- winged its wayphraseChapter 1 →
Moved swiftly through the air or water, like a bird in flight. Here it describes the ship Argo traveling at great speed across the sea.
“Would that the Argo's hull had never winged its way to the land of Colchis through the dark-blue Symplegades!”
- SymplegadesnounChapter 1 →
The legendary Clashing Rocks at the entrance to the Black Sea, said to crash together and crush ships that tried to pass between them.
“Would that the Argo's hull had never winged its way to the land of Colchis through the dark-blue Symplegades!”
- irrevocableadjectiveChapter 1 →
Impossible to take back or undo once it has been done. The Nurse fears Medea will commit an act whose consequences can never be reversed.
“I am afraid she may think of something irrevocable.”
- lamentnounChapter 2 →
A passionate expression of grief or sorrow, often spoken or sung aloud. In this play it refers to Medea's cries of anguish heard from inside the house.
- Clashing RocksnounChapter 2 →
Another name for the Symplegades, the mythical moving rocks that smashed together to destroy ships sailing into the Black Sea.
“Cursed be the voyage of the Argo through the dark Clashing Rocks to the land of Colchis!”
- judgementnounChapter 3 →
The capacity to reason, form opinions, and make decisions. Medea uses it to argue that women, as thinking beings, are the most unfortunate of all creatures.
“Of all things which are living and can form a judgement we women are the most unfortunate creatures.”
- wrap my meaning in soft wordsphraseChapter 3 →
To soften or disguise what one really means by choosing polite, gentle language instead of speaking plainly and directly.
“I have a dread of you—why should I wrap my meaning in soft words?—lest you do some irreparable harm to my daughter.”
- irreparableadjectiveChapter 3 →
So badly damaged or destroyed that it cannot be fixed or made right again. Creon fears Medea will do harm to his daughter that can never be undone.
“lest you do some irreparable harm to my daughter.”
- feeble-spiritedadjectiveChapter 3 →
Lacking courage or inner strength; cowardly and easily defeated. Medea insists she is the opposite of this — someone capable of fierce action.
“Let no one think me a weak one, feeble-spirited, a stay-at-home, but rather just the opposite, one who can hurt my enemies and help my friends.”
- stay-at-homenounChapter 3 →
A person who is passive and confined to the domestic sphere, taking no bold or independent action in the wider world.
“Let no one think me a weak one, feeble-spirited, a stay-at-home, but rather just the opposite.”
- foul-tongued slanderphraseChapter 4 →
Malicious, false, and insulting speech meant to damage someone's reputation. The Chorus celebrates that women will no longer be subjected to such verbal attacks.
“The female sex is honoured now; no more will foul-tongued slander fasten on us.”
- versed in evil artsphraseChapter 5 →
Skilled and experienced in the practice of magic, sorcery, or other dark and harmful knowledge. Jason uses it as a backhanded acknowledgment of Medea's power.
“You are a clever woman, versed in evil arts—but do not think yourself so wise.”
- ErosnounChapter 6 →
The Greek god of love and desire, whose arrows were said to cause people to fall passionately in love, sometimes with destructive consequences.
“Let Eros never come to me with murderous intent, / nor with irresistible passion, but with gentle grace.”
- irresistible passionphraseChapter 6 →
An overwhelming romantic or sexual desire so powerful that a person cannot resist or control it, often leading to ruin.
“Let Eros never come to me with murderous intent, / nor with irresistible passion, but with gentle grace.”
- exilenounChapter 6 →
Forced removal from one's home city or country, often as a legal punishment, leaving the person without a homeland or community to return to.
“May I never be without my homeland, / passing my days in the helpless grief of exile.”
- diademnounChapter 7 →
A jeweled crown or headband worn as a symbol of royal status. In the play, Medea sends a golden diadem as one of her poisoned gifts to the princess.
“I will send the children with gifts in their hands to carry to the bride, a finely-woven robe and a golden diadem.”
- finerynounChapter 7 →
Expensive, showy clothing and jewelry worn for display. Here it refers to the poisoned robe and crown Medea sends as gifts to the princess.
“if she takes the finery and puts it on, she shall die in agony.”
- pollutionnounChapter 8 →
In ancient Greek belief, a spiritual contamination or curse that a person carries after committing a terrible act, especially murder, which can spread harm to those around them.
“How will the city of sacred rivers, the city that welcomes its friends, receive you—the murderess of your children, you whose presence among others is a pollution?”
- avenging spiritsnounChapter 9 →
Supernatural beings from the underworld believed to pursue and punish those who commit terrible crimes, especially against their own family.
“No—by Hell's avenging spirits—it shall not be. I will not leave my children to be the victims of my enemies' rage.”
- coronetnounChapter 11 →
A small decorative crown, less grand than a full royal crown, worn as an ornament on the head. Medea's poisoned gift to the princess takes this form.
- fine-spunadjectiveChapter 11 →
Woven from very thin, delicate threads, producing a light and beautiful fabric. The robe Medea sends is described this way, making its deadly nature all the more horrifying.
“The fire, clinging to the fine-spun robe, consumed her flesh; she leapt from her chair and fled.”
- consumedverbChapter 11 →
Completely destroyed or devoured, as fire burns something entirely away until nothing remains. The poisoned robe burns Glauce's body in this way.
“The fire, clinging to the fine-spun robe, consumed her flesh; she leapt from her chair and fled.”
- lifeless imagephraseChapter 11 →
A reflection in a mirror, which has no life of its own but merely copies the person looking into it. Glauce smiles at her own reflection just before the poison takes effect.
“smiling at the lifeless image of herself.”
- savageadjectiveChapter 12 →
Brutally fierce and cruel, beyond what any civilized or even natural creature would do. Jason uses it to condemn Medea's killing of her own children as monstrous.
“You are not a woman—you are a lioness, more savage than Scylla on the Etruscan shore.”
MedeaPlay by Euripides