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Much Ado About NothingModern English

Much Ado About Nothing, Act 3, Scene 4

A Room in Leonato’s House.

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  1. Enter Hero, Margaret and Ursula.

    Hero, Margaret and Ursula come in.

  2. Hero1

    Good Ursula, wake my cousin Beatrice, and desire her to rise.

    Good Ursula, wake my cousin Beatrice, and ask her to get up.

  3. Ursula2

    I will, lady.

    I will, my lady.

  4. Hero3

    And bid her come hither.

    And tell her to come here.

  5. Ursula4

    Well.

    All right.

  6. Exit.

    She leaves.

  7. Margaret5

    Troth, I think your other rebato were better.

    Honestly, I think your other collar would be better.

  8. Hero6

    No, pray thee, good Meg, I’ll wear this.

    No, please, good Meg, I'll wear this one.

  9. Margaret7

    By my troth’s not so good; and I warrant your cousin will say so.

    Honestly, it isn't as good; and I promise you your cousin will say so too.

  10. Hero8

    My cousin’s a fool, and thou art another: I’ll wear none but this.

    My cousin's a fool, and you're another: I'll wear nothing but this one.

  11. Margaret10

    I like the new tire within excellently, if the hair were a thought browner; and your gown’s a most rare fashion, i’ faith. I saw the Duchess of Milan’s gown that they praise so.

    I like the new headdress inside extremely well, if only the hair were a shade browner; and your gown is a most unusual fashion, truly. I saw the Duchess of Milan's gown that everyone praises so much.

  12. Hero13

    O! that exceeds, they say.

    Oh, that one is beyond compare, they say.

  13. Margaret14

    By my troth ’s but a night-gown in respect of yours: cloth o’ gold, and cuts, and laced with silver, set with pearls, down sleeves, side sleeves, and skirts round, underborne with a bluish tinsel; but for a fine, quaint, graceful, and excellent fashion, yours is worth ten on’t.

    Honestly, it's nothing but a nightgown compared with yours: cloth of gold, and slashes, and trimmed with silver, set with pearls, hanging sleeves, side sleeves, and skirts all round, lined underneath with a bluish tinsel; but for a fine, elegant, graceful and excellent fashion, yours is worth ten of it.

  14. Hero18

    God give me joy to wear it! for my heart is exceeding heavy.

    God give me joy in wearing it! For my heart is extremely heavy.

  15. Margaret19

    ’Twill be heavier soon by the weight of a man.

    It will be heavier soon by the weight of a man.

  16. Hero20

    Fie upon thee! art not ashamed?

    Shame on you! Aren't you ashamed?

  17. Margaret21

    Of what, lady? of speaking honourably? Is not marriage honourable in a beggar? Is not your lord honourable without marriage? I think you would have me say, saving your reverence, ‘a husband:’ an bad thinking do not wrest true speaking, I’ll offend nobody. Is there any harm in ‘the heavier for a husband’? None, I think, and it be the right husband and the right wife; otherwise ’tis light, and not heavy: ask my Lady Beatrice else; here she comes.

    Of what, my lady? Of speaking respectably? Isn't marriage respectable, even in a beggar? Isn't your lord respectable without being married? I think you'd have me say, if you'll pardon the word, 'a husband': if dirty thinking doesn't twist honest speaking, I'll give nobody offence. Is there any harm in 'the heavier for a husband'? None, I think, so long as it's the right husband and the right wife; otherwise it's light, not heavy. Ask my Lady Beatrice if you doubt it; here she comes.

  18. Enter Beatrice.

    Beatrice comes in.

  19. Hero28

    Good morrow, coz.

    Good morning, cousin.

  20. Beatrice29

    Good morrow, sweet Hero.

    Good morning, sweet Hero.

  21. Hero30

    Why, how now? do you speak in the sick tune?

    Why, what's this? Are you speaking in the sick key?

  22. Beatrice31

    I am out of all other tune, methinks.

    I seem to be out of every other key.

  23. Margaret32

    Clap’s into ‘Light o’ love’; that goes without a burden: do you sing it, and I’ll dance it.

    Let's strike up 'Light o' love'; that one goes without a bass part: you sing it, and I'll dance it.

  24. Beatrice34

    Ye, light o’ love with your heels! then, if your husband have stables enough, you’ll see he shall lack no barnes.

    Yes, light of love with your heels! Then, if your husband has stables enough, you'll make sure he's never short of barns.

