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Character analysis

Joe (Zakariyya) Lacks

in The Immortal Life of Henrietta Lacks by Rebecca Skloot

Joe Lacks, who later changed his name to Zakariyya Bari Abdul Rahman after converting to Islam, is the youngest son of Henrietta, born just months before her death from cervical cancer in 1951. Since Henrietta passed away when he was an infant, Joe grew up without a mother, raised in the turbulent and often abusive environment created by his father, Day, and cousin, Galen. Skloot reveals that Galen sexually abused Joe as a child, a trauma that fueled his intense rage into adulthood. After killing a man in a fight, Joe spent years in prison for manslaughter, emerging as the most volatile and openly angry of Henrietta's surviving children—seething at the medical establishment for profiting from his mother's cells while his family lived in poverty without health insurance.

His story is one of the book's most emotionally stirring. When Rebecca Skloot first meets him, he is hostile and threatening, even slamming a knife on the table during their conversation. Yet, his anger is framed as legitimate grief: he never got to know his mother, lost the chance for a stable childhood, and witnessed HeLa cells generate billions for corporations while the Lacks family struggled. A key moment occurs when Johns Hopkins researcher Christoph Lengauer invites the family to look at HeLa cells under a microscope. Joe is visibly touched—almost in tears—seeing his mother's cells alive decades after her passing. This surprising moment of wonder humanizes him and signals a fragile but genuine softening, illustrating Skloot's broader theme that every cell line carries an irreplaceable human story.

About this character

Form
Non-fiction
Author
Rebecca Skloot
First published
2010

The person01–03

01·Who they are

Who is Joe (Zakariyya) Lacks?

Joe Lacks, who legally renamed himself Zakariyya Bari Abdul Rahman upon converting to Islam, is the youngest surviving child of Henrietta Lacks. His identity carries the weight of systemic injustice. Born just months before Henrietta's death from cervical cancer in 1951, he never knew his mother, a foundational absence that Skloot distinguishes from the grief of his older siblings, who at least carried memories of her. His conversion and name change reflect an attempt to build an identity independent of the Lacks family's painful history, yet the rage that defined "Joe" travels with him. When Skloot meets him in the early 2000s, she encounters a man regarded as the most volatile of Henrietta's children — physically imposing, deeply suspicious, and capable of slamming a knife onto a table during what was supposed to be a conversation.

02·Arc & motivation

What is Joe (Zakariyya) Lacks's arc and motivation?

Joe's journey is influenced by layers of abandonment and violations. Henrietta's death left an infant in the care of David ("Day") Lacks, whose household became a site of significant harm: Skloot documents that cousin Galen sexually abused Joe during his childhood, trauma that Day either could not or would not prevent. That unchecked violation turned into the explosive anger that erupted during a fight that killed a man, resulting in Joe's imprisonment for manslaughter. His motivating grievance cannot be explained solely by personal psychology; he recognizes that HeLa cells generated billions of dollars for corporations and research institutions while his family lived without health insurance and in poverty. His anger thus represents both a personal wound and a political indictment, expressing fury at a structure that consumed his mother and discarded her children.

03·Key moments

What are Joe (Zakariyya) Lacks's key moments?

The knife scene early in Skloot's interactions with Joe establishes the stakes of approaching him. It is not theatrical menace but a man indicating that he has nothing left to lose and no reason to trust a white researcher asking about his mother. This compels the reader to engage with discomfort rather than dismiss him as merely dangerous.

The most transformative moment in Joe's arc occurs when Johns Hopkins researcher Christoph Lengauer invites the Lacks family to view HeLa cells through a microscope. Witnessing his mother's cells — still alive and dividing decades after her death — visibly overwhelms Joe. Skloot describes him as near tears, a reaction that fractures the hard exterior he has maintained throughout the narrative. This scene is pivotal because it does not resolve his anger or imply that wonder negates injustice; it instead exposes the grief beneath the fury and affirms that his rage stems from the loss of a mother he never got to experience.

The cast04–05

04·Relationships

What are Joe (Zakariyya) Lacks's most important relationships?

Joe's connection with Henrietta is entirely posthumous and thus entirely imagined — she exists for him as absence, as cells on a slide, as a name tied to a story from which he was excluded. This renders the microscope scene uniquely powerful; it represents his only encounter with any aspect of her.

His bond with Deborah stands out as the book's most dynamic sibling relationship. Deborah shares his anger but has channeled it into obsessive research and emotional advocacy. She often serves as a buffer between Joe's volatility and Skloot's presence, calming him while validating his grievances.

Day's inability to protect Joe from Galen's abuse underpins Joe's psychology. Skloot neither excuses Day nor absolves him but frames him within his own limitations, prompting the reader to confront how one generation's failures impact the next.

Joe's initial relationship with Skloot is adversarial, based on the rationale that outside figures have historically exploited the Lacks family. The thawing of this tension is not a personal victory for Skloot but rather evidence of the impact of genuine respect — exemplified by Lengauer's invitation.

Lengauer's role, though brief, is structurally essential. His willingness to treat the family as stakeholders rather than curiosities is what the medical establishment had failed to do previously; Joe's tearful response highlights the depth of that prior exclusion.

05·Connected characters

How is Joe (Zakariyya) Lacks connected to the other characters?

Henrietta Lacks

Joe's mother, who died when he was an infant. He never knew her, and her absence—compounded by the exploitation of her cells—is the root of his lifelong grief and rage. Seeing her living HeLa cells under a microscope is the closest he ever comes to her.

Deborah Lacks

His sister and the sibling he is closest to in the narrative. Deborah shares his anger but channels it differently; she mediates between Joe's volatility and Skloot's investigation, often trying to calm him during tense encounters.

