Antony and CleopatraModern English
Antony and Cleopatra, Act 3, Scene 3
Original
Modern English
Enter Cleopatra, Charmian, Iras and Alexas.
Cleopatra, Charmian, Iras and Alexas come in.
Cleopatra1
Where is the fellow?
Where is the man?
Alexas2
Half afeared to come.
Half afraid to come in.
Cleopatra3
Go to, go to.
Nonsense, nonsense.
Enter a Messenger as before.
The same Messenger as before comes in.
Cleopatra4
Come hither, sir.
Come here, sir.
Alexas5
Good majesty, Herod of Jewry dare not look upon you But when you are well pleased.
Good majesty, Herod of Jewry dares not look at you except when you are well pleased.
Cleopatra8
That Herod’s head I’ll have! But how, when Antony is gone, Through whom I might command it?—Come thou near.
I'll have that Herod's head! But how, now that Antony is gone, through whom I could order it?—Come closer.
Messenger11
Most gracious majesty!
Most gracious majesty!
Cleopatra12
Didst thou behold Octavia?
Did you see Octavia?
Messenger13
Ay, dread queen.
Yes, dreaded queen.
Cleopatra14
Where?
Where?
Messenger15
Madam, in Rome I looked her in the face, and saw her led Between her brother and Mark Antony.
Madam, in Rome. I looked her straight in the face, and saw her walking between her brother and Mark Antony.
Cleopatra18
Is she as tall as me?
Is she as tall as I am?
Messenger19
She is not, madam.
She is not, madam.
Cleopatra20
Didst hear her speak? Is she shrill-tongued or low?
Did you hear her speak? Is her voice shrill or low?
Messenger21
Madam, I heard her speak. She is low-voiced.
Madam, I heard her speak. Her voice is low.
Cleopatra22
That’s not so good. He cannot like her long.
That's not so good. He can't go on liking her for long.
Charmian23
Like her? O Isis! ’Tis impossible.
Like her? Oh, Isis! It's impossible.
Cleopatra24
I think so, Charmian: dull of tongue and dwarfish! What majesty is in her gait? Remember, If e’er thou look’dst on majesty.
I think so too, Charmian: slow of speech and stunted! What majesty is there in the way she walks? Think back, if you have ever looked at majesty.
Messenger27
She creeps. Her motion and her station are as one. She shows a body rather than a life, A statue than a breather.
She creeps along. Moving and standing still look the same in her. She presents a body rather than a life, a statue rather than something that breathes.
Cleopatra31
Is this certain?
Is this certain?
Messenger32
Or I have no observance.
Either that, or I have no powers of observation.
Charmian33
Three in Egypt Cannot make better note.
Three men in Egypt couldn't make a better report.
Cleopatra35
He’s very knowing; I do perceive’t. There’s nothing in her yet. The fellow has good judgment.
He knows a great deal; I can see that. There's nothing to her at all. The man has good judgement.
Charmian38
Excellent.
Excellent.
Cleopatra39
Guess at her years, I prithee.
Guess how old she is, please.
Messenger40
Madam, She was a widow.
Madam, she had been a widow.
Cleopatra42
Widow! Charmian, hark!
A widow! Charmian, listen to that!
Messenger43
And I do think she’s thirty.
And I think she's thirty.
Cleopatra44
Bear’st thou her face in mind? Is’t long or round?
Do you remember her face? Is it long or round?
Messenger45
Round even to faultiness.
Round to a fault.
Cleopatra46
For the most part, too, they are foolish that are so. Her hair, what colour?
And for the most part, people with faces like that are foolish. Her hair—what colour?
Messenger48
Brown, madam, and her forehead As low as she would wish it.
Brown, madam, and her forehead as low as anyone could wish.
Cleopatra50
There’s gold for thee. Thou must not take my former sharpness ill. I will employ thee back again; I find thee Most fit for business. Go make thee ready; Our letters are prepared.
Here's gold for you. You mustn't take my earlier harshness badly. I'll send you back on this errand again; I find you very well suited to the work. Go and get yourself ready; our letters are prepared.
Exit Messenger.
The Messenger leaves.
Charmian55
A proper man.
A fine man.
Cleopatra56
Indeed, he is so. I repent me much That so I harried him. Why, methinks, by him, This creature’s no such thing.
Indeed he is. I'm very sorry that I bullied him so. Why, from what he says, this creature is nothing much.
Charmian59
Nothing, madam.
Nothing at all, madam.
Cleopatra60
The man hath seen some majesty, and should know.
The man has seen majesty in his time, and ought to know.
Charmian61
Hath he seen majesty? Isis else defend, And serving you so long!
Has he seen majesty? Isis forbid otherwise, after serving you so long!
Cleopatra63
I have one thing more to ask him yet, good Charmian. But ’tis no matter; thou shalt bring him to me Where I will write. All may be well enough.
I have one more thing to ask him, good Charmian. But it doesn't matter; you'll bring him to me where I'll be writing. Everything may turn out well enough.
Charmian66
I warrant you, madam.
I promise you I will, madam.
Exeunt.
They all leave.
Ask about this work
The reader has this scene in front of it — the original text and the modern English beside it, line by line — along with the act’s summary. Ask what a speech means, what a character is deciding, or where the language turns.
It cites the chapter or the line it is working from, and it says so plainly when the guide doesn’t cover something. It’s instructed never to write an essay, a paragraph or an answer for you to hand in, and never to grade anything — it will show you how to approach the question instead.
Sign in to ask the reader about this work — 1 credit covers three messages.
Create an accountSign inOriginal text: Project Gutenberg edition #1534 (public domain, edited by the PG Shakespeare Team). Modern English rendering by Storgy.