Saved rating ยท 2026-10-18
๐ฏ๐ ๐ช๐๐๐๐ ๐ด๐ ๐บ๐๐๐๐๐๐๐๐by VidaVivido
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โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ - ๐ซ๐๐๐๐๐๐ ๐น๐๐๐๐ ๐บ๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐๐, ๐จ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐โ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ . ๐พ๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐: ๐น๐๐ ๐๐๐ ๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐ . ๐จ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐ ๐๐ ๐๐๐๐ ๐, ๐ฏ๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐. ๐๐๐, ๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐ฐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ , ๐พ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐. ๐จ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐; ๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐ , ๐จ๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐ . ๐ฏ๐ ๐๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐๐๐๐, ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐ , ๐พ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐. ๐ฏ๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐; ๐ด๐ ๐๐๐๐ '๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐. ๐ฉ๐๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐, ๐๐๐๐ ๐๐ ๐๐๐ ๐ฐ ๐๐๐๐- ๐ฉ๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก "๐บ๐๐๐๐๐๐๐๐ ๐ฐ โ ๐ซ๐๐๐๐๐๐ ๐น๐๐๐๐" ๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐, ๐๐๐๐๐๐, ๐๐๐ ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐. โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฐ - ๐ท๐๐๐๐ ๐ท๐๐๐๐๐๐ ๐ฏ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐, "๐บ๐๐๐๐๐๐๐๐, ๐๐๐'๐๐ ๐๐๐๐," ๐ฏ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐, ๐พ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐. ๐ฐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐, ๐ต๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐, ๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐, ๐ฏ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐, "๐บ๐๐๐๐๐๐๐๐, ๐๐๐'๐๐ ๐๐๐๐." ๐ณ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐, ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐, ๐ฐ ๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐, ๐๐๐ ๐๐๐, ๐พ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐. ๐ฏ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐ ๐๐ ๐๐๐๐๐, ๐พ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐, ๐ฏ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐, "๐บ๐๐๐๐๐๐๐๐, ๐๐๐'๐๐ ๐๐๐๐." ๐ป๐๐๐ ๐๐๐๐'๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐'๐ ๐๐๐๐๐๐๐, ๐ฏ๐ ๐๐๐ ๐ฐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐, ๐พ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐. ๐ฏ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐, ๐ป๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ ๐๐ ๐๐๐, ๐ฏ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐, "๐บ๐๐๐๐๐๐๐๐, ๐๐๐'๐๐ ๐๐๐๐," ๐พ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก "๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฐ โ ๐ท๐๐๐๐ ๐ท๐๐๐๐๐๐" ๐๐ ๐ ๐ฝ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐. โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฐ๐ฐ - ๐ซ๐๐๐๐ ๐ท๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐ ๐๐๐๐ ๐ช๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐ ๐บ๐๐๐๐๐ ๐๐ ๐๐๐๐ , ๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐ฐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐. ๐บ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐ฐ ๐๐๐๐. ๐ถ๐ ๐๐๐๐๐๐๐ ๐๐๐๐'๐๐ ๐๐๐๐, ๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐. ๐พ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐ป๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ "๐บ๐๐๐๐๐๐๐๐", ๐๐๐๐๐ ๐ฐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐ด๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฐ๐ฐ - ๐ซ๐๐๐๐ ๐จ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐, ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐จ๐ฉ๐จ๐ช / ๐จ๐ฉ๐จ๐ฉ๐จ๐ช. ๐พ๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐, ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐๐๐๐๐. โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฝ - ๐บ๐๐๐๐ ๐ป๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐, ๐ฐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐. ๐ป๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐. ๐ต๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐. โ๐ฐ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐, ๐จ๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐, ๐ฐ'๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐, ๐จ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐. โ๐ป๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐จ๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐, ๐ฐ'๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐, ๐จ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐. โ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐โ๐๐๐ ๐ ๐๐๐, ๐๐๐ ๐ฐ ๐๐๐ ๐๐๐๐๐; ๐ถ๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก โก๐บ๐๐๐๐๐๐๐๐ ๐ฐ๐ฝ - ๐บ๐๐๐๐ ๐๐ ๐ ๐บ๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐โ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐, ๐๐๐๐, ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐. ๐ป๐๐ ๐๐๐ ๐๐๐๐๐, ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐. โก๐บ๐๐๐๐๐๐๐๐ ๐ฝ - ๐ป๐๐๐ ๐ท๐๐๐ ๐ต๐๐๐๐ โ๐ป๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐, ๐ต๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐, ๐ต๐๐ ๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐; ๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐. โ๐พ๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐, ๐ฉ๐๐๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐'๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐; ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ , ๐ป๐๐๐ ๐๐๐๐ ๐๐๐๐๐. โ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐, ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐. ๐ฐ ๐๐๐ ๐๐ ๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ : ๐ป๐ ๐๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐, ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐, ๐จ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐, ๐ป๐๐๐ ๐๐๐๐ ๐๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก ๐บ๐๐๐๐๐๐๐๐ ๐ฝ - ๐ป๐๐๐ ๐ท๐๐๐ ๐ต๐๐๐๐ ๐๐ ๐ ๐น๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐. โก๐บ๐๐๐๐๐๐๐๐ ๐ฝ๐ฐ - ๐บ๐๐๐๐๐๐๐๐ ๐ญ๐๐๐๐ ๐ป๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐, ๐ด๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐. ๐ฐ ๐๐๐๐ ๐ฐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐ , ๐จ๐๐ ๐๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐. ๐พ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐; ๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐, ๐ฐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐. ๐พ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ , ๐ป๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐? ๐ฉ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐ซ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐ , ๐พ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐. ๐ป๐๐ ๐๐๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐๐, ๐ป๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ , ๐จ๐ ๐ฐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐. โก๐๐ฎ๐ญ๐ก๐จ๐ซ'๐ฌ ๐๐จ๐ญ๐โก ๐บ๐๐๐๐๐๐๐๐ ๐ฝ๐ฐ - ๐บ๐๐๐๐๐๐๐๐ ๐ญ๐๐๐๐ ๐๐ ๐ ๐ท๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐๐โ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐ , ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐, ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐.
