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Storgy

Year 10–11 / Grades 9–10

Checking Out Me History — two lessons

In Lesson 1, students closely read the entire poem, paying attention to how Agard's contrasting use of the blunt "Dem tell me" refrains and the lyrical, italicized hero stanzas conveys meaning. In Lesson 2, they apply this close reading to craft an exam-style analytical paragraph discussing Agard's portrayal of identity and resistance. By the end, students are equipped to analyze dialect, form, and structure with specific textual evidence and write a well-supported paragraph that fulfills GCSE and AP Literature standards.

Objectives

  • Analyse how Agard uses structural contrast between the 'Dem tell me' refrains and the italicised hero stanzas to convey the speaker's rejection of colonial education.
  • Explain how Caribbean creole dialect — including 'me', 'dem' and dropped standard endings — functions as a political and identity statement.
  • Identify and interpret the significance of specific named figures (Toussaint L'Ouverture, Nanny de Maroon, Mary Seacole) and what their inclusion argues about history and power.
  • Write an evidenced analytical paragraph that embeds a quotation, names a technique, and links it to a theme of identity or resistance.
  • Compare the poem's treatment of colonial education with its affirmation of selfhood in the closing line 'I carving out me identity'.

The sequence

  1. Lesson 1: What Dem Tell Me and What Dem Didn't: Close Reading the Whole Poem

    55 min · ch. 1
    Do now

    On the board: jot down THREE things you learned in primary school that stand out in your memory. Next, note down ONE thing you believe was lacking in your education. You have four minutes — no discussions for now, just write.

    Teacher input

    Consider the opening refrain, "Dem tell me / Dem tell me / Wha dem want to tell me," alongside the stanza about Toussaint L'Ouverture: "Toussaint / a slave / with vision / lick back / Napoleon / battalion." As you reflect on this, notice how the flat, repetitive structure of the refrain mirrors the mechanical and unquestioning approach of colonial education. In contrast, the Toussaint stanza features shorter, more dynamic lines that convey energy and pride. This difference in form emphasizes the speaker's point: what has been suppressed holds far more significance than what has been imposed.

    Independent task

    Students annotate their own copy of the full poem by highlighting each 'Dem tell me' moment in one color and each hero stanza (Toussaint, Nanny de Maroon, Mary Seacole) in another color. Next, they write three bullet-pointed observations: one focusing on rhythm or line length, another on a specific word choice in any hero stanza, and the last on what the contrast between the two sections reveals about power. They’ll be ready to share these insights at the beginning of Lesson 2.

    Exit ticket

    On a sticky note or in their book, students complete this sentence in their own words: 'Agard uses the contrast between the 'Dem tell me' sections and the hero stanzas to show that…' — the answer must include at least one word from the poem.

  2. Lesson 2: Carving Out an Argument: Writing About Identity and Resistance

    55 min · ch. 1
    Do now

    On the board: take a moment to re-read the final two lines of the poem — 'I carving out me identity' — without glancing at your notes. In one sentence, explain what the word 'carving' implies about how we shape our identity. You have four minutes.

    Teacher input

    To build a complete analytical paragraph using the stanza about Mary Seacole, start by illustrating the Point–Evidence–Technique–Effect structure. First, make a claim regarding how Agard portrays Seacole as intentionally overlooked. Then, include the quotation 'nurse Nightingale / never hear tell / of Mary.' Next, identify the technique used, which is ironic juxtaposition coupled with enjambment that isolates 'of Mary.' Finally, explain the effect: the line break creates a sense of abruptness in Seacole's erasure, making it feel intimate and personal, reflecting the colonial silencing that the poem critiques.

    Independent task

    Students should compose a complete exam-style paragraph (at least 120 words) addressing the question: "In what ways does Agard convey the notion that reclaiming history serves as an act of resistance?"

    Exit ticket

    Checking Out Me History

Activities

Colour-Coded Structural Mapping 15 min · individual

Each student gets a printed copy of the full poem. They use two different colored pens to highlight every 'Dem tell me' refrain stanza in one color and every italicized hero stanza in another. Next, they write a one-sentence label beside each hero stanza that names who is celebrated and includes one word to describe the tone. Finally, students return the annotated poem along with their three bullet-point observations.

Dialect Decoding Hot-Seat 15 min · whole class

The teacher reads the poem aloud in its entirety and then picks out four dialect features: 'me', 'dem', 'lick back', and 'de beacon'. One by one, students take turns sitting in the 'hot-seat' to explain what the Standard English equivalent would be and why Agard opted for the dialect form. The class gives a thumbs-up or thumbs-down on each explanation. Students note down the four features and the agreed-upon explanations in their books.

Hero Stanza Jigsaw 20 min · groups

The class divides into three groups, with each group focusing on one hero stanza: Toussaint L'Ouverture, Nanny de Maroon, or Mary Seacole. Each group examines their stanza for imagery, rhythm, and historical significance using a fact sheet about their assigned figure. Afterward, the groups present their stanza to the class and discuss the importance of Agard's portrayal. Each student submits a completed annotation grid, including at least two quotations and two technique labels.

