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Storgy

Year 12–13 / Grades 11–12

The Prodigal by Elizabeth Bishop — Two Lessons

This two-lesson sequence guides students from close reading to analytical writing focused on Elizabeth Bishop's 1951 sonnet sequence "The Prodigal." In Lesson 1, students gain a clear understanding of how Bishop uses the pigsty setting, the volta between stanzas, and the timing of the final couplet to reshape the biblical parable into a reflection on shame and addiction. Lesson 2 takes that understanding and applies it to a timed exam-style paragraph, where students argue how Bishop employs form and imagery to illustrate the prodigal's psychological paralysis, using at least two embedded quotations for support. By the end of the sequence, students will be able to analyze Bishop's structural choices and craft a well-supported analytical paragraph.

Objectives

  • Analyse how Bishop uses the pigsty setting and sensory imagery in Stanza 1 to present the prodigal's degradation and self-disgust.
  • Explain how the two-stanza sonnet structure and the volta between stanzas enact the prodigal's psychological stasis and eventual, fragile resolution.
  • Identify and interpret the significance of the delayed decision in the final couplet ('But it took him a long time / finally to make his mind up to go home') as a revision of the biblical source.
  • Write a fully evidenced analytical paragraph that argues a clear interpretive claim about Bishop's presentation of guilt, exile, or addiction, embedding at least two quotations from the poem.
  • Connect Bishop's formal choices — the compressed sonnet form, the slant rhymes, the enjambment — to the poem's thematic concerns of shame and paralysis.

The sequence

  1. Lesson 1: Inside the Pigsty: Close Reading Bishop's Imagery and Structure

    55 min · ch. 1
    Do now

    The biblical parable of the prodigal son tells the story of a young man who squanders his inheritance on reckless living but later returns home, seeking forgiveness from his father. The term 'prodigal' typically means someone who is wastefully extravagant or spends money freely. If you're not sure, think about how the word sounds and what it might imply about someone who overindulges.

    Teacher input

    Model a close reading of lines 1–7 of Stanza 1 ('The brown enormous odor he lived by / was too close, with its breathing and thick hair, / for him to judge'). Let's think this through: Bishop never reveals the protagonist's name — consider how using the pronoun 'him' keeps their identity ambiguous and invites the reader to engage more deeply. Notice how the odor comes to life through personification, described as having 'breathing and thick hair,' which makes the squalor feel tangible and unavoidable. Let's annotate the line 'he hid the pints behind a two-by-four' on the board. What does the act of hiding reveal about feelings of shame versus the pull of compulsion? Highlight how the pigsty is depicted with far greater sensory detail than any human relationship portrayed in the poem.

    Independent task

    Students annotate their own copy of the full poem in two rounds. During the first round (10 minutes), they underline every image related to the body or the senses in Stanza 1 and write a one-sentence explanation beside each, describing the emotion or idea it brings to mind. In the second round (10 minutes), they concentrate on Stanza 2 and pinpoint the exact moment when the tone shifts — they need to mark the specific line and write two sentences explaining what changes and how Bishop's language reflects that shift. Finally, students return their annotated copies with a sticky note indicating the single most surprising word in the poem, along with one sentence justifying their choice.

    Exit ticket

    In one or two sentences, explain why Bishop ends the poem with 'But it took him a long time / finally to make his mind up to go home' rather than showing the prodigal actually returning — what does that choice do to the reader's understanding of redemption?

  2. Lesson 2: Writing the Argument: Form, Guilt, and Paralysis in 'The Prodigal'

    55 min · ch. 1
    Do now

    Revisit the last two lines of each stanza: 'Carrying a bucket along a slimy board, / he felt the bats' uncertain staggering flight' (Stanza 1, lines 13–14) and 'But it took him a long time / finally to make his mind up to go home' (Stanza 2, lines 27–28). For each couplet, write a sentence explaining its contribution to the poem's argument—focus not just on the description but on its deeper significance.

