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As You Like ItModern English

As You Like It, Act 3, Scene 3

Another part of the Forest

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  1. Enter Touchstone and Audrey; Jaques at a distance observing them.

    Touchstone and Audrey come in; Jaques stands some way off, watching them.

  2. Touchstone1

    Come apace, good Audrey. I will fetch up your goats, Audrey. And how, Audrey? Am I the man yet? Doth my simple feature content you?

    Come quickly, good Audrey. I'll go get your goats, Audrey. Well then, Audrey? Am I your man yet? Does my plain face please you?

  3. Audrey3

    Your features, Lord warrant us! What features?

    Your face! Lord protect us! What face?

  4. Touchstone4

    I am here with thee and thy goats, as the most capricious poet, honest Ovid, was among the Goths.

    I am here with you and your goats, just as that most whimsical poet, honest Ovid, was among the Goths.

  5. Jaques6

    [Aside.] O knowledge ill-inhabited, worse than Jove in a thatched house!

    [Aside.] Oh, learning badly housed — worse off than Jove in a thatched cottage!

  6. Touchstone8

    When a man’s verses cannot be understood, nor a man’s good wit seconded with the forward child, understanding, it strikes a man more dead than a great reckoning in a little room. Truly, I would the gods had made thee poetical.

    When a man's verses can't be understood, and a man's clever wit isn't backed up by that eager child, understanding, it kills a man more surely than a huge bill in a small room. Truly, I wish the gods had made you poetical.

  7. Audrey12

    I do not know what “poetical” is. Is it honest in deed and word? Is it a true thing?

    I don't know what "poetical" means. Is it honest in action and in speech? Is it a true thing?

  8. Touchstone14

    No, truly; for the truest poetry is the most feigning, and lovers are given to poetry, and what they swear in poetry may be said, as lovers, they do feign.

    No, truly; because the truest poetry is the most pretending, and lovers are given to poetry, and what they swear in poetry you might say, as lovers, they only pretend.

  9. Audrey17

    Do you wish, then, that the gods had made me poetical?

    So do you wish the gods had made me poetical?

  10. Touchstone18

    I do, truly, for thou swear’st to me thou art honest. Now if thou wert a poet, I might have some hope thou didst feign.

    I do, truly, because you swear to me that you're chaste. Now if you were a poet, I might have some hope that you were pretending.

  11. Audrey20

    Would you not have me honest?

    Wouldn't you want me to be chaste?

  12. Touchstone21

    No, truly, unless thou wert hard-favoured; for honesty coupled to beauty is to have honey a sauce to sugar.

    No, truly, unless you were ugly; because chastity joined to beauty is like using honey as a sauce for sugar.

  13. Jaques23

    [Aside.] A material fool!

    [Aside.] A fool with substance to him!

  14. Audrey24

    Well, I am not fair, and therefore I pray the gods make me honest.

    Well, I'm not beautiful, and so I pray the gods to make me chaste.

  15. Touchstone25

    Truly, and to cast away honesty upon a foul slut were to put good meat into an unclean dish.

    Truly, and to waste chastity on an ugly slut would be like putting good meat into a dirty dish.

  16. Audrey27

    I am not a slut, though I thank the gods I am foul.

    I'm not a slut, though I thank the gods I'm ugly.

  17. Touchstone28

    Well, praised be the gods for thy foulness; sluttishness may come hereafter. But be it as it may be, I will marry thee. And to that end I have been with Sir Oliver Martext, the vicar of the next village, who hath promised to meet me in this place of the forest and to couple us.

    Well, praise the gods for your ugliness; sluttishness may come later. But whatever happens, I'll marry you. And to that end I've been to see Sir Oliver Martext, the vicar of the next village, who has promised to meet me at this spot in the forest and join us together.

  18. Jaques32

    [Aside.] I would fain see this meeting.

    [Aside.] I'd very much like to see this meeting.

  19. Audrey33

    Well, the gods give us joy!

    Well, may the gods give us joy!

  20. Touchstone34

    Amen. A man may, if he were of a fearful heart, stagger in this attempt, for here we have no temple but the wood, no assembly but horn-beasts. But what though? Courage! As horns are odious, they are necessary. It is said, “Many a man knows no end of his goods.” Right. Many a man has good horns and knows no end of them. Well, that is the dowry of his wife; ’tis none of his own getting. Horns? Even so. Poor men alone? No, no, the noblest deer hath them as huge as the rascal. Is the single man therefore blessed? No. As a walled town is more worthier than a village, so is the forehead of a married man more honourable than the bare brow of a bachelor. And by how much defence is better than no skill, by so much is horn more precious than to want.