Point–Evidence–Technique–Effect Modelling Race 20 min · pairs

Each pair gets a set of sentence strips that includes a point, a quotation, a technique label, and an effect statement — all mixed up — taken from the Nanny de Maroon stanza ('see-far woman / of mountain dream / fire-woman struggle / hopeful stream'). Pairs work together to put the strips back in a logical order to form a coherent analytical paragraph, then they compare their arrangement with another pair. Finally, each pair submits a written paragraph with the strips attached in their chosen order, along with a one-sentence explanation of their structure.

Comparative Brainstorm: Agard and One Other Power and Conflict Poem 15 min · pairs

Pairs receive a comparison prompt: 'Both Agard and [assigned poet] examine how power influences identity — identify two similarities and one difference.' Each pair creates a two-column spider diagram that includes at least two quotes from each poem. They return the diagram, which directly contributes to the Lesson 2 independent writing task.

Final Line Close Reading 10 min · individual

Students receive a slip of paper with just the last two lines of the poem — 'I carving out me identity' — printed in large text. They are tasked with writing a brief paragraph (four to six sentences) that explores what the present continuous tense ('carving') indicates about identity as a process that unfolds over time, and how the transition from 'Dem tell me' to 'I' reflects the speaker's personal journey. Once completed, students return the slip with their paragraph written on the back.

Assessment

  • Lesson 1 do-now: teacher scans responses to check whether students can articulate a personal sense of educational gaps — this primes empathy with the speaker's position before the poem is read.
  • Lesson 1 annotation task: teacher circulates to check that students have correctly identified all 'Dem tell me' refrains and all three hero stanzas, and that their bullet points move beyond plot summary to comment on form or language.
  • Lesson 1 exit ticket: teacher reads sticky notes to assess whether students can articulate the structural contrast in their own words and have embedded at least one word from the poem.
  • Lesson 2 do-now: teacher reads responses aloud and probes whether students understand 'carving' as a metaphor for active, effortful self-construction rather than passive discovery.
  • Lesson 2 paragraph draft: teacher conducts a mid-task check by asking two or three students to read their topic sentence aloud, assessing whether claims are specific to Agard's poem rather than generic statements about identity.

Summative task

Write a full analytical paragraph of at least 120 words in response to the following question: 'How does Agard present the idea that reclaiming history is an act of resistance in "Checking Out Me History"?' Your paragraph must include at least one embedded quotation from the poem, name the technique Agard uses, and explain the effect on the reader. You may refer to the Mary Seacole stanza, the Toussaint L'Ouverture stanza, or the closing line 'I carving out me identity' — or more than one of these.

Marking notes

Top-band responses include a direct quote (for example, 'de beacon of de Haitian Revolution' or 'I carving out me identity'), mention a specific technique (like structural contrast, present continuous tense, or dialect), and analyze how that technique illustrates the speaker's resistance rather than just stating it. Mid-band responses recognize the correct technique but discuss its effect in more general terms. Lower-band responses rephrase the poem without identifying the technique or connecting it to the theme of resistance.

Standards covered

Common Core 11 12
  • RL.11-12.1 — cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • RL.11-12.4 — determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
  • RL.11-12.5 — analyse how an author's choices concerning how to structure specific parts of a text contribute to its overall structure and meaning.
  • W.11-12.9 — draw evidence from literary texts to support analysis, reflection and research.
AP Literature
  • Literary Argumentation (LAN-1) — write a thesis that interprets a literary text and requires a line of reasoning.
  • Figurative Language (FIG-1) — explain the function of specific words and phrases in a literary text, including dialect and imagery.
  • Structure (STR-1) — explain how the arrangement of the parts of a text contribute to its overall meaning, including the contrast between the refrain stanzas and the italicised hero stanzas.
  • Character (CHR-1) — explain the function of a character, including how the speaker's voice and dialect construct identity and resistance.
AQA
  • AO1 — read, understand and respond to texts, maintaining a critical style and developing an informed personal response with references to support interpretations.
  • AO2 — analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology.
  • AO3 — show understanding of the relationships between texts and the contexts in which they were written and received, including Agard's Caribbean-British identity and the colonial education system.
Edexcel
  • AO1 — respond to texts critically and imaginatively, selecting and evaluating relevant textual detail to illustrate and support interpretations.
  • AO2 — explain how language, structure and form contribute to writers' presentation of ideas, themes and settings, with reference to subject terminology.
  • AO3 — demonstrate understanding of the significance and influence of the contexts in which literary texts are written and received.
Eduqas
  • AO1 — read, understand and respond to texts, developing an informed personal response and using textual references to support interpretations.
  • AO2 — analyse the language, form and structure used by the writer to create meanings and effects, using appropriate subject terminology.
  • AO4 — show understanding of the relationships between texts and the contexts in which they were written, including post-colonial and Caribbean cultural contexts.

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