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Storgy

Year 12–13 / Grades 11–12

The Great Gatsby — A Five-Lesson Scheme of Work

This sequence explores the reliability of the narrator, the creation of Gatsby's myth, the symbolic geography of the novel, the confrontation at the Plaza Hotel as the structural climax, and ultimately, the ending's reflection on the American Dream. Students start by questioning Nick's claimed tolerance in Chapter 1, then expand their analysis through Chapters 2–6 to investigate Fitzgerald's layering of social class and identity. By the time they reach Chapters 7–9, they are prepared to craft a detailed analytical response. In the end, the class can examine Fitzgerald's language, form, and structural choices, and assess how the novel critiques the American Dream through specific passages.

Objectives

  • Analyse how Fitzgerald constructs Nick Carraway as an unreliable narrator whose self-presentation in Chapter 1 shapes the reader's entire experience of the novel.
  • Analyse how Fitzgerald uses the symbolic geography of the Valley of Ashes and the green light to critique the American Dream.
  • Explain how Fitzgerald builds and then systematically dismantles the myth of Gatsby across Chapters 4, 6 and 7, tracing the shift from romantic self-invention to exposure.
  • Write an evidenced paragraph that embeds close language analysis of a specific passage and connects it to a whole-novel argument.
  • Evaluate how the novel's ending in Chapter 9 — Nick's final reflection on the green light and the 'orgastic future' — functions as both structural closure and thematic statement.

The sequence

  1. Lesson 1: Nick on the Stand: Interrogating the Narrator in Chapter 1

    60 min · ch. 1
    Do now

    Read the opening paragraph of Chapter 1 again: 'In my younger and more vulnerable years, my father gave me some advice…' Write two sentences: one thing Nick wants us to believe about him, and one reason you might be skeptical about it. No discussion yet — just your gut feeling.

    Teacher input

    Model close reading on the passage in Chapter 1 where Nick describes Gatsby: 'There was something gorgeous about him, some heightened sensitivity to the promises of life… an extraordinary gift for hope, a romantic readiness such as I have never found in any other person.' Show students how the superlatives like 'extraordinary' and 'never' alongside abstract nouns such as 'hope' and 'readiness' highlight Nick's tendency to idealize rather than provide an objective description. Demonstrate how to craft an analytical sentence that identifies the technique, quotes the key word, and connects it to Nick's unreliability as a narrator.

    Independent task

    Students are tasked with writing two analytical paragraphs in response to the question: 'How does Fitzgerald present Nick Carraway as an unreliable narrator in Chapter 1?' The first paragraph should concentrate on Nick's self-description found on the opening page, where he states, 'I'm one of the few honest people.' The second paragraph should focus on his depiction of either Gatsby or Daisy, specifically using his description of Daisy's voice as 'thrilling' from Chapter 1 instead of the later quote from Chapter 5, 'Her voice is full of money.' Each paragraph must include a quotation, identify a language technique, and discuss a point regarding narrative reliability.

    Exit ticket

    The difference between a liar and an unreliable narrator lies in intent: a liar deliberately distorts the truth, while an unreliable narrator, as mentioned in Chapter 1, might mislead due to limited perspective or personal bias.

  2. Lesson 2: Wasteland and Wonder: Symbolic Geography in Chapters 1–2

    60 min · ch. 1, 2
    Do now

    Without looking at the text, draw a quick map of the novel's locations from memory: West Egg, East Egg, the Valley of Ashes, New York. Add one descriptive word to each location. Compare your adjectives with the person next to you — where do your descriptions match or differ?

    Teacher input

    Model on the opening of Chapter 2: 'This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens.' Explore how the oxymoron 'fantastic farm' and the simile 'like wheat' impose a sense of agricultural fertility onto the backdrop of industrial waste. Discuss how this imagery reflects the corruption of the American Dream — the promise of abundance decaying into a grey desolation. Guide students in transitioning from this vivid image to a broader structural argument about what the Valley of Ashes signifies for characters like Myrtle and George Wilson, who find themselves ensnared in this bleak reality.

    Independent task

    Students compare two passages side by side: (A) the description of the Valley of Ashes at the start of Chapter 2 ('a valley of ashes… the eyes of Doctor T. J. Eckleburg') and (B) Nick's initial portrayal of Gatsby's house at the close of Chapter 1 ('a factual imitation of some Hôtel de Ville in Normandy'). They then craft a structured comparison paragraph that argues how Fitzgerald employs contrasting settings to highlight the disparity between the dream and its reality. The paragraph should identify at least two language techniques and reference both passages.

