- solid fleshphraseChapter 1 →
The physical human body, seen here as heavy, earthly matter that traps the soul — Hamlet wishes it could simply dissolve away rather than continue existing in a corrupt world.
“O, that this too too solid flesh would melt, / Thaw, and resolve itself into a dew”
- resolveverbChapter 1 →
To dissolve or break down completely into something else — here, the body melting away into liquid, vanishing entirely rather than remaining solid.
“O, that this too too solid flesh would melt, / Thaw, and resolve itself into a dew”
- EverlastingnounChapter 1 →
A name for God, emphasizing His eternal existence — used here to refer to the divine authority whose law forbids suicide.
“Or that the Everlasting had not fixed / His canon 'gainst self-slaughter.”
- canonnounChapter 1 →
A law or commandment, especially one issued by God or the Church — here, the divine prohibition against taking one's own life.
“Or that the Everlasting had not fixed / His canon 'gainst self-slaughter.”
- self-slaughternounChapter 1 →
The act of killing oneself; suicide — an archaic compound word used to name the act that God's law forbids.
“His canon 'gainst self-slaughter.”
- serpentnounChapter 1 →
A snake — used here as a metaphor for a treacherous murderer, echoing the biblical image of the serpent as a symbol of deceit and evil.
“The serpent that did sting thy father's life / Now wears his crown.”
- stingverbChapter 1 →
To kill by injecting venom — here used figuratively for the act of poisoning King Hamlet, as though the murderer were a venomous snake.
“The serpent that did sting thy father's life / Now wears his crown.”
- bait of falsehoodphraseChapter 2 →
A deliberate lie used as a lure to draw out the truth — Polonius means that spreading a small false rumour will trick someone into revealing what is actually happening.
“Your bait of falsehood takes this carp of truth.”
- carpnounChapter 2 →
A large freshwater fish — used here as a metaphor for a valuable truth that is caught by dangling a false rumour as bait.
“Your bait of falsehood takes this carp of truth.”
- facultynounChapter 2 →
A natural power or ability of the mind or body — here used in the plural to praise the seemingly limitless mental and physical capacities of human beings.
“What a piece of work is a man! How noble in reason, how infinite in faculty!”
- quintessencenounChapter 2 →
The purest, most concentrated essence of something — used ironically here: mankind, for all its glory, is ultimately just the finest possible example of mere dust and mortality.
“And yet, to me, what is this quintessence of dust?”
- slings and arrowsphraseChapter 3 →
Painful attacks or misfortunes that life hurls at a person — drawn from weapons of war, the phrase describes the suffering and bad luck that fortune inflicts on us.
“Whether 'tis nobler in the mind to suffer / The slings and arrows of outrageous fortune”
- outrageous fortunephraseChapter 3 →
Cruel, violent bad luck — 'outrageous' here means shockingly harsh and unjust, not merely surprising, describing the brutal way fate treats human beings.
“The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles”
- doth protest too muchphraseChapter 3 →
Declares or vows something so insistently and excessively that the very over-emphasis makes the declaration unbelievable — to 'protest' here means to swear or assert, not to object.
“The lady doth protest too much, methinks.”
- patadverbChapter 3 →
At exactly the right moment; perfectly timed — Hamlet means this instant is ideally suited for killing Claudius, since he has caught him alone.
“Now might I do it pat, now he is praying”
- scannedverbChapter 3 →
Carefully examined or thought through — Hamlet means the idea of killing Claudius at prayer needs to be looked at more closely before he acts on it.
“And so am I revenged. That would be scanned.”
- aslantadverbChapter 4 →
At a slant or diagonal angle, leaning over — here describing a willow tree whose branches hang out sideways over the surface of a brook.
“There is a willow grows aslant a brook, / That shows his hoar leaves in the glassy stream”
- hoaradjectiveChapter 4 →
White or grey in colour, like frost — here describing the pale silvery undersides of willow leaves that are reflected in the water below.
“That shows his hoar leaves in the glassy stream”
- fantastic garlandsphraseChapter 4 →
Wildly imaginative wreaths of flowers and weeds woven together — 'fantastic' means strange and fanciful rather than wonderful, suggesting Ophelia's disordered, mad state of mind.
“There with fantastic garlands did she come.”
- single spiesphraseChapter 4 →
Individual scouts sent ahead one at a time — used as a metaphor for troubles that arrive alone at first, before overwhelming numbers follow.
“When sorrows come, they come not single spies, / But in battalions.”
- battalionsnounChapter 4 →
Large bodies of soldiers advancing together — used here as a metaphor for the way misfortunes pile up and attack all at once rather than one by one.
“When sorrows come, they come not single spies, / But in battalions.”
- jestnounChapter 5 →
A joke or playful wit — here used to describe Yorick's talent for humour and entertaining others, which made him beloved at court.
“a fellow of infinite jest, of most excellent fancy.”
- fancynounChapter 5 →
Creative imagination or inventive playfulness — here praising Yorick's gift for imaginative, lively entertainment that delighted everyone around him.
“a fellow of infinite jest, of most excellent fancy.”
- special providencephraseChapter 5 →
The belief that God personally oversees and controls every event, no matter how small — Hamlet uses it to argue that even a sparrow's death is part of a divine plan, so he should not fear his own.
“There's a special providence in the fall of a sparrow.”
- readiness is allphraseChapter 5 →
Being mentally and spiritually prepared for death at any moment is the only thing that truly matters — Hamlet's conclusion that one cannot control when death comes, only one's own state of mind when it does.
“if it be not now, yet it will come — the readiness is all.”
HamletPlay by William Shakespeare