Year 10–12 / Grades 9–12
The Call of the Wild — a five-lesson scheme of work
This sequence follows Buck's abduction in Chapter 1 all the way to his final transformation in Chapter 7. It helps students enhance their skills in tracking character development, analyzing Jack London's language and narrative perspective, and constructing a well-supported argument about identity and freedom. Each lesson begins with a close reading of selected passages, gradually expanding to a discussion of the entire novel. By the end, students will be able to write a comprehensive analytical essay that explores how London uses Buck's journey to examine the concepts of civilization, freedom, and self-identity.
Objectives
- Analyse how Jack London uses Buck's abduction in Chapter 1 and his fight with Spitz in Chapter 3 to establish the novel's central conflict between civilisation and the primitive.
- Trace how London's narrative perspective shifts from detached observation to intimate interiority across Chapters 1–4 to construct Buck's evolving identity.
- Write an evidenced analytical paragraph that embeds and interprets at least two quotations from named chapters to support a clear argument about power or survival.
- Evaluate how London uses the relationship between Buck and John Thornton in Chapter 6 to complicate the novel's treatment of loyalty and freedom.
- Construct a sustained essay argument — with an introduction, developed body paragraphs, and a conclusion — that traces how London presents the theme of identity across at least four chapters.
The sequence
Lesson 1: From Pet to Primitive: Buck's World Overturned in Chapters 1–2
55 min · ch. 1, 2- Do now
Without opening the novel, jot down three adjectives that come to mind when you think of a domesticated dog. Next, note three adjectives that you associate with a wolf. Save your list—you'll refer to it later in the lesson to see if London's perspective has shifted your views.
- Teacher input
Model a close reading of the passage in Chapter 1 where Buck is kidnapped by Manuel and crated for transport — focusing on the sentence 'He was beaten (he knew that); but he was not broken.' Highlight how London's use of the parenthetical 'he knew that' indicates that the narrative is tapping into Buck's inner thoughts. Discuss the contrast between 'beaten' and 'broken,' which sets up the novel's main conflict between physical submission and psychological resilience. On the board, annotate elements like word choice and syntax, noting what these choices reveal about Buck's character before the harsh realities of the Klondike shape him.
- Independent task
Re-read the passage in Chapter 2 where Curly meets his end at the paws of the husky pack — from 'Curly's body was dragged away' to 'So that was the way. No fair play.' Write one analytical paragraph of 150–200 words explaining how London illustrates Curly's death to convey the 'law of club and fang' to Buck (and the reader). Your paragraph should incorporate and analyze at least two quotations from this section, concluding with a sentence that ties this moment to the novel's overarching theme of survival. Submit your paragraph on a half-sheet.
- Exit ticket
In one sentence, explain what the phrase 'No fair play' — Buck's internal verdict on Curly's death in Chapter 2 — tells us about the gap between the world Buck came from and the world he has entered.
Lesson 2: The Dominant Primordial Beast: Power and Identity in Chapters 3–4
55 min · ch. 3, 4- Do now
Read the following sentence from Chapter 3 aloud to yourself: 'The dominant primordial beast was strong in Buck, and under the fierce conditions of trail life it grew and grew.' What two questions does this sentence make you think about? Focus on what London might be saying about identity and nature, rather than vocabulary.
- Teacher input
Model a close reading of the fight between Buck and Spitz in Chapter 3, concentrating on the moment Buck feints at Spitz's throat and instead breaks his foreleg — "Buck did not attempt to knock him down. He knew better." Highlight how London's use of the verb "knew" (echoing Chapter 1's "he knew that") indicates a complete transformation: Buck's understanding has become instinctual rather than acquired. Annotate how London employs short, declarative sentences during the fight to reflect Buck's newfound clarity of thought and action.
- Independent task
Read the opening two paragraphs of Chapter 4, where Buck takes charge of the team following Spitz's death, and François and Perrault's responses are detailed. Write a 150–200 word analytical paragraph discussing whether Buck's rise to dominance signifies a gain or a loss of identity. You must include the word 'however' or 'yet' to present a counter-reading, and you should directly quote from both Chapter 3 and Chapter 4 to back up your argument. Please attach your paragraph to the do-now slip from the beginning of the lesson.
- Exit ticket
Write one sentence explaining why London gives Buck the ability to 'know better' than Spitz in Chapter 3, and what this suggests about London's view of instinct versus learned behaviour.