Overall score
6.5/10
"A genuinely felt six-poem suite with real emotional range and one or two strong images, held back by form-level gaps, clichรฉ patches, and a tendency to name feelings rather than render them."
ยง01 ยท Fix first
- 1.The Petrarchan sonnet (VI) is the strongest piece here โ its sestet earns its resolution. But the Shakespearean sonnet (IV) is missing two full quatrains: it has only 10 lines instead of 14, and the couplet lands before the argument is built. Expand the middle quatrains so the volta has weight to push against.
- 2.In the Villanelle (II), the third refrain line 'With pinky fingers locked, our journeys intertwine' is supposed to rotate with 'He whispered in my ear, "September, you're mine"' โ but both refrains repeat verbatim every time with no tonal shift or deepening. Let at least one repetition carry a changed punctuation or context so the form earns its obsessive quality.
ยง02 ยท Sub-scores
- Imagery6.5 / 10
- Rhythm6 / 10
- Originality6 / 10
- Emotion7 / 10
- Craft6.5 / 10
ยง03 ยท Basics first
- Forced filler phrase โ 'some shades of' is padding to complete the meter and weakens the colour image.
- 'His special letter made his unique love arise' is awkward prose syntax crammed into verse; 'arise' is forced to rhyme and the sentence doesn't land naturally.
- 'To walk this road with him as my per' โ 'per' appears to be a truncated word (perhaps 'peer' or a dialect term), but it reads as an error or an incomplete thought rather than a deliberate choice.
- 'rain or shine' is one of the most worn clichรฉs in English; in a poem otherwise reaching for fresh imagery it sticks out sharply.
- 'No worries break my quiet skies of blue' โ 'skies of blue' is a stock phrase, and the line is crammed: the full stop after 'above' in the previous line makes this feel tacked on rather than part of the stanza.
ยง04All notes โ 3 working ยท 4 more suggestions
What's working
- The closing image of Section I earns its place: the tree/roots/leaves metaphor is set up early and paid off cleanly, giving the whole piece a satisfying structural spine.
- Section VI's sestet is the most controlled writing in the collection โ the morning-light image is specific and tender without over-explaining, and 'settled softly on your sleeping head' is the best single line here.
- The crow opening of Section III lands with genuine menace; 'Past pain poking my window as a crow / Casting its black and dark glint' is the most surprising image in the suite.
Further suggestions
- Several sections name the emotion instead of showing it: 'heartfelt care,' 'unique love,' 'overwhelmingly blessed.' Trust the concrete details you already have โ the pinky fingers, the nervous press of hands, the sleeping head in morning light โ and cut the abstract labels. The poem is stronger every time it shows.
- The Rondeau (V) repeats 'bright/night/light/ignite/white/delight/slight/sight' across 15 lines โ that's eight -ight rhymes in one short poem. The ear goes numb. Vary the rhyme scheme or trim the poem to tighten the sonic effect.
- Section III's invented ABAC/ABABAC form is an interesting ambition, but the C-rhymes ('soul/control' and 'tall/call') feel rushed and the lines are uneven in stress. If you're building a new form, give it a consistent syllable count so the architecture is felt, not just described in the author's note.
- The suite as a whole moves through six moods (roots, promise, dread, devotion, memory, conflict) but the connective tissue between sections is thin โ the reader jumps abruptly. Even a single transitional image carried from one poem into the next would make the suite feel like a unified arc rather than six separate pieces.
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