Year 12–13 / Grades 11–12
Follower (Heaney) — two lessons
Lesson 1 begins with students exploring the poem's structural reversal, followed by the teacher demonstrating how Heaney's nautical simile ("globed like a full sail strung") portrays the father as both heroic and elemental. Afterward, students craft an annotated close-reading paragraph focusing on the child's clumsiness in stanzas 4–5. In Lesson 2, students expand on this analysis: the teacher illustrates how the volta in the final stanza reshapes the meaning of everything that came before it, and then the students write a full exam-style comparative or context paragraph. By the end of these lessons, students are equipped to analyze how Heaney employs form, imagery, and structural reversal to convey themes of inheritance, guilt, and the inescapability of the past.
Objectives
- Analyse how Heaney uses the extended nautical simile in stanza 1 ('globed like a full sail strung') to construct the father as a figure of heroic, elemental mastery.
- Explain how the child speaker's physical clumsiness in stanzas 4–5 ('I stumbled in his hob-nailed wake') creates an ironic contrast with the father's precision.
- Trace the structural reversal in the final stanza and argue what it reveals about guilt, inheritance and the weight of the past.
- Write an evidenced, analytical paragraph that embeds and interprets quotations from the poem in response to a set question.
- Connect the poem's biographical context — Heaney's choice of poetry over farming — to its elegiac and pastoral registers.
The sequence
Lesson 1: What the plough makes: close reading Heaney's imagery and form in 'Follower'
60 min · ch. 1- Do now
Read the poem once quietly. On a sticky note, jot down the one word that captures the essence of the father in stanzas 1–3, and the one word that reflects the speaker (child) in stanzas 4–5. Be prepared to explain your choices without any reference materials.
- Teacher input
Model a close reading of the line 'His shoulders globed like a full sail strung' (stanza 1). Let's think through this: the verb 'globed' implies that the shoulders are rounded, almost like a globe—suggesting that the father becomes as substantial as the earth he works with. The phrase 'full sail' brings in a nautical element, which contrasts with the agricultural setting. Heaney cleverly intertwines the language of the sea with a landlocked field, making the father's skill seem vast and unstoppable. It's important to note how the simile serves two purposes: it elevates the father's stature while also hinting that the son, who will become a poet, perceives the world through a lens of figurative language instead of just practical work.
- Independent task
Students will write a focused analytical paragraph (minimum 150 words) addressing the question: 'How does Heaney depict the father as a figure of mastery in stanzas 1–3?' They need to incorporate at least two quotations — one from the simile 'globed like a full sail strung' and another from the technical vocabulary ('the sod rolled over without breaking') — and explain the contribution of each word or phrase to the reader's impression of the father. Paragraphs should be submitted at the end of the lesson for written feedback.
- Exit ticket
In one sentence, explain why Heaney uses a nautical simile ('full sail') rather than an agricultural one to describe his father's shoulders — what does the unexpected comparison add that a farming image could not?
Lesson 2: The volta and the guilt: how the final stanza reverses everything in 'Follower'
60 min · ch. 1- Do now
Without looking at the poem again, jot down the last two lines from memory. If you can’t recall them precisely, summarize their meaning instead. After you’ve written your interpretation, check the poem to see how you did. Take note of any incorrect words and reflect on why those specific words are significant.
- Teacher input
Model how the final stanza ('But today / It is my father who keeps stumbling / Behind me, and will not go away') acts as a structural turning point. Notice the shift in pronouns: 'I stumbled' (stanza 5) changes to 'my father who keeps stumbling' — Heaney moves the child's earlier awkwardness onto the aging father, flipping the power dynamic. Highlight the present tense 'keeps stumbling' and 'will not go away': the father is not just a memory but an active, persistent presence. Relate this to the biographical context — Heaney chose poetry over farming — so the father's inability to 'go away' embodies both guilt and love.
- Independent task
Students are required to compose a complete exam-style response of at least 200 words addressing the question: 'How does Heaney use structural reversal and the shift in tense in the final stanza to explore the theme of guilt and inheritance?' They should discuss the contrast between the child's stumbling in stanza 5 and the father's stumbling in stanza 6, accurately use the term 'volta,' and link their analysis to at least one contextual detail regarding Heaney's choice to pursue poetry over farming. All responses will be gathered and assessed based on the rubric.
- Exit ticket
Write two sentences: one explaining what the father represents in stanzas 1–3, and one explaining what he represents in the final stanza — use the word 'shift' or 'reversal' in your second sentence.
Activities
Sticky-note word map: father vs. child 8 min · individual
Each student gets a printed copy of the poem along with two sticky notes in different colours. On one sticky note, they write three adjectives that describe the father, and on the other, three for the child speaker. They attach the notes to the corresponding stanzas. The class then groups identical or similar adjectives on the board, highlighting the poem's binary structure without any teacher input. Finally, students return the annotated poem with the sticky notes still attached.
Simile surgery: unpacking 'globed like a full sail strung' 12 min · pairs
Pairs receive a printed strip that has the line 'His shoulders globed like a full sail strung' and a three-column grid labeled: WORD / LITERAL MEANING / EFFECT ON READER. Each partner fills in the grid for 'globed', 'full sail', and 'strung' on their own, then they compare their answers. Finally, pairs submit the completed grid along with a one-sentence joint conclusion explaining why Heaney opted for a nautical image instead of an agricultural one.
