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Storgy

Much Ado About NothingModern English

Much Ado About Nothing, Act 3, Scene 3

A Street.

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  1. Enter Dogberry and Verges, with the Watch.

    Dogberry and Verges come in, with the Watch.

  2. Dogberry1

    Are you good men and true?

    Are you good men and true?

  3. Verges2

    Yea, or else it were pity but they should suffer salvation, body and soul.

    Yes, or else it would be a shame if they didn't suffer salvation, body and soul.

  4. Dogberry3

    Nay, that were a punishment too good for them, if they should have any allegiance in them, being chosen for the Prince’s watch.

    No, that would be too good a punishment for them, if they had any loyalty in them, having been chosen for the Prince's watch.

  5. Verges5

    Well, give them their charge, neighbour Dogberry.

    Well, give them their instructions, neighbour Dogberry.

  6. Dogberry6

    First, who think you the most desartless man to be constable?

    First, who do you think is the most deservingless man to be constable?

  7. First Watch7

    Hugh Oatcake, sir, or George Seacoal; for they can write and read.

    Hugh Oatcake, sir, or George Seacoal, because they can write and read.

  8. Dogberry8

    Come hither, neighbour Seacoal. God hath blessed you with a good name: to be a well-favoured man is the gift of Fortune; but to write and read comes by Nature.

    Come here, neighbour Seacoal. God has blessed you with a good name. Being a good-looking man is a gift of Fortune, but writing and reading come from Nature.

  9. Second Watch11

    Both which, Master Constable,—

    Both of which, Master Constable—

  10. Dogberry12

    You have: I knew it would be your answer. Well, for your favour, sir, why, give God thanks, and make no boast of it; and for your writing and reading, let that appear when there is no need of such vanity. You are thought here to be the most senseless and fit man for the constable of the watch; therefore bear you the lanthorn. This is your charge: you shall comprehend all vagrom men; you are to bid any man stand, in the Prince’s name.

    You have. I knew that would be your answer. Well, as for your good looks, sir, why, thank God for them and don't boast about it; and as for your writing and reading, let that show when there's no need for such vanity. You're considered here the most senseless and suitable man for constable of the watch, so you carry the lantern. These are your instructions: you must comprehend all vagrom men; you're to order any man to stand still, in the Prince's name.

  11. Second Watch19

    How, if a’ will not stand?

    What if he won't stand still?

  12. Dogberry20

    Why, then, take no note of him, but let him go; and presently call the rest of the watch together, and thank God you are rid of a knave.

    Why, then take no notice of him, but let him go; and immediately call the rest of the watch together, and thank God you're rid of a scoundrel.

  13. Verges22

    If he will not stand when he is bidden, he is none of the Prince’s subjects.

    If he won't stand still when he's told to, he's not one of the Prince's subjects.

  14. Dogberry24

    True, and they are to meddle with none but the Prince’s subjects. You shall also make no noise in the streets: for, for the watch to babble and to talk is most tolerable and not to be endured.

    True, and they're to deal with nobody but the Prince's subjects. You must also make no noise in the streets, because for the watch to babble and talk is most tolerable and not to be endured.

  15. Second Watch27

    We will rather sleep than talk: we know what belongs to a watch.

    We'd rather sleep than talk. We know what a watchman's job involves.

  16. Dogberry28

    Why, you speak like an ancient and most quiet watchman, for I cannot see how sleeping should offend; only have a care that your bills be not stolen. Well, you are to call at all the alehouses, and bid those that are drunk get them to bed.

    Why, you talk like an experienced and very quiet watchman, for I can't see how sleeping could give offence; only be careful your weapons aren't stolen. Well, you're to call at all the alehouses, and tell those who are drunk to get to bed.

  17. Second Watch32

    How if they will not?

    What if they won't?

  18. Dogberry33

    Why then, let them alone till they are sober: if they make you not then the better answer, you may say they are not the men you took them for.

    Why then, leave them alone until they're sober. If they don't give you a better answer then, you may say they're not the men you took them for.

  19. Second Watch36

    Well, sir.

    Very well, sir.

  20. Dogberry37

    If you meet a thief, you may suspect him, by virtue of your office, to be no true man; and, for such kind of men, the less you meddle or make with them, why, the more is for your honesty.

    If you meet a thief, you may suspect him, by the authority of your office, of not being an honest man; and with men of that sort, the less you have to do with them, why, the better for your own honesty.

  21. Second Watch40

    If we know him to be a thief, shall we not lay hands on him?

    If we know he's a thief, shouldn't we arrest him?

  22. Dogberry41

    Truly, by your office, you may; but I think they that touch pitch will be defiled. The most peaceable way for you, if you do take a thief, is to let him show himself what he is and steal out of your company.

    Truly, by your office, you may; but I think those who touch pitch will be dirtied by it. The most peaceable course for you, if you do catch a thief, is to let him show what he is and steal away out of your company.

  23. Verges45

    You have been always called a merciful man, partner.

