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Storgy

A Midsummer Night's DreamPlay by William Shakespeare

Vocabulary in A Midsummer Night's Dream

27 words, in the order you meet them — each defined in the sense A Midsummer Night's Dream uses, with the chapter and a line from the text. Free, no sign-up.

coursenounChapter 1

The way or path something naturally follows; here it means the progress or running of love through life, suggesting love's journey is rarely easy or straightforward.

The course of true love never did run smooth.

wingedadjectiveChapter 1

Having wings; here describing Cupid, the Roman god of love, who is traditionally shown as a small boy with wings, able to fly and shoot arrows that cause people to fall in love.

And therefore is winged Cupid painted blind.

painted blindphraseChapter 1

Depicted in paintings and art as unable to see; the phrase means Cupid is traditionally shown blindfolded because love ignores reason and physical appearance.

And therefore is winged Cupid painted blind.

aggravateverbChapter 1

Used here comically and incorrectly by Bottom instead of 'moderate' or 'soften'; he means he will adjust or lower his voice, but the word actually means to make something worse.

I will aggravate my voice so, that I will roar you as gently as any sucking dove.

sucking dovephraseChapter 1

A blundered combination of 'sucking lamb' and 'sitting dove,' two proverbial images of gentleness; Bottom muddles the two phrases together, meaning something very soft and harmless.

I will roar you as gently as any sucking dove.

an 'twerephraseChapter 1

An archaic expression meaning 'as if it were'; used to introduce a comparison, equivalent to saying 'just as if it were' in modern English.

I will roar you an 'twere any nightingale.

thymenounChapter 2

A low-growing wild herb with small fragrant leaves and tiny flowers, found on grassy banks; here it sets the lush, sweet-smelling scene of the fairy bower.

I know a bank where the wild thyme blows, / Where oxlips and the nodding violet grows.

oxlipsnounChapter 2

A wild spring flower similar to a primrose or cowslip, with clusters of drooping yellow blooms; used here to paint a picture of a richly flowered fairy resting place.

Where oxlips and the nodding violet grows.

over-canopiedadjectiveChapter 2

Completely covered overhead as if by a canopy or roof; here it means the bank is entirely roofed over by climbing plants growing above it.

Quite over-canopied with luscious woodbine.

woodbinenounChapter 2

A wild climbing plant, usually honeysuckle, that twines around trees and hedges; here it forms part of the natural canopy sheltering Titania's sleeping place.

Quite over-canopied with luscious woodbine.

musk-rosesnounChapter 2

A variety of wild rose with a strong, sweet, musky scent; here they are part of the fragrant, enchanted bank where Titania sleeps.

With sweet musk-roses and with eglantine.

eglantinenounChapter 2

The sweet-briar, a wild rose with fragrant leaves and pink flowers; an old poetic name for this thorny climbing plant used to evoke the beauty of the fairy woodland.

With sweet musk-roses and with eglantine.

mortalsnounChapter 2

Human beings who are subject to death, as opposed to immortal fairies or gods; Puck uses the word to set humans apart from the fairy world he belongs to.

Lord, what fools these mortals be!

knaverynounChapter 3

Trickery or dishonest mischief intended to deceive or make a fool of someone; Bottom suspects his companions are playing a prank on him when they run away.

I see their knavery: this is to make an ass of me; to fright me, if they could.

stirverbChapter 3

To move from a spot or budge; Bottom defiantly says he will not move from where he stands no matter what anyone does to frighten him.

But I will not stir from this place, do what they can.

MethinksphraseChapter 3

An archaic expression meaning 'it seems to me' or 'I think'; a single word used in older English where modern speakers would say 'I think' or 'it seems to me'.

Methinks I have a great desire to a bottle of hay: good hay, sweet hay, hath no fellow.

bottle of hayphraseChapter 3

A bundle or truss of hay; 'bottle' here is an old word for a bundle, so Bottom — now with a donkey's head — craves a tied bunch of hay as food.

Methinks I have a great desire to a bottle of hay: good hay, sweet hay, hath no fellow.

hath no fellowphraseChapter 3

Has no equal; an archaic idiom meaning nothing else can match or compare to it, used here by Bottom to praise hay as the finest thing imaginable.

good hay, sweet hay, hath no fellow.

MethoughtphraseChapter 4

An archaic past-tense expression meaning 'it seemed to me' or 'I thought'; the old form of 'methinks' used when speaking about something that appeared to be true in the past.

Methought I was—there is no man can tell what.

patched foolphraseChapter 4

A professional jester or clown, whose costume was made of patches of different coloured cloth; here it means a complete idiot or buffoon, someone who makes a fool of himself.

man is but a patched fool if he will offer to say what methought I had.

offer to sayphraseChapter 4

To attempt or presume to say something; an archaic use of 'offer' meaning to try or dare to do something, not to present a gift.

man is but a patched fool if he will offer to say what methought I had.

undistinguishableadjectiveChapter 4

Impossible to make out clearly or tell apart; here it describes how things seen from far away lose their distinct shapes and blur together like clouds.

These things seem small and undistinguishable, / Like far-off mountains turned into clouds.

lunaticnounChapter 5

A person considered to be insane or mentally disturbed; in Shakespeare's time the word literally suggested the moon caused madness, and here it groups the madman with the lover and the poet as people ruled by imagination.

The lunatic, the lover, and the poet / Are of imagination all compact.

all compactphraseChapter 5

Entirely made up of or wholly composed of something; the phrase means that the lunatic, lover, and poet are all built entirely out of imagination, with nothing else driving them.

The lunatic, the lover, and the poet / Are of imagination all compact.

shadowsnounChapter 5

Actors or performers, and by extension unreal or insubstantial beings; here the word refers both to the fairy characters and to the actors playing them, suggesting they are mere illusions.

If we shadows have offended, / Think but this, and all is mended.

slumberedverbChapter 5

Slept lightly or dozed; Puck suggests the audience has merely been napping and dreaming, so anything that seemed strange or offensive was only part of a dream.

That you have but slumbered here / While these visions did appear.

amendverbChapter 5

To make better, repair, or make up for a deficiency; here it means that the audience's own imagination can fill in the gaps and improve a poor performance.

The best in this kind are but shadows; and the worst are no worse, if imagination amend them.