Stanza-by-stanza power tracker 15 min · groups
Groups of three will get a table with six rows (one for each stanza) and two columns: WHO HAS POWER? / WHAT LANGUAGE SIGNALS THIS? They will analyze the poem stanza by stanza, quoting specific words or phrases as evidence. The final row (stanza 6) should clearly indicate the reversal. Groups will return the completed table, which will serve as a revision resource and will be used to guide the whole-class discussion on the volta.
Tense detective: tracking the poem's time shifts 10 min · pairs
Pairs receive the poem with all the verbs underlined. They color-code the verbs by tense (past/present) and indicate the specific line where the tense shifts from past to present. Then, they write a sentence explaining how this shift in tense affects the reader's perception of the father. Finally, pairs return the color-coded poem along with the written sentence, which the teacher uses as a formative assessment before modeling the volta.
Context card sort: Heaney's choice 10 min · groups
Groups receive six context cards: (1) Heaney grew up on a farm in County Derry; (2) He chose to study English at Queen's University Belfast; (3) 'Death of a Naturalist' was published in 1966; (4) His father, Patrick Heaney, was a cattle dealer and farmer; (5) Heaney wrote the poem while teaching in Belfast; (6) The pastoral elegy is a tradition that goes back to Virgil and Milton. Groups rank the cards from most to least relevant for interpreting the final stanza and then write a justification for their top choice. They submit the ranked list along with their written explanation.
Exam-paragraph peer assessment 15 min · pairs
After the independent task in Lesson 2, pairs exchange paragraphs and use a three-point checklist tailored for this poem: (1) Does the paragraph identify the structural reversal between stanza 5 and stanza 6? (2) Does it discuss the impact of the present tense phrase 'keeps stumbling'? (3) Does it link the analysis to Heaney's decision to pursue poetry instead of farming? Peers annotate in pencil and provide one comment on 'strength' and one on 'next step.' Both the original paragraph and the annotated peer copy are returned to the teacher.
Assessment
- Do-now sticky-note word map (Lesson 1): checking whether students can distinguish the poem's binary characterisation of father and child before any teaching.
- Simile surgery grid (Lesson 1): checking whether students can move from identifying a technique to explaining its specific effect on a reader.
- Tense detective colour-coding (Lesson 2): checking whether students can locate the exact moment the poem's tense shifts and articulate why it matters.
- Exit ticket Lesson 1: checking whether students understand why the nautical register is semantically loaded rather than decorative.
- Exit ticket Lesson 2: checking whether students can hold both halves of the poem's reversal in mind simultaneously and use the word 'shift' or 'reversal' accurately.
Summative task
Write a full analytical response (minimum 200 words) to the following question: 'How does Heaney use structural reversal and the shift in tense in the final stanza of "Follower" to explore the themes of guilt and inheritance?' Your response must quote and analyse the contrast between 'I stumbled in his hob-nailed wake' (stanza 5) and 'my father who keeps stumbling / Behind me' (stanza 6), use the term 'volta' correctly, and connect your reading to at least one piece of contextual knowledge about Heaney's decision to pursue poetry rather than farming.
Marking notes
Top-band responses will accurately identify the structural reversal by quoting both 'I stumbled' and 'keeps stumbling,' while explaining how the transferred verb conveys guilt instead of merely describing it. They will use 'volta' correctly and link the tense shift to the father's change from a memory to a haunting presence. Mid-band responses will recognize the reversal and quote correctly, but will discuss its effect in more general terms. Lower-band responses will either paraphrase the final stanza without analyzing specific language choices or will use context as decoration rather than as a basis for interpretation.
Standards covered
- Common Core 11 12
- RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from it.
- RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
- RL.11-12.5 — Analyse how an author's choices concerning how to structure a text, order events within it, and manipulate time create such effects as mystery, tension, or surprise.
- W.11-12.9 — Draw evidence from literary texts to support analysis, reflection, and research.
- AP Literature
- Literary Argumentation (LAN-1) — Explain the function of a specific word or phrase in a literary text, including how it contributes to meaning.
- Figurative Language (FIG-1) — Identify and explain the function of a simile and its contribution to the overall meaning of a poem.
- Structure (STR-1) — Explain how the poet's structural choices — including stanza organisation, tense shifts, and the volta — contribute to the poem's meaning.
- Character (CHR-1) — Analyse how the speaker's changing relationship to the father across the poem develops a complex portrayal of inheritance and guilt.
- AQA
- AO1 — Read, understand and respond to texts; maintain a critical style and develop an informed personal response; use textual references, including quotations, to support and illustrate interpretations.
- AO2 — Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate.
- AO3 — Show understanding of the relationships between texts and the contexts in which they were written and received.
- Edexcel
- AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
- AO2 — Analyse ways in which meanings are shaped in literary texts, with particular attention to diction, imagery and structural choices.
- AO3 — Demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received.
- Eduqas
- AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology and coherent, accurate written expression.
- AO2 — Analyse the ways in which meanings are shaped in literary texts, focusing on how Heaney's use of simile, tense and structural reversal create meaning.
- AO4 — Explore connections across literary texts, including the relationship between 'Follower' and the pastoral and elegiac traditions.
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Follower
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