Year 12–13 / Grades 11–12
The Devil and Tom Walker — Two-Lesson Scheme of Work
Lesson 1 begins with a close reading of Washington Irving's entire story, focusing on the swamp setting and Old Scratch's initial appearance, then moving to Tom's deal and his wife's outcome. Students are asked to observe how Irving employs Gothic imagery and ironic narration to reveal moral corruption. In Lesson 2, this reading is transformed into an exam-style analytical paragraph where students must argue how Irving critiques Tom's hypocritical religiosity in the story's concluding part to satirise the American Dream. By the end, students will be able to analyse Irving's language and structure and craft a well-supported, evidence-based argument.
Objectives
- Analyse how Irving uses the Gothic swamp setting in the opening pages to establish a moral landscape of corruption and decay.
- Identify and explain the function of Old Scratch as a symbolic figure whose bargain with Tom critiques greed and the pursuit of wealth.
- Trace how Irving's ironic narrative voice shapes the reader's attitude toward Tom Walker and his wife throughout the complete story.
- Analyse how Tom's late-life religious hypocrisy in the story's final movement satirises the American Dream's promise of self-reinvention.
- Write an evidenced analytical paragraph that makes a clear argument about Irving's use of language or structure, supported by at least two embedded quotations from the text.
The sequence
Lesson 1: The Swamp, the Skull, and the Bargain: Close Reading Irving's Moral World
55 min · ch. 1- Do now
On the board: Read the opening two paragraphs of the story, starting with 'A few miles from Boston' and ending with 'the common people had a bad opinion of it.' Identify three specific details that Irving describes about the swamp. For each detail, provide one word that captures the emotion it evokes. Please do not discuss this with anyone just yet.
- Teacher input
Model a close reading of the passage starting with "One evening that Tom Walker had strayed from home" and ending with Old Scratch's first words, "What are you doing on my grounds?" Help students explore how Irving's word choices — "great black man," "grizzled hair," and "axe on his shoulder" — depict Old Scratch both as a laborer and a demonic figure. This blurs the lines between capitalism and the devil. Use the visualizer to annotate: what does the axe symbolize? Why choose "grizzled" instead of "black"? Show how each detail connects to broader themes.
- Independent task
Students will re-read the excerpt from "He now, therefore, determined to become a money-broker" through to the end of the paragraph that discusses Tom's usury, where Irving notes that Tom "had a dash of the lawyer in him." They will create a structured annotation of this passage, identifying two specific words or phrases that Irving employs to characterize Tom's money-lending practices. For each word or phrase, students will explain what it reveals about Tom's character or values. Finally, they will compose a single sentence that links their observations to the story's critique of greed. The completed annotation should be submitted on a half-sheet at the end of the lesson.
- Exit ticket
Write one sentence explaining why Irving chooses to have Old Scratch appear as a woodsman carrying an axe rather than as a conventional horned devil — what does this specific image add to the story's argument about wealth and labour?
Lesson 2: Bible in One Hand, Mortgage in the Other: Writing About Irving's Satire of the American Dream
55 min · ch. 1- Do now
On the board: Without looking at the text, jot down two surprising or contradictory actions that Tom takes after he becomes a money-broker. Then, write a sentence that starts with: 'Irving makes Tom hypocritical because…' You have four minutes.
- Teacher input
Model the construction of an analytical paragraph focusing on the section where Tom experiences his religious conversion, starting from 'As Tom waxed old…he thought with regret on the bargain he had made' and concluding with 'and was as rigid in religious as in money matters.' Begin by presenting a clear argument, such as: 'Irving uses Tom's performative piety to reveal the empty promise of American self-reinvention.' Next, embed a quotation effectively; for instance, the phrase 'rigid in religious as in money matters' links the two aspects of Tom's character seamlessly. Then, delve into an analysis of the word 'rigid,' exploring its implications of inflexibility, the association with death, and the notion of rigor mortis. Finally, connect this analysis back to the overarching satirical theme of the story, ensuring the paragraph concludes with a broader thematic reflection instead of introducing a new quotation.
