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King LearModern English

King Lear, Act 4, Scene 7

A Tent in the French Camp

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  1. Lear on a bed, asleep, soft music playing; Physician, Gentleman and others attending.

    Lear lies on a bed, asleep, while soft music plays; the Physician, the Gentleman and others wait on him.

  2. Enter Cordelia and Kent.

    Cordelia and Kent come in.

  3. Cordelia1

    O thou good Kent, how shall I live and work To match thy goodness? My life will be too short, And every measure fail me.

    Oh, good Kent, how can I ever live and act in a way that equals your goodness? My life will be too short, and every measure I use will fall short.

  4. Kent4

    To be acknowledg’d, madam, is o’erpaid. All my reports go with the modest truth; Nor more, nor clipp’d, but so.

    Just to be recognized, madam, is more than enough payment. Everything I have reported keeps to the plain truth: nothing added, nothing cut away, just as it was.

  5. Cordelia7

    Be better suited, These weeds are memories of those worser hours: I prythee put them off.

    Get yourself better clothes. These rags are reminders of those worse hours. Please take them off.

  6. Kent10

    Pardon, dear madam; Yet to be known shortens my made intent. My boon I make it that you know me not Till time and I think meet.

    Forgive me, dear madam. To be recognized now would cut short the plan I have made. I ask this favor: that you do not acknowledge me until the time and I decide it is right.

  7. Cordelia14

    Then be’t so, my good lord. [To the Physician.] How does the King?

    Then let it be so, my good lord. [To the Physician.] How is the King?

  8. Physician15

    Madam, sleeps still.

    Madam, he is still asleep.

  9. Cordelia16

    O you kind gods, Cure this great breach in his abused nature! The untun’d and jarring senses, O, wind up Of this child-changed father.

    Oh, you kind gods, heal this great tear in his mistreated nature! Oh, tune up again the untuned and jangling senses of this father who has been changed by his children.

  10. Physician20

    So please your majesty That we may wake the King: he hath slept long.

    If it pleases your majesty, may we wake the King? He has slept a long time.

  11. Cordelia22

    Be govern’d by your knowledge, and proceed I’ the sway of your own will. Is he array’d?

    Be guided by your own medical knowledge, and go ahead as your own judgment directs. Is he dressed?

  12. Physician24

    Ay, madam. In the heaviness of sleep We put fresh garments on him. Be by, good madam, when we do awake him; I doubt not of his temperance.

    Yes, madam. While he was deep in sleep we put fresh clothes on him. Stand close by, good madam, when we wake him; I have no doubt he will be calm.

  13. Cordelia28

    Very well.

    Very well.

  14. Physician29

    Please you draw near. Louder the music there!

    Please come closer. Louder music there!

  15. Cordelia30

    O my dear father! Restoration hang Thy medicine on my lips; and let this kiss Repair those violent harms that my two sisters Have in thy reverence made!

    Oh my dear father! May healing hang its medicine on my lips, and may this kiss mend the violent injuries my two sisters have done to your revered old age!

  16. Kent34

    Kind and dear princess!

    Kind and dear princess!

  17. Cordelia35

    Had you not been their father, these white flakes Did challenge pity of them. Was this a face To be oppos’d against the warring winds? To stand against the deep dread-bolted thunder? In the most terrible and nimble stroke Of quick cross lightning? to watch, poor perdu! With this thin helm? Mine enemy’s dog, Though he had bit me, should have stood that night Against my fire; and wast thou fain, poor father, To hovel thee with swine and rogues forlorn In short and musty straw? Alack, alack! ’Tis wonder that thy life and wits at once Had not concluded all. He wakes; speak to him.

    Even if you had not been their father, these white hairs would have demanded pity from them. Was this a face to be set against the warring winds? To stand up to the deep, dreadfully cracking thunder? To face the most terrible, darting stroke of the darting, crisscrossing lightning? To keep watch, poor lost sentry, with only this thin covering of hair for a helmet? My enemy's dog, even if he had bitten me, would have been let stand by my fire that night; and were you forced, poor father, to shelter with pigs and abandoned tramps in short, moldy straw? Oh no, oh no! It is a wonder that your life and your wits did not both come to an end together. He is waking; speak to him.

  18. Physician48

    Madam, do you; ’tis fittest.

    Madam, you speak to him; that is most fitting.

  19. Cordelia49

    How does my royal lord? How fares your majesty?

    How is my royal lord? How is your majesty feeling?

  20. Lear50

    You do me wrong to take me out o’ the grave. Thou art a soul in bliss; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.