David 'Day' Lacks

His father, Day, who raised Joe after Henrietta's death. The household Day presided over—where cousin Galen's abuse went unchecked—is central to understanding the trauma that defined Joe's youth and adult fury.

Rebecca Skloot

Skloot approaches Joe with caution; he initially greets her with open hostility, at one point placing a knife on the table. Over time, his wariness partially thaws, and his emotional response to the HeLa cells becomes one of the book's most affecting scenes.

Christoph Lengauer

The Hopkins researcher who invites the Lacks family to view HeLa cells under a microscope. This gesture of respect moves Joe profoundly—he weeps—marking the most significant emotional shift in his arc.

Lawrence Lacks

Joe's older brother. Lawrence shares the family's broader sense of injustice over HeLa commercialization, and both grew up in the same troubled household, though Lawrence's temperament contrasts with Joe's explosive anger.

Sonny Lacks

Another older brother. Like Lawrence, Sonny represents the wider Lacks family context against which Joe's extreme anger and imprisonment stand out as the sharpest expression of the family's collective suffering.

Elsie Lacks

Joe's older sister, institutionalized and largely erased from family memory. Both Joe and Elsie represent children failed by systems—medical and social—that prioritized institutional convenience over their humanity.

Study06–07

06·Questions

Questions readers ask about Joe (Zakariyya) Lacks

Why is Zakariyya (Joe) Lacks so angry throughout the book?

Zakariyya's rage stems from compounding traumas: he lost his mother as an infant, was sexually abused by cousin Galen in a household Day failed to protect, killed a man in a fight and served time for manslaughter, and watched HeLa cells generate billions for corporations while his family lived in poverty without health insurance. Skloot frames his fury not as pathology but as a coherent, if destructive, political and personal indictment of systemic exploitation.

What does Zakariyya Lacks do when Rebecca Skloot first meets him?

When Skloot first meets him, Zakariyya slams a knife onto the table during their conversation, signaling deep hostility toward outside researchers he associates with a history of exploitation. Skloot presents this not as random menace but as the act of a man with no remaining reason to trust a white researcher asking questions about his mother and her stolen cells.

Why did Joe Lacks change his name to Zakariyya Bari Abdul Rahman?

Joe changed his name after converting to Islam, an act Skloot frames as an attempt to forge an identity independent of the Lacks family's painful history. Because his family's name—and his mother's cells—had been claimed and circulated by others without consent, the renaming represents a rare act of self-determination in a life where personhood was repeatedly denied or ignored.

What is the most emotional moment in Zakariyya Lacks's story?

The most emotional moment occurs when Johns Hopkins researcher Christoph Lengauer invites the Lacks family to view HeLa cells under a microscope. Seeing his mother's cells still alive and dividing decades after her death, Zakariyya is visibly overwhelmed and comes close to tears. It is the only encounter he ever has with any aspect of Henrietta, and it reveals the profound grief beneath his rage without erasing his legitimate anger at the injustice she suffered.

What is Zakariyya Lacks's relationship with his sister Deborah?

Deborah is the sibling Zakariyya is closest to in the narrative. They share the same fundamental anger over their mother's exploitation, but Deborah channels hers into obsessive research and emotional advocacy, while Zakariyya's tends toward explosive volatility. During tense encounters with Skloot, Deborah frequently acts as a mediator—validating Zakariyya's grievances while trying to prevent confrontations from escalating.

How did Zakariyya Lacks end up in prison?

Zakariyya killed a man during a fight and was convicted of manslaughter, spending years in prison as a result. Skloot traces this violence back to the trauma of his childhood—particularly the sexual abuse by cousin Galen that went unchecked in Day's household—situating his imprisonment within a broader pattern of abandonment and systemic failure rather than presenting it as simple criminality.

What role does Christoph Lengauer play in Zakariyya Lacks's arc?

Lengauer, a Johns Hopkins researcher, plays a structurally pivotal role by inviting the Lacks family to view HeLa cells under a microscope—treating them as stakeholders rather than curiosities. This gesture of genuine respect is what the medical establishment had consistently failed to offer the family. Zakariyya's tearful response to seeing his mother's living cells illustrates how deeply that prior exclusion had wounded him and marks the most significant emotional shift in his story.

How does Zakariyya Lacks's experience compare to that of his sister Elsie?

Both Zakariyya and Elsie represent Lacks children failed by overlapping systems simultaneously. Elsie was institutionalized and largely erased from family memory by the medical establishment, while Zakariyya was left unprotected in a harmful household and later imprisoned. Together they illustrate Skloot's argument that the same structures—medical, social, and familial—that exploited Henrietta also discarded her most vulnerable children.

07·Essay angles

Use this in your essay

Tool · Essay angles

  • Anger as legitimate political response

    Argue that Skloot depicts Joe's rage not as pathology but as a coherent, albeit destructive, reaction to material injustice — explore how his characterization challenges readers to distinguish between "difficult" and "wronged."

  • The absence of the mother as structuring trauma

    Compare Joe's motherless childhood with Elsie's institutionalization to demonstrate that the Lacks children were failed by overlapping systems — medical, familial, and social — simultaneously.

  • Identity, naming, and self-determination

    Analyze the significance of Joe's conversion and renaming as a reclaiming of selfhood in a narrative where his family's identity has repeatedly been claimed by others without consent.

  • The microscope scene as ethical turning point

    Use Lengauer's invitation to assert that genuine reparative gestures require recognition of personhood, not merely an apology — and that Joe's emotional response reflects the rarity of such recognition.

  • The limits of reconciliation

    Examine whether Skloot's narrative fully reconciles Joe's emotional softening with the unchanged material conditions of his family's life, and what that lack of resolution suggests about the book's ethical conclusions.

The Immortal Life of Henrietta Lacks

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