    You've always been called a merciful man, partner.

  24. Dogberry46

    Truly, I would not hang a dog by my will, much more a man who hath any honesty in him.

    Truly, I wouldn't hang a dog if I could help it, much more a man who has any honesty in him.

  25. Verges48

    If you hear a child cry in the night, you must call to the nurse and bid her still it.

    If you hear a child crying in the night, you must call the nurse and tell her to quiet it.

  26. Second Watch50

    How if the nurse be asleep and will not hear us?

    What if the nurse is asleep and won't hear us?

  27. Dogberry51

    Why then, depart in peace, and let the child wake her with crying; for the ewe that will not hear her lamb when it baes, will never answer a calf when he bleats.

    Why then, go away peacefully, and let the child wake her with its crying; for the ewe that won't hear her lamb when it bleats will never answer a calf when he bleats.

  28. Verges54

    ’Tis very true.

    That's very true.

  29. Dogberry55

    This is the end of the charge. You constable, are to present the Prince’s own person: if you meet the Prince in the night, you may stay him.

    This is the end of your instructions. You, constable, are to represent the Prince's own person: if you meet the Prince in the night, you may stop him.

  30. Verges58

    Nay, by’r lady, that I think, a’ cannot.

    No, by our lady, I think he can't.

  31. Dogberry59

    Five shillings to one on’t, with any man that knows the statutes, he may stay him: marry, not without the Prince be willing; for, indeed, the watch ought to offend no man, and it is an offence to stay a man against his will.

    Five shillings to one on it, with any man who knows the statutes, he may stop him — but only if the Prince is willing; for indeed, the watch ought to offend nobody, and it is an offence to stop a man against his will.

  32. Verges63

    By’r lady, I think it be so.

    By our lady, I think that's so.

  33. Dogberry64

    Ha, ah, ha! Well, masters, good night: an there be any matter of weight chances, call up me: keep your fellows’ counsels and your own, and good night. Come, neighbour.

    Ha, ah, ha! Well, masters, good night. If anything of importance happens, wake me up. Keep your fellows' secrets and your own, and good night. Come along, neighbour.

  34. Second Watch67

    Well, masters, we hear our charge: let us go sit here upon the church bench till two, and then all to bed.

    Well, masters, we've heard our instructions. Let's go and sit here on the church bench until two o'clock, and then all go to bed.

  35. Dogberry69

    One word more, honest neighbours. I pray you, watch about Signior Leonato’s door; for the wedding being there tomorrow, there is a great coil tonight. Adieu; be vigitant, I beseech you.

    One more word, honest neighbours. Please keep watch around Signior Leonato's door; since the wedding is there tomorrow, there's a great deal of commotion tonight. Adieu. Be vigitant, I beg you.

  36. Exeunt Dogberry and Verges.

    Dogberry and Verges leave.

  37. Enter Borachio and Conrade.

    Borachio and Conrade come in.

  38. Borachio73

    What, Conrade!

    Hey, Conrade!

  39. Watch74

    [Aside] Peace! stir not.

    [Aside] Quiet! Don't move.

  40. Borachio75

    Conrade, I say!

    Conrade, I say!

  41. Conrade76

    Here, man. I am at thy elbow.

    Here, man. I'm right at your elbow.

  42. Borachio77

    Mass, and my elbow itched; I thought there would a scab follow.

    By the mass, my elbow was itching; I thought a scab would follow.

  43. Conrade78

    I will owe thee an answer for that; and now forward with thy tale.

    I'll owe you an answer for that. Now get on with your story.

  44. Borachio79

    Stand thee close then under this penthouse, for it drizzles rain, and I will, like a true drunkard, utter all to thee.

    Stand close under this overhanging roof, then, because it's drizzling, and I'll pour everything out to you, like a true drunkard.

  45. Watch81

    [Aside] Some treason, masters; yet stand close.

    [Aside] Some treason, masters; keep close still.

  46. Borachio82

    Therefore know, I have earned of Don John a thousand ducats.

    So know this: I've earned a thousand ducats from Don John.

  47. Conrade83

    Is it possible that any villainy should be so dear?

    Is it possible that any villainy could cost so much?

  48. Borachio84

    Thou shouldst rather ask if it were possible any villainy should be so rich; for when rich villains have need of poor ones, poor ones may make what price they will.

    You should rather ask whether it's possible any villainy could be so rich; because when rich villains need poor ones, the poor ones can charge whatever price they like.

  49. Conrade87

    I wonder at it.

    I'm amazed at it.

  50. Borachio88

    That shows thou art unconfirmed. Thou knowest that the fashion of a doublet, or a hat, or a cloak, is nothing to a man.

    That shows you're inexperienced. You know that the fashion of a doublet, or a hat, or a cloak is nothing to a man.

  51. Conrade90

    Yes, it is apparel.

    Yes, it's clothing.

  52. Borachio91

    I mean, the fashion.

    I mean the fashion.

