Romeo and JulietModern English
Romeo and Juliet, Act 1, Scene 3
Original
Modern English
Enter Lady Capulet and Nurse.
Lady Capulet and the Nurse come in.
Lady Capulet1
Nurse, where’s my daughter? Call her forth to me.
Nurse, where's my daughter? Call her out here to me.
Nurse2
Now, by my maidenhead, at twelve year old, I bade her come. What, lamb! What ladybird! God forbid! Where’s this girl? What, Juliet!
Well, by my virginity when I was twelve, I told her to come. Hey, lamb! Hey, ladybird! Heaven help us! Where's this girl? Hey, Juliet!
Enter Juliet.
Juliet comes in.
Juliet5
How now, who calls?
What is it, who's calling?
Nurse6
Your mother.
Your mother.
Juliet7
Madam, I am here. What is your will?
Madam, I'm here. What do you want?
Lady Capulet8
This is the matter. Nurse, give leave awhile, We must talk in secret. Nurse, come back again, I have remember’d me, thou’s hear our counsel. Thou knowest my daughter’s of a pretty age.
Here's the matter. Nurse, leave us for a while, we have to talk privately. Nurse, come back again, I've just thought better of it, you shall hear what we discuss. You know my daughter is a fine age now.
Nurse12
Faith, I can tell her age unto an hour.
Honestly, I can tell you her age to the hour.
Lady Capulet13
She’s not fourteen.
She's not fourteen.
Nurse14
I’ll lay fourteen of my teeth, And yet, to my teen be it spoken, I have but four, She is not fourteen. How long is it now To Lammas-tide?
I'd bet fourteen of my teeth on it — and yet, to my sorrow I say it, I've only got four — she's not fourteen. How long is it now until Lammas time?
Lady Capulet18
A fortnight and odd days.
A fortnight and a few days.
Nurse19
Even or odd, of all days in the year, Come Lammas Eve at night shall she be fourteen. Susan and she,—God rest all Christian souls!— Were of an age. Well, Susan is with God; She was too good for me. But as I said, On Lammas Eve at night shall she be fourteen; That shall she, marry; I remember it well. ’Tis since the earthquake now eleven years; And she was wean’d,—I never shall forget it—, Of all the days of the year, upon that day: For I had then laid wormwood to my dug, Sitting in the sun under the dovehouse wall; My lord and you were then at Mantua: Nay, I do bear a brain. But as I said, When it did taste the wormwood on the nipple Of my dug and felt it bitter, pretty fool, To see it tetchy, and fall out with the dug! Shake, quoth the dovehouse: ’twas no need, I trow, To bid me trudge. And since that time it is eleven years; For then she could stand alone; nay, by th’rood She could have run and waddled all about; For even the day before she broke her brow, And then my husband,—God be with his soul! A was a merry man,—took up the child: ‘Yea,’ quoth he, ‘dost thou fall upon thy face? Thou wilt fall backward when thou hast more wit; Wilt thou not, Jule?’ and, by my holidame, The pretty wretch left crying, and said ‘Ay’. To see now how a jest shall come about. I warrant, and I should live a thousand years, I never should forget it. ‘Wilt thou not, Jule?’ quoth he; And, pretty fool, it stinted, and said ‘Ay.’
Even or odd, of all the days in the year, when Lammas Eve comes at night she'll be fourteen. Susan and she — God rest all Christian souls! — were the same age. Well, Susan is with God; she was too good for me. But as I said, on Lammas Eve at night she'll be fourteen; that she will, indeed; I remember it well. It's eleven years now since the earthquake; and she was weaned — I shall never forget it — of all the days of the year, on that very day: because I had put bitter wormwood on my nipple then, sitting in the sun under the dovehouse wall; my lord and you were at Mantua then. There, I do have a memory. But as I said, when the baby tasted the wormwood on the nipple of my breast and found it bitter, the pretty little thing, you should have seen her get cross and quarrel with the breast! The dovehouse shook, as if it said 'Shake!' — there was no need, I'm sure, to tell me to be off. And since that time it's eleven years; because she could stand up by herself then; no, by the cross, she could have run and toddled about all over the place; because the very day before she cut her forehead, and then my husband — God be with his soul, he was a cheerful man — picked the child up. 'Yes,' he said, 'do you fall on your face? You'll fall on your back when you have more sense; won't you, Jule?' and, by all that's holy, the pretty little thing stopped crying and said 'Yes'. Just see now how a joke comes true. I promise you, if I were to live a thousand years I should never forget it. 'Won't you, Jule?' he said; and the pretty little thing stopped and said 'Yes.'
Lady Capulet52
Enough of this; I pray thee hold thy peace.
Enough of this; please be quiet.
Nurse53
Yes, madam, yet I cannot choose but laugh, To think it should leave crying, and say ‘Ay’; And yet I warrant it had upon it brow A bump as big as a young cockerel’s stone; A perilous knock, and it cried bitterly. ‘Yea,’ quoth my husband, ‘fall’st upon thy face? Thou wilt fall backward when thou comest to age; Wilt thou not, Jule?’ it stinted, and said ‘Ay’.