    Teacher input

    Model the opening two sentences of a high-level analytical paragraph on the whiteboard, using the claim: 'Bishop uses the compressed sonnet form to trap the prodigal — and the reader — inside a cycle of shame that resists the biblical narrative's promise of easy redemption.' Show students how to integrate 'the brown enormous odor he lived by' into a grammatically seamless sentence without using a colon-and-quote drop-in. Then demonstrate how to transition from analyzing language to examining structure in one sentence by linking the slant rhyme of 'staggering / returning' to the notion of flawed, uncertain movement toward home. Identify the two techniques being showcased: precise embedding and the language-to-structure pivot.

    Independent task

    Bishop's poem "The Prodigal" masterfully captures the psychological turmoil of its titular character through its structured form and vivid imagery. The two-stanza sonnet mirrors the prodigal's journey, encapsulating both his descent into despair and the glimmers of hope that signal his return. In the opening stanza, the line about the pigs—"too close, with its breathing and thick hair"—evokes a sense of confinement and desperation, highlighting the prodigal's shame in his current state. This imagery not only illustrates his physical degradation but also reflects his mental disarray. Furthermore, the use of enjambment throughout the poem propels the reader forward, echoing the prodigal's tumultuous thoughts as he grapples with his choices. In the second stanza, the striking image of "sunrise glazed the barnyard mud with red" symbolizes a potential rebirth, suggesting that dawn might bring clarity and resolution. As he "finally [makes] his mind up to go home," the volta serves as a pivotal moment in the poem, shifting from despair to a tentative hope for redemption. This nuanced portrayal resonates deeply with its biblical source, echoing the themes of forgiveness and the complex emotions tied to returning home after a period of estrangement.

    Exit ticket

    Write one sentence completing this thought: 'The most important structural decision Bishop makes in this poem is _______, because it tells us that redemption in this poem is not _______ but _______.' Your sentence must refer to a specific feature of the poem, not a general observation about sonnets.

Activities

Biblical Source Comparison 15 min · pairs

Each pair gets a printed excerpt of Luke 15:11–24 (the parable of the prodigal son) along with the complete text of Bishop's poem. Students pinpoint three specific moments where Bishop differs from or omits elements of the biblical story — such as the father's absence until the last line and the absence of the feast — and write a sentence for each explaining what these differences suggest about the poem's view on redemption. Pairs return a jointly annotated sheet ranking their three divergences based on significance.

Stanza-by-Stanza Volta Hunt 10 min · individual

Students read both stanzas quietly and highlight the specific line where they sense a change in the poem's emotional tone. They then write two sentences: one identifying the line and describing the shift, and another explaining how Bishop's choice of syntax or words indicates the change. This activity serves as a pre-writing warm-up or a comprehension check following their initial reading. Students submit a half-sheet with their highlighted line and the two sentences.

Sensory Imagery Sorting 20 min · groups

Groups of three get the poem divided into individual lines on strips of paper. They organize the lines into two columns: 'images that degrade or confine' and 'images that offer escape or transcendence.' They also talk about any lines that are tricky to categorize, like 'sunrise glazed the barnyard mud with red.' Each group writes a short justification (three to five sentences) for their most debated placement and shares it with the class.

Slant Rhyme Sound Map 15 min · pairs

Students map the rhyme scheme of both stanzas, using different colours to mark full rhymes and slant rhymes. They then craft three sentences explaining how the use of slant rhyme (like 'staggering / returning') connects to the poem's theme of imperfect or incomplete redemption. Pairs return their colour-coded poems with the three-sentence argument written underneath.

Timed Quotation Embedding Drill 10 min · individual

Students receive a strip card featuring five quotations from the poem and are tasked with embedding each one into a grammatically complete analytical sentence of their own within ten minutes—no using colons and quotes as drop-ins allowed. The quotations are: 'the brown enormous odor'; 'he hid the pints behind a two-by-four'; 'the bats' uncertain staggering flight'; 'sunrise glazed the barnyard mud with red'; 'finally to make his mind up to go home.' After completing the task, students return the strip card with their five sentences written below each quotation.

