- IdesnounChapter 1 →
A specific day in the Roman calendar: the 15th of March, May, July, and October, and the 13th of all other months. In this play it marks the fatal date of Caesar's assassination.
“Beware the Ides of March.”
- glassnounChapter 1 →
A mirror. Cassius uses the word to say he will reflect Brutus's own hidden qualities back to him, as a mirror shows a person their face.
“I, your glass, / Will modestly discover to yourself / That of yourself which you yet know not of.”
- modestlyadverbChapter 1 →
Without exaggeration or flattery; plainly and honestly. Here it suggests Cassius will reveal the truth about Brutus without embellishment.
“I, your glass, / Will modestly discover to yourself / That of yourself which you yet know not of.”
- discoververbChapter 1 →
To reveal or uncover something hidden, not to find something new. In this older usage it means to show or expose what was previously unseen.
“I, your glass, / Will modestly discover to yourself / That of yourself which you yet know not of.”
- underlingsnounChapter 1 →
People of low rank or power who are subordinate to someone greater. Cassius uses the word to shame Brutus into feeling that accepting Caesar's dominance makes them lesser men.
“The fault, dear Brutus, is not in our stars, / But in ourselves, that we are underlings.”
- spurnverbChapter 2 →
To kick away or reject with contempt. Brutus says he has no personal reason to push Caesar aside or treat him with scorn.
“I know no personal cause to spurn at him, / But for the general.”
- the generalphraseChapter 2 →
The common good or the public interest as a whole, as opposed to any private or personal motive. Brutus means his only reason to act is for the benefit of all Rome.
“I know no personal cause to spurn at him, / But for the general.”
- motionnounChapter 2 →
The first impulse or inner suggestion to do something; the moment an idea first stirs in the mind before any action is taken.
“Between the acting of a dreadful thing / And the first motion, all the interim is / Like a phantasma, or a hideous dream.”
- interimnounChapter 2 →
The period of time between two events or states. Here it refers to the agonizing gap between deciding to do something terrible and actually doing it.
“Between the acting of a dreadful thing / And the first motion, all the interim is / Like a phantasma, or a hideous dream.”
- phantasmanounChapter 2 →
A terrifying hallucination or phantom vision, something that feels nightmarishly unreal. Brutus compares the mental torment of plotting murder to being trapped in such a vision.
“all the interim is / Like a phantasma, or a hideous dream.”
- valiantadjectiveChapter 2 →
Brave and courageous, especially in the face of danger or death. Caesar uses it to contrast cowards, who suffer fear of death repeatedly, with those who face it without flinching.
“Cowards die many times before their deaths; / The valiant never taste of death but once.”
- constantadjectiveChapter 3 →
Absolutely fixed, unwavering, and unchanging in purpose or position. Caesar uses it to declare that he cannot be moved or persuaded once he has made a decision.
“I am constant as the northern star, / Of whose true-fixed and resting quality / There is no fellow in the firmament.”
- firmamentnounChapter 3 →
The sky or heavens, especially as seen from earth with all its stars. Caesar uses it to say no other star in the entire sky is as steady as the northern star.
“Of whose true-fixed and resting quality / There is no fellow in the firmament.”
- Et tu, BrutéphraseChapter 3 →
Latin for 'And you, Brutus?' — Caesar's dying words expressing shock and betrayal that even his trusted friend Brutus has joined in stabbing him.
“Et tu, Bruté? Then fall, Caesar!”
- countrymennounChapter 3 →
Fellow citizens of the same nation or state. Antony uses it as a term of solidarity to draw the Roman crowd toward him before he speaks.
“Friends, Romans, countrymen, lend me your ears.”
- slightadjectiveChapter 4 →
Of little worth or importance; not deserving of serious consideration. Antony uses it to dismiss Lepidus as a trivial, insignificant man.
“This is a slight unmeritable man, meet to be sent on errands.”
- unmeritableadjectiveChapter 4 →
Lacking merit or worth; not deserving of honor or high position. Antony pairs it with 'slight' to emphasize that Lepidus has no qualities that justify his power.
“This is a slight unmeritable man, meet to be sent on errands.”
- meetadjectiveChapter 4 →
Suitable or fitting for a particular purpose. In this archaic usage, Antony means Lepidus is only good enough to be used as a messenger.
“This is a slight unmeritable man, meet to be sent on errands.”
- fell distractphraseChapter 4 →
Became mad or lost her mind; 'distract' here is an older form meaning mentally deranged or driven out of one's senses by grief.
“She fell distract, and, her attendants absent, swallowed fire.”
- swallowed firephraseChapter 4 →
Killed herself by swallowing burning hot coals. It is the reported manner of Portia's suicide, chosen because she had no access to a weapon.
“She fell distract, and, her attendants absent, swallowed fire.”
- evil spiritphraseChapter 4 →
A supernatural ghost or demon associated with a person's doom. Caesar's ghost uses the term to identify itself as the dark force that will bring about Brutus's destruction.
“I am thy evil spirit, Brutus... thou shalt see me at Philippi.”
- revengedverbChapter 5 →
Having received payback or retribution for a wrong suffered. The dying Cassius means that Caesar's death has now been repaid by Cassius being killed with the same sword.
“Caesar, thou art revenged, / Even with the sword that killed thee.”
- abroadadverbChapter 5 →
Out and moving freely through the world, not confined to one place. Here it means Caesar's spirit is roaming the battlefield and influencing events from beyond death.
“Thy spirit walks abroad and turns our swords / In our own proper entrails.”
- properadjectiveChapter 5 →
One's very own; belonging specifically to oneself. In this archaic sense it intensifies 'our own,' meaning the soldiers are destroying their own bodies with their own hands.
“Thy spirit walks abroad and turns our swords / In our own proper entrails.”
- entrailsnounChapter 5 →
The internal organs of the body, especially the intestines. Used here to create a visceral image of soldiers being turned by Caesar's spirit to kill themselves.
“turns our swords / In our own proper entrails.”
Julius CaesarPlay by William Shakespeare