I'll die your maid.”
- hath to instrumentphraseChapter 3 →
Uses as its tool or agent; Destiny employs the natural world — including the sea — as an instrument to carry out its purposes and punish wrongdoers.
“whom Destiny— / That hath to instrument this lower world / And what is in't.”
- never-surfeitedadjectiveChapter 3 →
Never overfull or satisfied, no matter how much it swallows; the sea is described as endlessly hungry, never glutted by all the things it consumes.
“the never-surfeited sea / Hath caused to belch up you.”
- belch upphraseChapter 3 →
To expel or vomit out forcefully; the sea is said to have spat the sinners onto the shore the way a stomach expels something it cannot digest.
“the never-surfeited sea / Hath caused to belch up you.”
- revelsnounChapter 4 →
Festive entertainments, celebrations, or theatrical performances; here it refers specifically to the elaborate magical masque Prospero has staged for Ferdinand and Miranda.
“Our revels now are ended. These our actors, / As I foretold you, were all spirits.”
- melted into airphraseChapter 4 →
Dissolved and vanished completely, leaving nothing behind; used to describe how the spirit-actors of the masque simply disappeared when Prospero ended the performance.
“Are melted into air, into thin air.”
- roundedverbChapter 4 →
Completed, enclosed, or brought full circle; here life is said to be rounded — framed at both ends — by sleep, suggesting it is as brief and insubstantial as a dream.
“our little life / Is rounded with a sleep.”
- dropsynounChapter 4 →
A disease causing painful swelling of the body due to fluid build-up; used here as a curse, wishing illness on a foolish character.
“The dropsy drown this fool! what do you mean / To dote thus on such luggage?”
- doteverbChapter 4 →
To be foolishly or excessively fond of something; to waste attention and affection on something trivial or worthless.
“what do you mean / To dote thus on such luggage?”
- luggagenounChapter 4 →
Here used to mean worthless, burdensome junk or stolen goods — not travel bags, but rubbish that weighs one down and is not worth carrying.
“The dropsy drown this fool! what do you mean / To dote thus on such luggage?”
- goodlyadjectiveChapter 5 →
Fine, admirable, and pleasing in appearance or character; Miranda uses it to express her wonder at seeing so many impressive-looking human beings at once.
“How many goodly creatures are there here!”
- beauteousadjectiveChapter 5 →
An archaic form of 'beautiful,' used in elevated or poetic speech to describe something of striking loveliness or excellence.
“How beauteous mankind is! O brave new world / That has such people in't.”
- braveadjectiveChapter 5 →
In this period usage, 'brave' means splendid, fine, or admirable — not courageous. Miranda is marvelling at how magnificent and wonderful the new world seems to her.
“O brave new world / That has such people in't.”
- abjureverbChapter 5 →
To formally and solemnly renounce or give up something, especially a power or belief; Prospero publicly swears to abandon his magic arts forever.
“But this rough magic / I here abjure.”
- fathomsnounChapter 5 →
Units of depth used in measuring water or underground distance, each equal to six feet; Prospero will bury his staff very deep in the earth.
“I'll break my staff, / Bury it certain fathoms in the earth.”
- o'erthrownverbChapter 5 →
An archaic contracted form of 'overthrown,' meaning defeated, destroyed, or stripped of power; Prospero says his magical charms have been undone.
“Now my charms are all o'erthrown, / And what strength I have's mine own.”
The TempestPlay by William Shakespeare