  25. Margaret36

    O illegitimate construction! I scorn that with my heels.

    Oh, what an illegitimate interpretation! I kick that aside with my heels.

  26. Beatrice37

    ’Tis almost five o’clock, cousin; ’tis time you were ready. By my troth, I am exceeding ill. Heigh-ho!

    It's almost five o'clock, cousin; it's time you were dressed. Honestly, I feel extremely ill. Heigh-ho!

  27. Margaret39

    For a hawk, a horse, or a husband?

    Sighing for a hawk, a horse, or a husband?

  28. Beatrice40

    For the letter that begins them all, H.

    For the letter that begins them all, H.

  29. Margaret41

    Well, and you be not turned Turk, there’s no more sailing by the star.

    Well, if you haven't turned Turk, there's no steering by the stars any more.

  30. Beatrice43

    What means the fool, trow?

    What does this fool mean, I wonder?

  31. Margaret44

    Nothing I; but God send everyone their heart’s desire!

    Nothing at all; but God send everyone what their heart desires!

  32. Hero45

    These gloves the Count sent me; they are an excellent perfume.

    These gloves were sent to me by the Count; they smell wonderful.

  33. Beatrice46

    I am stuffed, cousin, I cannot smell.

    My nose is stuffed up, cousin, I can't smell anything.

  34. Margaret47

    A maid, and stuffed! there’s goodly catching of cold.

    An unmarried girl, and stuffed! That's a fine way to have caught a cold.

  35. Beatrice48

    O, God help me! God help me! how long have you professed apprehension?

    Oh, God help me! God help me! How long have you claimed to be a wit?

  36. Margaret50

    Ever since you left it. Doth not my wit become me rarely!

    Ever since you gave it up. Doesn't my cleverness suit me marvellously well?

  37. Beatrice51

    It is not seen enough, you should wear it in your cap. By my troth, I am sick.

    It isn't showing enough; you should wear it in your cap. Honestly, I am ill.

  38. Margaret53

    Get you some of this distilled Carduus benedictus, and lay it to your heart: it is the only thing for a qualm.

    Get yourself some of this distilled Carduus benedictus, and hold it to your heart: it's the only remedy for a sudden faintness.

  39. Hero55

    There thou prick’st her with a thistle.

    There you prick her with a thistle.

  40. Beatrice56

    Benedictus! why benedictus? you have some moral in this benedictus.

    Benedictus! Why benedictus? You have some hidden point in this benedictus.

  41. Margaret58

    Moral! no, by my troth, I have no moral meaning; I meant, plain holy thistle. You may think, perchance, that I think you are in love: nay, by’r Lady, I am not such a fool to think what I list; nor I list not to think what I can; nor, indeed, I cannot think, if I would think my heart out of thinking, that you are in love, or that you will be in love, or that you can be in love. Yet Benedick was such another, and now is he become a man: he swore he would never marry; and yet now, in despite of his heart, he eats his meat without grudging: and how you may be converted, I know not; but methinks you look with your eyes as other women do.

    A hidden point! No, honestly, I have no hidden meaning; I meant the plain holy thistle. Possibly you think I think you're in love: no, by Our Lady, I'm not such a fool as to think whatever I please; nor do I please to think whatever I could; nor, in fact, could I think, even if I thought my heart out with thinking, that you are in love, or that you will be in love, or that you can be in love. Yet Benedick was just the same sort, and now he's turned into a man: he swore he would never marry; and yet now, in spite of his heart, he eats his dinner without complaining. And how you may be converted, I don't know; but it seems to me you look out of your eyes the way other women do.

  42. Beatrice68

    What pace is this that thy tongue keeps?

    What pace is this that your tongue is going at?

  43. Margaret69

    Not a false gallop.

    Not a false gallop.

  44. Re-enter Ursula.

    Ursula comes back in.

  45. Ursula70

    Madam, withdraw: the Prince, the Count, Signior Benedick, Don John, and all the gallants of the town are come to fetch you to church.

    Madam, come away: the Prince, the Count, Signior Benedick, Don John, and all the fine gentlemen of the town have come to take you to church.

  46. Hero72

    Help to dress me, good coz, good Meg, good Ursula.

    Help me get dressed, good cousin, good Meg, good Ursula.

  47. Exeunt.

    They all leave.

Original text: Project Gutenberg edition #1519 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.