Lesson 3: The Cruelty of Ignorance: Hal, Charles, and Mercedes in Chapter 5
55 min · ch. 5- Do now
Without referencing the novel, rank these three characters — Hal, Charles, Mercedes — from most dangerous to least dangerous to Buck, and provide one sentence explaining why you consider your top choice the most dangerous. You will reassess this ranking at the end of the lesson.
- Teacher input
Model a close reading of the passage in Chapter 5 where Hal beats the exhausted dogs to make them rise — specifically London's narratorial interjection: 'It is a mercy that Buck did not know, for he could not have endured it.' Show students how London employs free indirect discourse to immerse the reader in Buck's ignorance while also positioning the narrator as an all-knowing, almost mournful figure. Annotate the irony of the word 'mercy' — London isn't referring to kindness but rather the small relief that comes from not being aware of the harsh reality. Discuss how this technique evokes a sense of pathos.
- Independent task
Re-read the section in Chapter 5 from Hal's arrival at the camp to the moment John Thornton cuts Buck free from the traces. Write a 150–200 word analytical paragraph explaining how London uses the contrast between Hal's ignorance and Thornton's experience to develop the theme of power. Your paragraph must include the word 'contrast' or 'juxtapose' used accurately, must quote from at least one of Hal's actions or speeches and one of Thornton's, and must end with a sentence that looks forward — predicting what Buck's rescue will mean for his identity in the chapters ahead.
In this section, Jack London effectively juxtaposes Hal's ignorance with Thornton's experience to illustrate the theme of power. Hal's reckless behavior, exemplified when he shouts, "Get up there, you lazy brutes!" reveals his lack of understanding of the dogs' needs and capabilities. In stark contrast, Thornton demonstrates a deep respect for Buck, saying, "You can’t take him. He’s not a dog to be used like that." This contrast highlights the varying forms of power—where Hal's authority stems from force and arrogance, Thornton's emerges from knowledge and empathy. Thornton's intervention not only saves Buck but also represents a turning point in Buck's journey toward self-awareness and identity. As Buck is freed from the traces, it signals a shift in his life, suggesting that his rescue will lead him to embrace his true nature in the chapters that follow.
- Exit ticket
In two sentences, explain how London's choice to have Hal, Charles, and Mercedes fall through the ice — while Buck watches from the bank — functions as more than a plot event: what does it argue about the relationship between knowledge, nature, and survival?
Lesson 4: Love and the Wild: Buck and Thornton in Chapter 6
55 min · ch. 6- Do now
Read this quotation from Chapter 6 silently: 'Love, genuine passionate love, was his for the first time.' Write two sentences: one explaining what surprises you about London's word choice here, and one suggesting why London might choose to introduce the word 'love' at this point in Buck's journey rather than earlier.
I'm struck by how London emphasizes "genuine passionate love" as if it's a profound revelation for Buck. Introducing the concept of 'love' at this stage in Buck's journey highlights a pivotal emotional development, marking a significant shift in his character as he fully embraces his connection to others.
- Teacher input
Model a close reading of the passage in Chapter 6 where Buck wins the wager by pulling the thousand-pound sled — from 'Thornton knelt down by Buck's side' to 'the crowd was stricken to silence.' Illustrate how London uses the crowd's silence as a structural device: the lack of noise reflects the earlier moment in Chapter 3 when the husky pack goes quiet after Spitz's death, indicating that Buck's dominance over both humans and dogs is now equal. Highlight how London's sentence length decreases as the tension escalates, and note how Thornton's physical closeness ('his head against Buck's head') blurs the distinction between human and animal.
- Independent task
In Chapter 6, loyalty and freedom emerge as conflicting forces in Buck's life, highlighting an intriguing tension. Buck's unwavering devotion to Thornton is evident when he refuses to leave his side despite the peril surrounding them. His loyalty is a testament to the bond they share, but it simultaneously anchors him, pulling him away from the wild instincts that beckon him. This is starkly juxtaposed with his response to the wolf-call from the forest, which stirs something primal within him, whispering promises of freedom and belonging to a world beyond human constraints. This paradox illustrates Buck's internal struggle between the comfort of loyalty to Thornton and the undeniable pull of his wild heritage. Ultimately, London portrays Thornton as a hindrance to Buck's full identity, as his devotion keeps Buck tethered to a life that inhibits his true nature, preventing him from embracing the freedom that lies in the wilderness.