  53. Conrade92

    Yes, the fashion is the fashion.

    Yes, the fashion is the fashion.

  54. Borachio93

    Tush! I may as well say the fool’s the fool. But seest thou not what a deformed thief this fashion is?

    Nonsense! I might just as well say the fool is the fool. But don't you see what a deformed thief this fashion is?

  55. Watch95

    [Aside] I know that Deformed; a’ has been a vile thief this seven years; a’ goes up and down like a gentleman: I remember his name.

    [Aside] I know that Deformed; he's been a vile thief for the last seven years; he walks around like a gentleman. I remember his name.

  56. Borachio98

    Didst thou not hear somebody?

    Didn't you hear somebody?

  57. Conrade99

    No: ’twas the vane on the house.

    No, it was the weather vane on the house.

  58. Borachio100

    Seest thou not, I say, what a deformed thief this fashion is? how giddily he turns about all the hot bloods between fourteen and five-and-thirty? sometime fashioning them like Pharaoh’s soldiers in the reechy painting; sometime like god Bel’s priests in the old church window; sometime like the shaven Hercules in the smirched worm-eaten tapestry, where his codpiece seems as massy as his club?

    Don't you see, I say, what a deformed thief this fashion is? How dizzily he spins around all the hot-blooded young men between fourteen and thirty-five? Sometimes shaping them like Pharaoh's soldiers in the grimy painting, sometimes like the god Bel's priests in the old church window, sometimes like the shaven Hercules in the dirty, worm-eaten tapestry, where his codpiece looks as massive as his club?

  59. Conrade106

    All this I see, and I see that the fashion wears out more apparel than the man. But art not thou thyself giddy with the fashion too, that thou hast shifted out of thy tale into telling me of the fashion?

    I see all this, and I see that the fashion wears out more clothing than the man does. But aren't you dizzy with the fashion yourself, since you've shifted out of your story into telling me about the fashion?

  60. Borachio109

    Not so neither; but know, that I have tonight wooed Margaret, the Lady Hero’s gentlewoman, by the name of Hero: she leans me out at her mistress’ chamber window, bids me a thousand times good night,—I tell this tale vilely:—I should first tell thee how the Prince, Claudio, and my master, planted and placed and possessed by my master Don John, saw afar off in the orchard this amiable encounter.

    Not at all; but know this: tonight I courted Margaret, the Lady Hero's gentlewoman, calling her Hero. She leans out to me from her mistress's bedroom window, says good night to me a thousand times — I'm telling this story badly — I should first tell you how the Prince, Claudio, and my master, set up and positioned and prepared by my master Don John, saw this loving meeting from a distance in the orchard.

  61. Conrade115

    And thought they Margaret was Hero?

    And they thought Margaret was Hero?

  62. Borachio116

    Two of them did, the Prince and Claudio; but the devil my master, knew she was Margaret; and partly by his oaths, which first possessed them, partly by the dark night, which did deceive them, but chiefly by my villainy, which did confirm any slander that Don John had made, away went Claudio enraged; swore he would meet her, as he was appointed, next morning at the temple, and there, before the whole congregation, shame her with what he saw o’er night, and send her home again without a husband.

    Two of them did, the Prince and Claudio; but the devil, my master, knew she was Margaret. And partly because of his oaths, which first took hold of them, partly because of the dark night, which deceived them, but mainly because of my villainy, which backed up every slander Don John had made, off went Claudio in a rage, swearing he would meet her, as arranged, the next morning at the temple, and there, in front of the whole congregation, shame her with what he had seen the night before, and send her home again without a husband.

  63. First Watch124

    We charge you in the Prince’s name, stand!

    We order you in the Prince's name, stand still!

  64. Second Watch125

    Call up the right Master Constable. We have here recovered the most dangerous piece of lechery that ever was known in the commonwealth.

    Go wake up the proper Master Constable. We've caught here the most dangerous piece of lechery that was ever known in the commonwealth.

  65. First Watch128

    And one Deformed is one of them: I know him, a’ wears a lock.

    And one called Deformed is one of them: I know him, he wears a long lock of hair.

  66. Conrade129

    Masters, masters!

    Gentlemen, gentlemen!

  67. Second Watch130

    You’ll be made bring Deformed forth, I warrant you.

    You'll be forced to produce Deformed, I promise you.

  68. Conrade131

    Masters,—

    Gentlemen—

  69. First Watch132

    Never speak: we charge you let us obey you to go with us.

    Don't say a word: we order you to let us obey you and go along with us.

  70. Borachio133

    We are like to prove a goodly commodity, being taken up of these men’s bills.

    We're likely to turn out to be a fine piece of merchandise, since we've been bought up on these men's bills.

  71. Conrade135

    A commodity in question, I warrant you. Come, we’ll obey you.

    A piece of merchandise under investigation, I assure you. Come on, we'll obey you.

  72. Exeunt.

    They all leave.

Original text: Project Gutenberg edition #1519 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.