What happens in Chapter II of Great Expectations?
The chapter continues with Pip describing his sister, Mrs. Joe Gargery, and her husband, Joe. Mrs. Joe comes across as sharp-tongued and physically strong, taking pride in having raised Pip "by hand." In contrast, Joe is gentle and kind, and Pip views him as a fellow sufferer under Mrs. Joe's rule. When Pip returns home from the churchyard, Joe warns him that Mrs. Joe has been searching for him with "Tickler," her cane. When Mrs. Joe comes back, she beats Pip and scolds both him and Joe. During tea, Pip secretly hides his slice of bread and butter down his trouser leg to save it for the convict on the marshes. Joe notices the missing bread and assumes Pip has swallowed his food whole; Mrs. Joe responds by giving both Joe and Pip a dose of Tar-water. That evening—Christmas Eve—Pip stirs the pudding and hears cannon fire from the marshes. Mrs. Joe explains that the guns signal an escaped convict, and that the firing comes from the Hulks, prison ships anchored in the marshes. When Pip asks too many questions, Mrs. Joe sends him to bed with a light tap on the head, warning that those who ask questions end up in the Hulks. Lying awake in fear, Pip imagines himself drifting towards the Hulks. At first light, he sneaks downstairs, steals some bread, cheese, mincemeat, brandy, a meat bone, and a pork pie from the well-stocked pantry, grabs a file from Joe's forge, and rushes out into the misty marshes.
Analysis
The chapter revolves around a dual theme of domestic oppression and hidden guilt. Pip narrates his story in hindsight, often pausing to reflect—especially in the passage that starts with "Conscience is a dreadful thing"—which lends a confessional tone that contrasts with the comedic surface of the household scenes. Mrs. Joe is sharply satirized through vivid descriptions: her apron "stuck full of pins and needles," her bread-cutting compared to an apothecary making a plaster, and her treatment of Pip as if he were a boot in a bootjack. These domestic details build a picture of a mechanical, joyless authority. In contrast, Joe is portrayed with warmth and humor—his mouth miming, his concern for Pip's "elth," and his slow, puzzled chewing—creating a bond with Pip as "fellow-sufferers." The bread-and-butter episode serves as the chapter’s comic and moral centerpiece: the ritual of comparing slices becomes a way for Pip to grapple with his deep-seated guilt. The cannon fire from the Hulks disrupts this domestic scene, echoing Pip's internal fear and linking the convict world directly to the kitchen. Mrs. Joe's remark that criminals "always begin by asking questions" is darkly ironic, as Pip's questions are innocent, while his actions are not. The chapter concludes with a tightly paced pre-dawn theft scene, where every creaking board seems to shout "Stop thief!"—externalizing Pip's guilty conscience into the very structure of the house.
Key quotes from Chapter II
“Conscience is a dreadful thing when it accuses man or boy; but when, in the case of a boy, that secret burden co-operates with another secret burden down the leg of his trousers, it is (as I can testify) a great punishment.”
The narrator reflects on Pip's guilt as he sits at the fireside hiding the stolen bread and butter down his trouser leg.
“People are put in the Hulks because they murder, and because they rob, and forge, and do all sorts of bad; and they always begin by asking questions.”
Mrs. Joe delivers this pronouncement to Pip after he persists in asking about the prison-ships.
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Create an accountSign inVocabulary in Chapter II
- gibbet-station
- A spot where a gibbet stood — a wooden post with an arm from which the bodies of executed criminals were hung in chains as a public warning.