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Storgy

The Bluest EyeNovel by Toni Morrison

Vocabulary in The Bluest Eye

26 words, in the order you meet them — each defined in the sense The Bluest Eye uses, with the chapter and a line from the text. Free, no sign-up.

unyieldingadjectiveChapter 1

Hard and unresponsive, refusing to give way or produce results. Here the earth is described as so hard and barren that nothing planted in it can grow.

It never occurred to either of us that the earth itself might have been unyielding.

primernounChapter 1

A beginner's reading textbook used in early schooling, typically featuring simple sentences and cheerful images of idealized family life.

lustnounChapter 2

A powerful, often hidden craving or desire, not necessarily sexual; here used to suggest something that moves silently and goes unnoticed beneath the surface of ordinary life.

Nuns go by as quiet as lust, and drunken men and sober eyes sing in the lobby of the Greek hotel.

soberadjectiveChapter 2

Not drunk; clear-headed and alert. The contrast with 'drunken men' sharpens the irony of the image.

Nuns go by as quiet as lust, and drunken men and sober eyes sing in the lobby of the Greek hotel.

no-countadjectiveChapter 4

A Southern and African American dialect term meaning worthless, good-for-nothing, or of no value to anyone around him.

Mrs. Breedlove considered herself an upright and Christian woman, burdened with a no-count man, whom God wanted her to suffer and to save.

uprightadjectiveChapter 4

Morally correct and strictly proper in conduct; someone who follows the rules of decent, respectable behavior.

Mrs. Breedlove considered herself an upright and Christian woman, burdened with a no-count man, whom God wanted her to suffer and to save.

dangerously freephraseChapter 4

Completely unbound by family, duty, or social ties in a way that is threatening rather than liberating — a freedom with no moral anchor to restrain destructive impulses.

Cholly was free. Dangerously free.

plaitsnounChapter 7

Braids of hair woven in sections close to the scalp or hanging down; a common style for Black girls in this period.

She looked at Pecola. Saw the dirty torn dress, the plaits sticking out on her head, hair matted where the plaits had come undone.

mattedadjectiveChapter 7

Tangled and clumped together in a dense, messy mass, usually from neglect, moisture, or dirt.

hair matted where the plaits had come undone, the muddy shoes with the wad of gum peeping out from between the chea…

squalornounChapter 7

Filthy, degraded living conditions caused by poverty and neglect; extreme dirtiness and disorder in one's surroundings.

They were not at all afraid of hard work, but they were terrified of disorder, confusion, and squalor—which they equated with Blackness.

equatedverbChapter 7

Treated two different things as if they were the same or equal; here, characters wrongly link squalor with Blackness as though one automatically means the other.

They were not at all afraid of hard work, but they were terrified of disorder, confusion, and squalor—which they equated with Blackness.

hollyhocksnounChapter 8

Tall flowering plants with large blossoms that grow along fences and walls; used here as an image of the quiet, rural world these girls grew up watching.

They are thin brown girls who have looked long at hollyhocks in the wind, who have lain in grass and worried about the world.

funknounChapter 8

In this text, the raw, unpolished energy and expressiveness of poor Black life — the earthy vitality that Geraldine has trained herself to suppress and despise.

assignverbChapter 9

To place something into a fixed category or rank; here Pauline automatically sorts every face she sees into a position on her mental scale of beauty.

She was never able, after her education in the movies, to look at a face and not assign it some category in the scale of absolute beauty.

absolute beautyphraseChapter 9

A fixed, universal standard of physical perfection — the idea that beauty is a single, objective truth rather than something personal or cultural.

She was never able, after her education in the movies, to look at a face and not assign it some category in the scale of absolute beauty.

possessive matingphraseChapter 10

A view of romantic partnership as ownership — claiming another person as one's property rather than loving them freely.

She regarded love as possessive mating, and romance as the goal of the spirit.

revulsionnounChapter 11

A strong, physical sense of disgust and rejection; a feeling so intense it seems to push the disgusting thing away from the body.

His revulsion was not limited to the physical. Disease, poverty, and all manner of human excess offended him.

excessnounChapter 11

Behavior or conditions that go beyond what is considered normal or acceptable; here it refers to the messy, uncontrolled aspects of human life that Soaphead Church finds repellent.

Disease, poverty, and all manner of human excess offended him.

profoundadjectiveChapter 11

Deeply felt and of great importance; going far below the surface to the core of a person's being.

She came with a need that was profound and unique.

illusionnounChapter 11

A false impression or belief that something is real when it is not; a convincing appearance that does not match the truth.

Soaphead Church could not give her blue eyes, but he could give her the illusion of them.

coherentadjectiveChapter 12

Making sense as a connected, unified whole; here it means Cholly's scattered, broken life could only be understood as a complete story through music.

The pieces of Cholly's life could become coherent only in the head of a musician.

generateverbChapter 13

To produce or bring into existence a feeling or force from within oneself; here Cholly tries but fails to summon hatred.

The hatred would have been easy. It would have been better. But he could not generate it.

tendernessnounChapter 13

A gentle, caring feeling toward another person; here it is a twisted, misplaced gentleness that cannot survive alongside Cholly's violence.

He wanted to fuck her — tenderly. But the tenderness would not hold.

ruinedadjectiveChapter 6

In the moral language of this era, a girl who has been sexually violated or compromised is described as 'ruined' — her social worth and innocence considered permanently destroyed.

'She's ruined. He has ruined her.'

felt her upphraseChapter 6

An informal expression meaning to touch someone's body in a sexual way without their consent.

'He just felt her up,' said Claudia. 'I seen him.'

workhousenoun

A public institution where very poor or destitute people, sometimes including petty criminals, were housed and required to perform hard labor in exchange for basic shelter.