- Independent task
Irving employs Tom Walker's religious hypocrisy in the final section of the story to sharply critique the American Dream, revealing how the pursuit of wealth often corrupts moral integrity. Tom is depicted as "rigid in religious as in money matters," suggesting that his piety is as inflexible as his greed. The word "rigid" implies a lack of genuine faith, highlighting his performative devotion rather than true belief, which illustrates the hollowness of his character. Furthermore, when Tom is described as "loud and vociferous" in his prayers, it underscores his tendency to use religion as a tool for self-promotion rather than as a means of spiritual reflection. The repetition of "sin upon sin, cheat upon cheat" emphasizes his continuous moral downfall, painting a vivid picture of a man who, despite his outward displays of religiosity, remains deeply entrenched in dishonesty and greed. Ultimately, Tom's fate—being carried off by Old Scratch on horseback—serves as a powerful reminder of the consequences of his choices. This ending reinforces the story's moral argument that the American Dream, when pursued without integrity, leads not to success but to ruin and despair.
- Exit ticket
In two sentences, explain what Irving suggests happens to people who pursue wealth without moral integrity, using the specific detail of Tom being carried off 'in the midst of a thunderstorm' as your evidence. Do not simply retell the plot — make an argument.
Activities
Swamp Symbolism Gallery Walk 15 min · groups
Print six brief descriptions from the story's opening pages, each focusing on a different aspect of the swamp (the decaying trees, the scattered skulls, the muddy quagmire, the concealed treasure, the remnants of the fort, the dark soil). Place one description at each station around the room. Groups of three will rotate every two minutes, making notes on a shared A3 sheet: what does this detail represent? Afterward, groups return their annotated sheets, which will be displayed and serve as a reference resource for the remainder of the session.
Old Scratch Character Profile 20 min · pairs
Each pair gets a structured template with four sections: Appearance, Speech, Actions, and What He Knows. Partners review the entire story to find every moment Old Scratch appears and fill in the template with direct quotes. Then, they write two sentences at the bottom addressing the question: 'Is Old Scratch purely evil, or does Irving portray him as morally ambiguous? Include one quote as evidence.' Pairs return the filled-out template.
Tom's Wife: Victim or Mirror? 20 min · pairs
Students read the passages about Tom's wife, starting with "Tom's wife was a tall termagant" and ending with the discovery of her apron that contained "a heart and liver." Partners look for language that portrays her as either a victim of Tom's greed or a mirror of his moral shortcomings. They need to find at least one quotation to support each interpretation. Each pair then writes a concise verdict on a sticky note and submits it.
Bargain Re-negotiation Role Play 15 min · pairs
One student takes on the role of Tom Walker, while another portrays Old Scratch. Tom tries to renegotiate the deal based on his values as outlined in the text. Old Scratch will reply by drawing on Irving's characterization. After five minutes of improvisation, each student writes three sentences from their character's perspective: what they desire, what they’re willing to offer, and whether they believe the bargain is fair. These written reflections are then returned to the students.
Irony Tracking Chart 20 min · individual
Students are given a three-column chart: Moment in the Story / What Irving Says / What Irving Means. Working independently through the entire text, they identify four instances of verbal or situational irony—like Tom's conversion to religion after his time as a usurer—and fill out all three columns for each instance. Once they finish the chart, they submit it, which serves as a formative assessment of their ability to differentiate between surface meaning and the author's intent.
Final Paragraph Peer Review 15 min · pairs
After completing the Lesson 2 independent task, students exchange their analytical paragraphs with a partner. Using a three-question checklist — (1) Does the paragraph start with a clear argument? (2) Are both quotations analyzed at the word level instead of just paraphrased? (3) Does the closing sentence relate back to the theme of the American Dream? — partners write two sentences of feedback and one suggested improvement directly on the script. Both the paragraph and the feedback sheet are returned to the teacher.