    You wrong me by lifting me out of the grave. You are a soul in heavenly bliss, but I am strapped to a wheel of fire, so that my own tears scald me like molten lead.

  21. Cordelia54

    Sir, do you know me?

    Sir, do you know who I am?

  22. Lear55

    You are a spirit, I know: when did you die?

    You are a spirit, I know that. When did you die?

  23. Cordelia56

    Still, still, far wide!

    Still, still, far off the mark!

  24. Physician57

    He’s scarce awake: let him alone awhile.

    He is hardly awake. Leave him alone for a while.

  25. Lear58

    Where have I been? Where am I? Fair daylight? I am mightily abus’d. I should e’en die with pity, To see another thus. I know not what to say. I will not swear these are my hands: let’s see; I feel this pin prick. Would I were assur’d Of my condition!

    Where have I been? Where am I? Is this bright daylight? I have been badly deceived. I would die of pity just from seeing someone else in this state. I do not know what to say. I will not swear that these are my own hands. Let me see: I can feel this pin prick me. I wish I could be certain of my condition!

  26. Cordelia64

    O, look upon me, sir, And hold your hands in benediction o’er me. No, sir, you must not kneel.

    Oh, look at me, sir, and hold your hands over me in blessing. No, sir, you must not kneel.

  27. Lear67

    Pray, do not mock me: I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.

    Please, do not make fun of me. I am a very foolish, doting old man, eighty years old and more, not an hour more or less; and to speak plainly, I am afraid I am not in my right mind. I think I ought to know you, and know this man too; and yet I am unsure, because I am completely ignorant of what place this is, and with all the understanding I have I cannot remember these clothes, nor do I know where I slept last night. Do not laugh at me; for, as surely as I am a man, I think this lady is my child Cordelia.

  28. Cordelia79

    And so I am. I am.

    And so I am. I am.

  29. Lear80

    Be your tears wet? Yes, faith. I pray weep not: If you have poison for me, I will drink it. I know you do not love me; for your sisters Have, as I do remember, done me wrong. You have some cause, they have not.

    Are your tears wet? Yes, truly they are. Please do not cry. If you have poison for me, I will drink it. I know you do not love me, because your sisters, as I remember, wronged me. You have some reason to hate me; they had none.

  30. Cordelia85

    No cause, no cause.

    No reason, no reason.

  31. Lear86

    Am I in France?

    Am I in France?

  32. Kent87

    In your own kingdom, sir.

    In your own kingdom, sir.

  33. Lear88

    Do not abuse me.

    Do not deceive me.

  34. Physician89

    Be comforted, good madam, the great rage, You see, is kill’d in him: and yet it is danger To make him even o’er the time he has lost. Desire him to go in; trouble him no more Till further settling.

    Take comfort, good madam. The great madness in him, as you see, has been put to death; and yet it is dangerous to make him go back over the time he has lost. Ask him to go inside; do not trouble him any more until he has settled further.

  35. Cordelia94

    Will’t please your highness walk?

    Will it please your highness to walk with me?

  36. Lear95

    You must bear with me: Pray you now, forget and forgive: I am old and foolish.

    You must be patient with me. Please, now, forget and forgive: I am old and foolish.

  37. Exeunt Lear, Cordelia, Physician and Attendants.

    Lear, Cordelia, the Physician and the attendants leave.

  38. Gentleman97

    Holds it true, sir, that the Duke of Cornwall was so slain?

    Is it true, sir, that the Duke of Cornwall was killed that way?

  39. Kent98

    Most certain, sir.

    Absolutely certain, sir.

  40. Gentleman99

    Who is conductor of his people?

    Who is commanding his troops?

  41. Kent100

    As ’tis said, the bastard son of Gloucester.

    As people say, the illegitimate son of Gloucester.

  42. Gentleman101

    They say Edgar, his banished son, is with the Earl of Kent in Germany.

    They say that Edgar, his banished son, is with the Earl of Kent in Germany.

  43. Kent103

    Report is changeable. ’Tis time to look about; the powers of the kingdom approach apace.

    Rumor keeps changing. It is time to be on the alert; the kingdom's armies are coming on quickly.

  44. Gentleman105

    The arbitrement is like to be bloody. Fare you well, sir.

    The settling of it is likely to be bloody. Goodbye, sir.

  45. Exit.

    He leaves.

  46. Kent107

    My point and period will be throughly wrought, Or well or ill, as this day’s battle’s fought.

    My aim and my end will be completely worked out, well or badly, according to how this day's battle goes.

  47. Exit.

    He leaves.

Original text: Project Gutenberg edition #1532 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.