    Exit ticket

    Doctor T. J. Eckleburg's eyes symbolize the moral decay and loss of spiritual values in society, which Fitzgerald places in the Valley of Ashes to highlight the stark contrast between the corruption of the wealthy in West Egg and East Egg and the desolation faced by those who suffer in the surrounding area.

  3. Lesson 3: The Invented Man: Building and Breaking the Gatsby Myth in Chapters 4 and 6

    60 min · ch. 4, 5, 6
    Do now

    Revisit Gatsby's autobiography in Chapter 4: 'I am the son of wealthy parents from the Middle West — they're all gone now… I was educated at Oxford, following a family tradition that spans many generations.' List every assertion Gatsby makes regarding himself. Place a tick next to those you find credible and a cross next to any you question. Be prepared to discuss one of the crosses.

    Teacher input

    Model on the Chapter 6 revelation of James Gatz: 'His parents were shiftless and unsuccessful farm people — his imagination had never really accepted them as his parents at all.' The use of free indirect discourse in 'had never really accepted' allows Fitzgerald to delve into Gatsby's mindset without necessarily agreeing with it. This phrase highlights the disconnection between Gatsby and his origins, emphasizing the stark contrast between the 'shiftless and unsuccessful' description of his parents and the grandiosity of his self-portrayal in Chapter 4. This contrast evokes the harsh reality of self-invention, illustrating the violence inherent in Gatsby's transformation. To craft a structural analysis sentence, one might link Chapter 4's performance to Chapter 6's exposure by stating: Gatsby's elaborate self-creation in Chapter 4 reveals the depth of his denial, which is starkly exposed in Chapter 6 through the candid reflection on his humble beginnings.

    Independent task

    Students are required to write a structured analytical response (three paragraphs, one side) to the question: 'How does Fitzgerald depict Gatsby's self-invention as both admirable and fraudulent in Chapters 4 and 6?' Paragraph 1: the yellow car scene in Chapter 4 and Gatsby's rehearsed autobiography. Paragraph 2: the revelation of James Gatz in Chapter 6. Paragraph 3: a structural observation regarding why Fitzgerald reveals this information after the reunion in Chapter 5 — what does this ordering reveal about the novel's perspective on the dream?

    Exit ticket

    ``markdown Write 'James Gatz' and 'Jay Gatsby' at the top of a sticky note. Below, include one word that is unique to Gatz and one word that is unique to Gatsby. Submit it as you exit. ``

  4. Lesson 4: The Plaza Hotel Confrontation: Climax, Class and Collapse in Chapter 7

    60 min · ch. 7
    Do now

    Chapter 7: Tom tells Gatsby, "I'll be damned if I see how you got within a mile of her unless you brought the groceries to the back door." This phrase 'the back door' implies that Tom views Gatsby as someone beneath him, suggesting that he believes Gatsby must have used underhanded, sneaky means to get close to Daisy, reflecting Tom's disdain and sense of superiority over Gatsby.

    Teacher input

    In Chapter 7, Tom's exposure of Gatsby in the Plaza Hotel suite reflects a stark shift in language that underscores Gatsby's fall from grace. Tom states, "He and this Wolfsheim bought up a lot of side-street drug stores here and in Chicago and sold grain alcohol over the counter." This blunt, list-like syntax—"bought up... sold... over the counter"—strips away the romanticism that Gatsby typically embodies, reducing him to mere transactions. In contrast, Gatsby's earlier speech in Chapter 4, where he uses terms like "old sport" and "extraordinary," showcases a more refined and aspirational register. This clash of registers highlights the dismantling of Gatsby's mythos, emphasizing how Tom's straightforward, transactional language effectively diminishes Gatsby's grand narrative and reveals the harsh reality beneath the glittering surface. By juxtaposing Tom's unvarnished diction with Gatsby's earlier idealism, Fitzgerald dramatizes the tragic disillusionment central to the novel.

    Independent task

    Students are tasked with writing a close analysis paragraph on Daisy's reaction to the confrontation in Chapter 7, where Gatsby tells Nick, "Her voice is full of money." In this paragraph, students should: (1) clarify the meaning of this metaphor within the context of the Plaza scene; (2) link it to Nick's earlier description of Daisy's voice as "thrilling" in Chapter 1; (3) discuss what Fitzgerald conveys about the interplay between love, money, and the American Dream. The analysis should be a minimum of 150 words and incorporate at least two embedded quotations.

    Exit ticket

    After the Plaza Hotel scene, does Daisy pick Gatsby or Tom — or is her choice something else entirely? Cite one word from Chapter 7 to back up your response.

  5. Lesson 5: Boats Against the Current: The Ending and the American Dream in Chapter 9

    60 min · ch. 1, 5, 9
    Do now

    Read the final paragraph of Chapter 9 silently: 'So we beat on, boats against the current, borne back ceaselessly into the past.' Without checking any resources, write two sentences: what does 'the current' symbolize, and who do you think 'we' refers to? There's no definitive answer — choose one interpretation and stick with it.

