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A Midsummer Night's DreamModern English

A Midsummer Night's Dream, Act 4, Scene 2

Athens. A Room in Quince’s House

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Which text to show for Act 4, Scene 2

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Modern English

  1. Enter Quince, Flute, Snout and Starveling.

    Quince, Flute, Snout and Starveling come in.

  2. Quince1

    Have you sent to Bottom’s house? Is he come home yet?

    Have you sent someone to Bottom's house? Has he come home yet?

  3. Starveling2

    He cannot be heard of. Out of doubt he is transported.

    There's no news of him. He's certainly been carried off.

  4. Flute3

    If he come not, then the play is marred. It goes not forward, doth it?

    If he doesn't come, then the play is ruined. It can't go ahead, can it?

  5. Quince4

    It is not possible. You have not a man in all Athens able to discharge Pyramus but he.

    It's impossible. There isn't a man in all Athens able to perform Pyramus except him.

  6. Flute6

    No, he hath simply the best wit of any handicraft man in Athens.

    No, he simply has the best mind of any craftsman in Athens.

  7. Quince7

    Yea, and the best person too, and he is a very paramour for a sweet voice.

    Yes, and the best looks too, and for a sweet voice he's an absolute lover.

  8. Flute9

    You must say paragon. A paramour is, God bless us, a thing of naught.

    You should say paragon. A lover is, God help us, a shameful thing.

  9. Enter Snug.

    Snug comes in.

  10. Flute10

    SNUG Masters, the Duke is coming from the temple, and there is two or three lords and ladies more married. If our sport had gone forward, we had all been made men.

    SNUG: Gentlemen, the Duke is on his way back from the temple, and two or three more lords and ladies have been married as well. If our entertainment had gone ahead, we'd all have been set up for life.

  11. Flute14

    O sweet bully Bottom! Thus hath he lost sixpence a day during his life; he could not have ’scaped sixpence a day. An the Duke had not given him sixpence a day for playing Pyramus, I’ll be hanged. He would have deserved it: sixpence a day in Pyramus, or nothing.

    Oh, dear old Bottom! So he's lost sixpence a day for the rest of his life; he couldn't have missed out on sixpence a day. If the Duke hadn't given him sixpence a day for playing Pyramus, I'll be hanged. He would have earned it: sixpence a day for Pyramus, or nothing.

  12. Enter Bottom.

    Bottom comes in.

  13. Bottom18

    Where are these lads? Where are these hearts?

    Where are these lads? Where are these good fellows?

  14. Quince19

    Bottom! O most courageous day! O most happy hour!

    Bottom! Oh, what a splendid day! Oh, what a lucky hour!

  15. Bottom20

    Masters, I am to discourse wonders: but ask me not what; for if I tell you, I am not true Athenian. I will tell you everything, right as it fell out.

    Gentlemen, I have wonders to tell you about: but don't ask me what they are; because if I tell you, I'm no true Athenian. I'll tell you everything, exactly as it happened.

  16. Quince23

    Let us hear, sweet Bottom.

    Let's hear it, dear Bottom.

  17. Bottom24

    Not a word of me. All that I will tell you is, that the Duke hath dined. Get your apparel together, good strings to your beards, new ribbons to your pumps; meet presently at the palace; every man look o’er his part. For the short and the long is, our play is preferred. In any case, let Thisbe have clean linen; and let not him that plays the lion pare his nails, for they shall hang out for the lion’s claws. And most dear actors, eat no onions nor garlick, for we are to utter sweet breath; and I do not doubt but to hear them say it is a sweet comedy. No more words. Away! Go, away!

    Not a word from me. All I'll tell you is that the Duke has had his dinner. Gather your costumes, get good strings for your beards and new ribbons for your shoes; meet at the palace at once; every man go over his part. Because the long and the short of it is, our play has been chosen. In any case, make sure Thisbe has clean linen; and don't let the man who plays the lion cut his nails, because they're to stick out as the lion's claws. And, my dearest actors, eat no onions or garlic, since we're to breathe sweetly; and I have no fear that we'll hear them say it is a sweet comedy. No more talk. Off with you! Go on, off!

  18. Exeunt.

    They all leave.

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Original text: Project Gutenberg edition #1514 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.