Yes, madam, but I can't help laughing, to think that she stopped crying and said 'Yes'; and yet I promise you she had a bump on her forehead as big as a young cockerel's testicle; a nasty knock, and she cried bitterly. 'Yes,' said my husband, 'do you fall on your face? You'll fall on your back when you're grown up; won't you, Jule?' She stopped and said 'Yes'.
Juliet61
And stint thou too, I pray thee, Nurse, say I.
And you stop too, please, Nurse, is what I say.
Nurse62
Peace, I have done. God mark thee to his grace Thou wast the prettiest babe that e’er I nurs’d: And I might live to see thee married once, I have my wish.
Quiet, I've finished. God single you out for his grace! You were the prettiest baby I ever nursed. If I could live to see you married one day, I'd have all I wish for.
Lady Capulet65
Marry, that marry is the very theme I came to talk of. Tell me, daughter Juliet, How stands your disposition to be married?
Indeed, marriage is the very subject I came to talk about. Tell me, daughter Juliet, how do you feel about being married?
Juliet68
It is an honour that I dream not of.
It's an honour I don't dream of.
Nurse69
An honour! Were not I thine only nurse, I would say thou hadst suck’d wisdom from thy teat.
An honour! If I weren't your only nurse, I'd say you had sucked wisdom out of the breast that fed you.
Lady Capulet71
Well, think of marriage now: younger than you, Here in Verona, ladies of esteem, Are made already mothers. By my count I was your mother much upon these years That you are now a maid. Thus, then, in brief; The valiant Paris seeks you for his love.
Well, think about marriage now: younger than you, here in Verona, respected ladies have already become mothers. By my reckoning, I was your mother at about the same age that you are still unmarried. So, then, in short: the brave Paris is after you for his love.
Nurse77
A man, young lady! Lady, such a man As all the world—why he’s a man of wax.
A man, young lady! Lady, such a man as all the world — why, he's as perfect as a wax model.
Lady Capulet79
Verona’s summer hath not such a flower.
Verona's summer has no flower like him.
Nurse80
Nay, he’s a flower, in faith a very flower.
Yes, he's a flower, truly a real flower.
Lady Capulet81
What say you, can you love the gentleman? This night you shall behold him at our feast; Read o’er the volume of young Paris’ face, And find delight writ there with beauty’s pen. Examine every married lineament, And see how one another lends content; And what obscur’d in this fair volume lies, Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea; and ’tis much pride For fair without the fair within to hide. That book in many’s eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, making yourself no less.
What do you say, can you love the gentleman? Tonight you'll see him at our feast. Read right through the book of young Paris's face, and find delight written there by beauty's pen. Study every well-matched feature and see how each one adds to the satisfaction of the others; and whatever lies hidden in this fine book, find it written in the margins of his eyes. This precious book of love, this lover without a binding, needs only a cover to make him beautiful. The fish lives in the sea; and it's a fine thing for outward beauty to hold beauty within. In many people's eyes that book shares the glory which locks in a golden story with golden clasps. So you will share everything he possesses, and by having him you'll make yourself no less.
Nurse97
No less, nay bigger. Women grow by men.
No less — no, bigger. Women grow bigger through men.
Lady Capulet98
Speak briefly, can you like of Paris’ love?
Answer briefly: can you accept Paris's love?
Juliet99
I’ll look to like, if looking liking move: But no more deep will I endart mine eye Than your consent gives strength to make it fly.
I'll look at him with a view to liking him, if looking can bring liking on. But I won't send my eye any deeper into him than your permission gives it strength to fly.
Enter a Servant.
A servant comes in.
Servant102
Madam, the guests are come, supper served up, you called, my young lady asked for, the Nurse cursed in the pantry, and everything in extremity. I must hence to wait, I beseech you follow straight.
Madam, the guests have arrived, supper is on the table, you are being called for, my young lady is being asked for, the Nurse is being cursed in the pantry, and everything is at breaking point. I must go to serve; please follow at once.
Lady Capulet105
We follow thee.
We're coming after you.
Exit Servant.
The servant leaves.
Lady Capulet106
Juliet, the County stays.
Juliet, the Count is waiting.
Nurse107
Go, girl, seek happy nights to happy days.
Go, girl, and look for happy nights to follow happy days.
Exeunt.
They all leave.
Ask about this work
The reader has this scene in front of it — the original text and the modern English beside it, line by line — along with the act’s summary. Ask what a speech means, what a character is deciding, or where the language turns.
It cites the chapter or the line it is working from, and it says so plainly when the guide doesn’t cover something. It’s instructed never to write an essay, a paragraph or an answer for you to hand in, and never to grade anything — it will show you how to approach the question instead.
Sign in to ask the reader about this work — 1 credit covers three messages.
Create an accountSign inOriginal text: Project Gutenberg edition #1513 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.