- Exit ticket
Write one full sentence explaining why London includes the detail that Buck listens to the wolf-call from the forest even while lying at Thornton's feet in Chapter 6, and what this detail tells us about the limits of human love in this novel.
Lesson 5: The Sounding of the Call: Writing a Sustained Argument Across the Novel
60 min · ch. 1, 2, 3, 4, 5, 6, 7- Do now
Reflect on the adjectives you used in Lesson 1 to characterize a domesticated dog and a wolf. Compose three sentences: the first should describe how Buck at the beginning of Chapter 1 aligns with your 'domesticated' adjectives, the second should illustrate how Buck at the conclusion of Chapter 7 corresponds with your 'wolf' adjectives, and the third should convey what London implies occurred during that transformation.
- Teacher input
Model the construction of an essay introduction using the final paragraph of Chapter 7 — “When the long winter nights come on and the wolves follow their meat into the lower valleys…” — as the anchor quotation. Show students how a strong introduction names the text and author, presents the central question, and includes a one-sentence argument (thesis). Additionally, it should introduce the quotation that the essay will revisit in its conclusion. Annotate how London's shift to the present tense in Chapter 7 (“come,” “follow”) indicates that Buck’s transformation is both complete and lasting, and explain how this tense shift can serve as supporting evidence in an essay argument.
- Independent task
Write a comprehensive essay of 500–600 words addressing the question: 'In what ways does Jack London depict Buck's journey from Chapter 1 to Chapter 7 to illustrate that true identity cannot be imposed from external forces?' Your essay should feature an introduction that presents a clear thesis, at least three body paragraphs focusing on different chapters (making sure to reference at least four chapters by name or number), and a conclusion that revisits your initial argument with fresh insights. Each body paragraph should include and analyze at least one direct quotation. You are expected to discuss at least two of the following elements: the law of club and fang (Ch. 2), Buck's triumph over Spitz (Ch. 3), Hal's brutality and Thornton's rescue (Ch. 5), Buck's reaction to the wolf-call (Ch. 6), and Buck's ultimate transformation (Ch. 7). Maintain a formal analytical tone — avoid using bullet points or merely summarizing the plot without deeper analysis.
- Exit ticket
Read back your essay's thesis sentence — the one sentence in your introduction that states your overall argument — and then write a second sentence explaining what evidence from Chapter 7 specifically either confirms or complicates that argument.
Activities
Beaten but Not Broken: Annotating Buck's Interiority in Chapter 1 20 min · pairs
Each pair gets a printed extract: the paragraph in Chapter 1 from 'In the moment of coming to consciousness' to 'he was beaten (he knew that); but he was not broken.' Partners alternate underlining every word or phrase that indicates the reader is experiencing Buck's thoughts rather than just watching him from a distance. They add notes in the margin: what emotion or thought does London convey through Buck here, and how does the sentence structure reveal it? Pairs return the annotated extract with a joint sentence at the bottom summarizing what London's narrative perspective contributes to the reader's understanding of Buck's suffering.
Spitz vs. Buck: A Character Comparison Grid 25 min · individual
Students create a two-column grid labeled 'Spitz' and 'Buck'. Referring to Chapters 2, 3, and 4, they identify and note three quotations for each character under the categories: how they wield power, how others react to them, and what their leadership demands. After finishing the grid, students compose a single sentence at the bottom that argues which character London portrays more sympathetically and explains why. Both the completed grid and the sentence are submitted together.
The Silence of the Crowd: Tracking London's Use of Sound 30 min · groups
Groups of three will receive a list of six key moments from the novel where London portrays silence or the absence of sound: Curly's death (Ch. 2), the pack after Spitz falls (Ch. 3), the crowd during the sled-pull (Ch. 6), the forest at night (Ch. 6), and the Yeehat camp following Buck's attack (Ch. 7). Each group will discuss what the silence signifies in each instance and whether it suggests danger, awe, or transformation. Then, they will create a shared A3 poster featuring their six annotations and a thesis statement at the top that argues what London’s portrayal of silence reveals about power in the novel.
Hal, Charles, and Mercedes: A Hot-Seat Interrogation 25 min · whole class
Three volunteers step into the roles of Hal, Charles, and Mercedes as soon as they arrive at the camp in Chapter 5. Meanwhile, the rest of the class, using the text as a guide, comes up with at least one question each that questions the character's choices — for instance, why Mercedes chooses to ride the sled when it’s already overloaded. After the hot-seat discussion, each student writes two sentences: one pinpointing the moment in Chapter 5 when they think the trio's fate becomes unavoidable, and another explaining what London is conveying about ignorance and nature. These sentences are submitted on an exit slip.