    Teacher input

    Model on the green light passage in Chapter 9, where Nick returns to Gatsby's empty mansion: 'Gatsby believed in the green light, the orgastic future that year by year recedes before us… So we beat on, boats against the current, borne back ceaselessly into the past.' Notice how Fitzgerald transitions from a third-person perspective ('Gatsby believed') to a first-person plural voice ('we beat on'), drawing the reader into the novel's critique. The nautical metaphor of 'boats against the current' illustrates a paradox — while we strive to move forward, we find ourselves pulled back into the past. This effectively conveys the novel's core message about the American Dream being a futile quest for an idealized past.

    Independent task

    Students should craft a detailed examination-style response (one to two pages) to the question: "How does Fitzgerald use the green light as a symbol throughout the novel?" They need to reference: (a) Nick's initial sighting of Gatsby reaching for the green light at the end of Chapter 1; (b) the reunion between Gatsby and Daisy, along with Gatsby's thought that "the colossal significance of that light had now vanished forever" in Chapter 5; (c) Nick's final reflections in Chapter 9. The response must present a structured argument about how the meaning of the symbol evolves and what this evolution indicates about the novel's perspective on hope and the American Dream.

    Exit ticket

    Write the final sentence of the novel from memory, or as accurately as you can recall. Then jot down one word beneath it that captures Fitzgerald's perspective on the American Dream. Submit your work.

Activities

The Reliability Spectrum: Ranking Nick's Claims 20 min · groups

Each group gets a set of eight cards, each featuring a direct quote from Nick in Chapters 1–4 (for example, 'I am one of the few honest people that I have ever known' and 'There was something gorgeous about him'). The groups then arrange the cards on a spectrum from 'most reliable' to 'least reliable' and must come to a consensus on a one-sentence justification for each placement. Finally, the groups return their ranked strip with the justifications written on the back.

Geography of the Dream: Annotated Map Activity 25 min · pairs

Each pair gets a blank outline map that includes West Egg, East Egg, the Valley of Ashes, and New York City. Referring to Chapters 1 and 2, they add annotations for each location that include: one direct quote from the text, one language technique Fitzgerald employs in his description, and one sentence linking the location to the theme of social class or the American Dream. After finishing, pairs return the annotated map, which will serve as a useful revision resource.

Before and After: Tracking the Gatsby Myth Across Chapters 4 and 6 20 min · pairs

Students receive a two-column worksheet titled 'Gatsby's Self-Portrait (Ch.4)' and 'Fitzgerald's Exposure (Ch.6)'. In pairs, they identify three sets of details — one from each chapter — that contradict or undermine each other (e.g., 'son of wealthy people' vs. 'shiftless and unsuccessful farm people'). For each set, they write a sentence explaining what the contrast suggests about the novel's view on self-invention. Pairs return the completed worksheet.

Hot Seat: Tom Buchanan in the Plaza Hotel 15 min · whole class

One student takes on the role of Tom Buchanan right after the confrontation at the Plaza Hotel in Chapter 7. The rest of the class, referring to the text, must pose questions that challenge Tom to explain his actions—bringing to light Gatsby's exposure, his affair with Myrtle, and how he treats Daisy. The student in the hot seat needs to respond as Tom, using his language and principles. After five minutes, the class will vote: is Tom a villain, a hypocrite, or just a product of his social class? Each student writes their conclusion in one sentence and submits it.

The Green Light: Symbol Tracking Timeline 20 min · individual

Students get a printed timeline strip featuring three key points: Chapter 1 (Nick observes Gatsby reaching for the light), Chapter 5 (Gatsby thinks about the light after meeting Daisy again), and Chapter 9 (Nick's last reflection). For each point, students write down the relevant quotation, craft a two-sentence analysis of the symbol's meaning at that moment, and choose one word that captures Gatsby's emotional state. The finished timeline strip is submitted and serves as the planning scaffold for the summative essay.

Eulogy for Gatsby: Voice and Perspective in Chapter 9 25 min · individual

Students will compose a brief eulogy (100–150 words) for Jay Gatsby from the viewpoint of one assigned character: Nick, Daisy, Tom, or Henry C. Gatz (Gatsby's father, who appears in Chapter 9). The eulogy should convey that character's connection to Gatsby's wealth, identity, and the dream he represented, and must include at least one indirect reference to a specific event from the novel. Along with the eulogy, students will submit a two-sentence reflection explaining their chosen details and the rationale behind them.