First-Person Interior Monologue 20 min · individual

Students will compose a 100–150 word interior monologue from the perspective of the prodigal at the moment depicted in lines 19–22 of Stanza 2 ('The pigs stuck out their little feet and snored. / The lantern — like the sun, going away — / laid on the mud a pacing aureole'). They should incorporate at least one image from the poem and express the tension between the urge to leave and the temptation to stay. Afterward, students will return their monologue along with a one-sentence reflection on which of Bishop's techniques they found most challenging to translate into prose.

Assessment

  • Lesson 1 Do-Now: checks prior knowledge of the biblical parable and whether students can infer meaning from etymology — looking for any engagement with the idea of wasteful excess or return.
  • Lesson 1 annotated copy: checks whether students can identify sensory imagery in Stanza 1 and write a one-sentence interpretive gloss that goes beyond description.
  • Lesson 1 sticky note: checks whether students can isolate a single word and articulate its effect — looking for specificity of diction rather than vague claims about 'mood'.
  • Lesson 1 exit ticket: checks whether students understand Bishop's structural decision to withhold the return — looking for engagement with the idea that delay is itself a meaning-making choice.
  • Lesson 2 Do-Now: checks whether students can distinguish between what a couplet describes and what it does — looking for functional rather than merely descriptive language.
  • Lesson 2 exit ticket: checks whether students can name a specific structural feature and connect it to a nuanced claim about the poem's revision of redemption — looking for precision and an arguable claim rather than a summary.

Summative task

Write one extended analytical paragraph of approximately 200–250 words in response to the question: 'How does Bishop use poetic form and imagery to present the prodigal's psychological state?' Your paragraph must open with a clear, arguable claim; embed at least one quotation from each stanza woven into your own sentences; analyse at least one formal or structural feature alongside at least one image or piece of diction; and end with a sentence connecting your analysis to the poem's relationship with its biblical source.

Marking notes

Top-band responses begin with a clear, arguable claim and maintain that focus throughout the paragraph, avoiding mere narrative summary. Quotations are integrated smoothly and analyzed in detail, examining individual words or sounds rather than just being paraphrased. Structural elements, such as the two-stanza sonnet form, slant rhyme, and enjambment at the volta, are linked to their meanings instead of just being mentioned. The biblical source serves as a lens for interpretation rather than a straightforward plot summary. Mid-band responses point out relevant quotations and make valid observations, but they often state effects without fully demonstrating them. Lower-band responses tend to paraphrase the poem or list techniques without providing any analysis.

Standards covered

Common Core 11 12
  • RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
  • RL.11-12.5 — Analyse how an author's choices concerning how to structure specific parts of a text contribute to its overall structure and meaning as well as its aesthetic impact.
  • W.11-12.9 — Draw evidence from literary texts to support analysis, reflection, and research.
AP Literature
  • Literary Argumentation (LAN-1) — Explain the function of a specific word or phrase in a literary text.
  • Figurative Language (FIG-1) — Explain the function of figurative language in a literary passage.
  • Structure (STR-1) — Explain the function of structure in a literary text, including how the arrangement of stanzas and the volta contribute to meaning.
  • Character (CHR-1) — Explain the function of a character's choices and psychological state in advancing the poem's argument.
AQA
  • AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
  • AO2 — Analyse ways in which meanings are shaped in literary texts, with particular attention to Bishop's use of imagery, diction, and the two-stanza sonnet form.
  • AO3 — Demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received, including the biblical intertextual context of the parable of the prodigal son.
Edexcel
  • AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology and coherent, accurate written expression.
  • AO2 — Analyse ways in which meanings are shaped in literary texts, focusing on Bishop's structural and linguistic choices.
  • AO4 — Explore connections across literary texts, including the relationship between 'The Prodigal' and its biblical source in Luke 15.
IB Lit
  • Criterion A — Demonstrate knowledge and understanding of the poem's content, context, and Bishop's craft.
  • Criterion B — Analyse the effects of the writer's choices of language, structure, technique, and style, with specific reference to imagery, sonnet form, and slant rhyme.
  • Criterion C — Organise and develop ideas in a focused, coherent, and persuasive written argument supported by textual evidence.

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