Thornton and the Wolf: A Tension Diagram for Chapter 6 20 min · pairs
Pairs get a printed diagram featuring two overlapping circles labeled 'Buck's loyalty to Thornton' and 'Buck's pull toward the wild'. Referring to Chapter 6, they identify and place at least three quotations in each circle, along with at least one quotation in the overlapping section—where both forces are evident at the same time. Pairs then return the annotated diagram along with a sentence explaining which force London indicates is stronger by the end of Chapter 6.
Thesis Surgery: Peer-Editing Essay Openings 20 min · pairs
Each student writes their essay introduction from the Lesson 5 independent task on a half-sheet and exchanges it with a partner. The partner then uses a three-step checklist: (1) Does the introduction mention the text, author, and question? (2) Does it include one sentence that presents a clear, arguable claim? (3) Does it incorporate a quotation from the novel? They annotate the introduction with ticks and provide one specific suggestion for improvement. Both the original introduction and the annotated copy from the partner are submitted together.
Assessment
- Lesson 1 exit ticket: checks whether students can distinguish between physical defeat and psychological resilience in Buck's characterisation, using the specific language of Chapter 2.
- Lesson 2 paragraph: checks whether students can sustain a counter-argument using 'however' or 'yet' and can embed quotations from two different chapters without losing their line of argument.
- Lesson 3 exit ticket: checks whether students can read a plot event — the ice breaking in Chapter 5 — as thematic argument rather than mere narrative incident.
- Lesson 4 paragraph: checks whether students can hold two contradictory ideas (loyalty and freedom) in tension within a single paragraph and commit to a final evaluative claim about Thornton.
- Lesson 5 thesis surgery activity: checks whether students can identify the difference between a topic sentence and a genuine arguable thesis before they submit the final essay.
Summative task
How does Jack London use Buck's journey from Chapter 1 to Chapter 7 to explore the idea that true identity cannot be imposed from outside? Write an essay of 500–600 words. Your essay must open with a clear argument, develop that argument across at least three body paragraphs that each reference a named chapter, embed and interpret at least one direct quotation per paragraph, and close with a conclusion that returns to your opening claim with new insight drawn from Chapter 7.
Marking notes
Top-band responses will maintain a single, defendable thesis throughout all paragraphs, offer interpretations of quotations instead of just identifying them, and utilize the present-tense shift in Chapter 7 as evidence of Buck's lasting transformation. Mid-band responses will demonstrate a solid understanding of Buck's development but might address chapters individually rather than constructing a cohesive argument. Lower-band responses will recount the plot with quotations included but not analyzed, failing to link individual chapters to the novel's main argument regarding identity.
Standards covered
- Common Core 11 12
- RL.11-12.1 — Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
- RL.11-12.3 — Analyse the impact of the author's choices regarding how to develop and relate elements of a story or drama.
- RL.11-12.4 — Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone.
- W.11-12.1 — Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
- AP Literature
- Literary Argumentation (LAN-1) — Explain the function of word choice, imagery, and syntax in a literary text.
- Character (CHR-1) — Explain the function of a character's choices and how they contribute to the meaning of the work as a whole.
- Narration (NAR-1) — Explain the function of point of view and narrative perspective in shaping reader understanding.
- Literary Argumentation (LAN-1.E) — Develop a thesis that makes a defensible claim about a literary text and supports it with evidence.
- AQA
- AO1 — Read, understand and respond to texts, sustaining a critical stance and using textual references, including quotations, to support and illustrate interpretations.
- AO2 — Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology.
- AO3 — Show understanding of the relationships between texts and the contexts in which they were written and received.
- Edexcel
- AO1 — Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written expression.
- AO2 — Analyse ways in which meanings are shaped in literary texts, with reference to language, form, structure, and the contexts in which texts are produced and received.
- AO5 — Demonstrate expertise and creativity in the use of English to communicate in ways appropriate to task and purpose.
- IB Lit
- Criterion A — Demonstrate knowledge and understanding of the text, including its literary features and the contexts that shaped it.
- Criterion B — Analyse how the author's choices of language, structure, and form create meaning and effect.
- Criterion C — Develop a focused, well-organised response that sustains a line of argument supported by relevant textual evidence.
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