Assessment

  • Exit ticket after Lesson 1: student's one-sentence distinction between lying and unreliability, with a word from Chapter 1 — checks whether students have grasped that Nick's bias is structural, not merely dishonest.
  • Exit ticket after Lesson 2: student's explanation of Eckleburg's eyes and their placement in the Valley of Ashes — checks whether students can move from image to thematic argument about the American Dream's failure.
  • Ranked reliability cards (Activity 1): teacher scans group placements for whether students are using textual evidence or gut feeling — checks close reading habits early.
  • Sticky-note exit ticket after Lesson 3 (Gatz vs. Gatsby words): checks whether students have internalised the distinction between the invented persona and the suppressed reality.
  • Exit ticket after Lesson 4: student's one-word identification of what Daisy chooses, with a quotation from Chapter 7 — checks whether students can read Daisy's ambiguity rather than flattening her into a simple choice.
  • Green Light timeline strip (Activity 5): checks whether students can track how a single symbol accrues and then loses meaning across the novel's structure — essential scaffolding for the summative task.

Summative task

Write a detailed analytical essay addressing the question: "In The Great Gatsby, Fitzgerald portrays the American Dream as something that was always already lost." To what extent do you agree? In your response, you should explore: Nick's narration and how he conveys Gatsby's hope in Chapters 1 and 5; the symbolic geography of the Valley of Ashes and the green light; the confrontation at the Plaza Hotel in Chapter 7; and Nick's concluding thoughts in Chapter 9. Your essay should present a clear argument, analyze Fitzgerald's use of language and structural choices with direct references to the text, and examine multiple interpretations.

Marking notes

Top-band responses present a strong, debatable argument regarding the American Dream, maintaining this perspective consistently across all four textual references instead of repeating it. They delve into specific word choices — noting Fitzgerald's shift between Gatsby's romantic language and Tom's transactional speech in Chapter 7, as well as the paradox of the nautical metaphor in Chapter 9 — focusing on analysis rather than just identifying techniques. Mid-band responses accurately point out symbols and techniques but tend to explain them instead of providing deeper analysis. Lower-band responses primarily recount the plot, including occasional quotes. The crucial factor for this text is whether students see Nick's narration as a lens that distorts the story rather than a clear window.

Standards covered

Common Core 11 12
  • RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.11-12.3 — Analyse the impact of the author's choices regarding how to develop and relate elements of a story (e.g. where a story is set, how the action is ordered, how the characters are introduced and developed).
  • RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
  • RL.11-12.5 — Analyse how an author's choices concerning how to structure specific parts of a text contribute to its overall structure and meaning as well as its aesthetic impact.
  • RL.11-12.6 — Analyse a case in which grasping a point of view or cultural experience requires distinguishing what is directly stated in a text from what is really meant (e.g. satire, irony, understatement).
AP Literature
  • Literary Argumentation (LAN-1) — Develop a thesis that makes a defensible claim about how Fitzgerald's literary choices in The Great Gatsby contribute to meaning.
  • Close Reading (CHR-1) — Identify and explain the function of a narrator, including the reliability of Nick Carraway and how his perspective shapes the reader's understanding of Gatsby.
  • Figurative Language (FIG-1) — Analyse the function of extended metaphor and symbol — specifically the green light and the Valley of Ashes — in expressing the novel's central themes.
  • Structure (STR-1) — Explain how Fitzgerald's sequencing of the Gatsby myth's construction (Chapters 4–5) and demolition (Chapters 6–7) contributes to the novel's overall meaning.
  • Character (CHR-1) — Analyse how contrasting characters (Gatsby vs. Tom; Nick vs. Jordan) function to develop the novel's exploration of class, identity and the American Dream.
AQA
  • AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
  • AO2 — Analyse the language, form and structure used by Fitzgerald to create meanings and effects, using relevant subject terminology.
  • AO3 — Demonstrate understanding of the significance and influence of the contexts in which The Great Gatsby was written and received — including the Jazz Age, Prohibition, the class divide between old money and new money, and the novel's post-war reception.
  • AO5 — Explore literary critical views on The Great Gatsby, including debates about Nick's reliability and the novel's attitude to the American Dream, showing understanding of different interpretations.
Edexcel
  • AO1 — Articulate informed responses to The Great Gatsby, using relevant concepts and terminology and coherent written expression.
  • AO2 — Analyse the ways Fitzgerald uses language, form and structure to create meanings and effects in The Great Gatsby, with particular attention to narrative voice, symbolism and structural juxtaposition.
  • AO3 — Demonstrate understanding of the significance of the historical, social and cultural contexts of The Great Gatsby, including the Prohibition era, the class geography of Long Island, and the novel's reception history.
  • AO4 — Explore connections across literary texts, where relevant, including thematic and formal links between The Great Gatsby and other texts on the course.

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