Assessment
- Do-Now (Lesson 1): checks whether students can identify Gothic atmosphere in the swamp description before any teaching has occurred.
- Annotated half-sheet (Lesson 1 independent task): checks whether students can move from word-level observation about Tom's usury to a thematic claim without prompting.
- Exit ticket (Lesson 1): checks whether students have absorbed the modelled move — reading a single image (the axe) as ideologically loaded rather than merely decorative.
- Do-Now (Lesson 2): checks whether students have retained the contradiction between Tom's greed and his religiosity from Lesson 1 reading.
- Exit ticket (Lesson 2): checks whether students can make an argument about Irving's moral vision using a specific textual detail rather than retelling plot.
Summative task
Respond to the following question in one analytical paragraph of 180–220 words: How does Irving use Tom Walker's religious hypocrisy in the final section of the story to satirise the American Dream? Your paragraph must open with a clear argument, embed and analyse at least two quotations from the story's final movement at word level, and close with a sentence connecting Tom's fate — his disappearance on horseback in a thunderstorm — to Irving's larger satirical argument about greed and self-deception in America.
Marking notes
Top-band responses present a clear, debatable argument in the opening sentence and maintain it throughout the paragraph. They examine specific words (like 'rigid' and 'vociferous') for their connotations instead of simply paraphrasing. Additionally, they link language choices to the story's satirical aims and the theme of the American Dream. Mid-band responses cite relevant quotations and offer some commentary on language but tend to lean towards summarizing the plot. Lower-band responses recount events from the final section without providing a thorough analysis of Irving's word choices or narrative techniques.
Standards covered
- Common Core 11 12
- RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
- RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
- RL.11-12.6 — Analyse a case in which grasping a point of view or cultural experience requires distinguishing what is directly stated from what is really meant (e.g. satire, irony, understatement).
- AP Literature
- Literary Argumentation (LAN-1): Develop a thesis that makes a defensible claim about how Irving's language and structure create meaning.
- Textual Evidence (STL-1): Select and cite relevant evidence from 'The Devil and Tom Walker' to support literary analysis.
- Figurative Language (FIG-1): Analyse the role of figurative language — including symbolic imagery (the swamp, the axe, the skull) and irony — in conveying Irving's satirical argument.
- Narration (NAR-1): Explain how Irving's ironic third-person narrator shapes the reader's attitude toward Tom Walker and the American Dream.
- AQA
- AO1 — Read, understand and respond to texts; maintain a critical style and develop an informed personal response, using textual references including quotations to support and illustrate interpretations.
- AO2 — Analyse the language, form and structure used by Irving to create meanings and effects, using relevant subject terminology.
- AO3 — Show understanding of the relationships between 'The Devil and Tom Walker' and its contexts, including the early American Romantic period, Puritan legacy, and the emerging capitalist culture Irving satirises.
- Edexcel
- AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
- AO2 — Analyse ways in which meanings are shaped in 'The Devil and Tom Walker', including Irving's use of Gothic imagery, ironic narration, and allegorical characterisation.
- AO5 — Demonstrate understanding of the significance and influence of the contexts in which 'The Devil and Tom Walker' was written and received, including Jacksonian-era anxieties about wealth and moral decline.
Storgy generator
Plan it for your class instead
Choose the curriculum, the year group, how many lessons you have, and what the sequence should be about. Grounded in Storgy's analysis of The Devil and Tom Walker.
Teacher tools for
The Devil and Tom Walker
Discussion Questions
Thematic and close-reading prompts, ready to ask.
Essay Prompts
Exam-style essay questions with assessment-objective focus.
Quiz Questions
Multiple-choice comprehension checks, ready to hand out.
Ask about this work
Put a question to the reader behind the guide. It cites the chapter it answers from.
Full study guide
Summaries, characters, themes, and key quotes.