    Amen. A man with a fearful heart might hesitate at this undertaking, because here we have no temple but the woods, and no congregation but horned animals. But so what? Courage! Though horns are hateful, they are necessary. People say, "Many a man doesn't know the extent of his goods." True. Many a man has fine horns and doesn't know the extent of them. Well, that's his wife's dowry; he didn't earn it himself. Horns? Just so. Only for poor men? No, no, the noblest deer has them as big as the scrawny one's. Is the unmarried man blessed, then? No. Just as a walled town is worth more than a village, so the forehead of a married man is more honourable than the bare brow of a bachelor. And by as much as some defence is better than no skill at all, by that much is having horns more valuable than lacking them.

  21. Enter Sir Oliver Martext.

    Sir Oliver Martext comes in.

  22. Touchstone45

    Here comes Sir Oliver. Sir Oliver Martext, you are well met. Will you dispatch us here under this tree, or shall we go with you to your chapel?

    Here comes Sir Oliver. Sir Oliver Martext, well met. Will you deal with us here under this tree, or shall we come with you to your chapel?

  23. Martext48

    Is there none here to give the woman?

    Is there nobody here to give the woman away?

  24. Touchstone49

    I will not take her on gift of any man.

    I won't take her as any man's gift.

  25. Martext50

    Truly, she must be given, or the marriage is not lawful.

    Truly, she must be given away, or the marriage isn't legal.

  26. Jaques51

    [Coming forward.] Proceed, proceed. I’ll give her.

    [Coming forward.] Go on, go on. I'll give her away.

  27. Touchstone52

    Good even, good Master What-ye-call’t, how do you, sir? You are very well met. God ’ild you for your last company. I am very glad to see you. Even a toy in hand here, sir. Nay, pray be covered.

    Good evening, good Master What's-your-name, how are you, sir? Well met indeed. God reward you for your company the other day. I'm very glad to see you. Just a trifle of business in hand here, sir. No, please, put your hat back on.

  28. Jaques55

    Will you be married, motley?

    Are you getting married, fool in your patchwork coat?

  29. Touchstone56

    As the ox hath his bow, sir, the horse his curb, and the falcon her bells, so man hath his desires; and as pigeons bill, so wedlock would be nibbling.

    Just as the ox has his yoke, sir, the horse his curb, and the falcon her bells, so man has his desires; and as pigeons kiss with their beaks, so marriage would like a bit of nibbling.

  30. Jaques59

    And will you, being a man of your breeding, be married under a bush like a beggar? Get you to church, and have a good priest that can tell you what marriage is. This fellow will but join you together as they join wainscot; then one of you will prove a shrunk panel, and like green timber, warp, warp.

    And will you, a man of your upbringing, get married under a bush like a beggar? Go to a church, and get a proper priest who can tell you what marriage is. This fellow will only join you together the way they join wall panelling; then one of you will turn out to be a shrunken panel and, like unseasoned wood, warp, warp.

  31. Touchstone64

    [Aside.] I am not in the mind but I were better to be married of him than of another, for he is not like to marry me well, and not being well married, it will be a good excuse for me hereafter to leave my wife.

    [Aside.] I rather think I'd be better off being married by him than by anyone else, because he isn't likely to marry me properly, and not being properly married will be a good excuse for me later on to leave my wife.

  32. Jaques68

    Go thou with me, and let me counsel thee.

    Come with me, and let me advise you.

  33. Touchstone69

    Come, sweet Audrey. We must be married, or we must live in bawdry. Farewell, good Master Oliver. Not O sweet Oliver, O brave Oliver, Leave me not behind thee. But Wind away,— Begone, I say, I will not to wedding with thee.

    Come, sweet Audrey. We must be married, or we must live in whoredom. Goodbye, good Master Oliver. Not: O sweet Oliver, O brave Oliver, don't leave me behind you. But: Off you go — get out, I say — I won't go to a wedding with you.

  34. Exeunt Touchstone, Audrey and Jaques.

    Touchstone, Audrey and Jaques leave.

  35. Martext78

    ’Tis no matter. Ne’er a fantastical knave of them all shall flout me out of my calling.

    It doesn't matter. Not one of those whimsical rogues will mock me out of my profession.

  36. Exit.

    He leaves.

Original text: Project Gutenberg edition #1523 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.