Year 10–11 / Grades 9–10
Climbing My Grandfather — two-lesson scheme of work
In Lesson 1, students closely read the entire poem, focusing on how Waterhouse develops the extended metaphor from "old, cracked" boots to the top of the grandfather's head. They analyze how specific word choices shape both a physical and emotional landscape. In Lesson 2, they use this close reading to craft a complete exam-style analytical paragraph exploring how Waterhouse depicts the relationship between the speaker and his grandfather, incorporating their own chosen quotes. By the end, students will be able to identify and analyze an extended metaphor, comment on language and structure, and write an independently supported analytical paragraph.
Objectives
- Identify and explain how the extended metaphor of mountain-climbing structures the whole poem, tracing it from the boots in line 1 to the summit in the final lines.
- Analyse how Waterhouse's word choices — including 'old, cracked', 'weathered', 'scar' and 'warm' — simultaneously construct a physical landscape and convey emotional closeness.
- Explain how the speaker's slow, methodical ascent reflects the speaker's attitude of tenderness and awe towards the grandfather.
- Comment on how structural choices — the poem's single unbroken stanza and present-tense narration — contribute to a sense of unhurried intimacy.
- Write a fully evidenced analytical paragraph that embeds quotations from the poem and uses subject terminology accurately to support an argument about how the relationship is presented.
The sequence
Lesson 1: The Body as Landscape: Reading the Extended Metaphor in 'Climbing My Grandfather'
55 min · ch. 1- Do now
Look at these two words on the board: MOUNTAIN and GRANDFATHER. Before you check your copy of the poem, jot down three similarities between a mountain and a grandfather. Consider their physical traits, the emotions they evoke, and what it's like to be close to them. You have four minutes — please write in complete sentences.
- Teacher input
Model close reading on the poem's opening movement (lines 1–7, from 'I decide to do it free' to 'like warm ice'). Display the lines on the board. Think aloud: ask why Waterhouse writes 'I decide to do it free' instead of just saying 'I begin to climb' — the word 'free' suggests a sense of free-climbing (without ropes or safety nets), indicating that the speaker is opting for vulnerability and trust. Next, focus on 'old, cracked' in reference to the boots: point out how 'cracked' relates to geology (like a cracked rock face) while also indicating age and wear, serving two purposes at once. Show how to annotate for both the literal climbing aspect and the emotional implications simultaneously.
- Independent task
Working through the rest of the poem from 'his trousers are loose' to the final word 'still', annotate every image that relates to mountain climbing (e.g., 'ledge', 'crevice', 'summit'). Next to each image, include a sentence that explains what that image reveals about the grandfather's character or reflects the speaker's emotions. You need to annotate at least six images.
At the end, write two sentences summarizing the speaker's feelings upon reaching the top of the grandfather's head and how Waterhouse's language conveys that emotion.
- Exit ticket
In one or two sentences, explain why Waterhouse chose to write the poem as a single unbroken stanza rather than dividing it into separate verses — what effect does that structural choice have on the reader's experience of the climb?
Lesson 2: Writing About Relationship: Crafting an Analytical Paragraph on 'Climbing My Grandfather'
55 min · ch. 1- Do now
Read the following weak analytical sentence on the board: 'Waterhouse uses a metaphor to show the speaker loves his grandfather.' Rewrite it twice—once incorporating a specific quotation from the poem, and once providing insight on the impact of a specific word within that quotation. You have five minutes and should produce two improved sentences.
- Teacher input
To craft a complete analytical paragraph focusing on the moment where the speaker reaches the grandfather's ear, noted as a 'crevice' that provides 'shelter', we will explore how Waterhouse conveys a sense of safety within their relationship.
First, we can start with a strong opening statement that clearly establishes this idea: "In this poem, Waterhouse illustrates the theme of safety in the relationship between the speaker and their grandfather."
Next, we can incorporate the quotations. We'll embed 'crevice' and 'shelter' in a single sentence to create a cohesive analysis: "The use of 'crevice' and 'shelter' highlights the protective nature of the grandfather’s ear, suggesting a safe haven for the speaker."
After that, let's zoom in on 'shelter'. We can frame it this way: "The term 'shelter' implies that the grandfather actively shields the speaker from the harsh realities of the outside world, offering a sense of security."
Finally, we need to connect back to the mountain imagery. We can conclude with: "This geological imagery reinforces the idea that the grandfather's protective qualities are not only ancient but also solid and enduring, much like the mountains themselves."
Throughout this process, it's essential to show students the distinction between simply identifying features, like stating, "this is a metaphor," and deeper analysis that explains, "the word shelter implies that the grandfather provides active protection."
This approach effectively combines textual evidence with interpretation to create a nuanced understanding of the poem's themes.
- Independent task
Waterhouse portrays the relationship between the speaker and his grandfather as one of deep admiration and emotional connection, marked by a sense of intimacy and reverence. This bond is vividly illustrated in the lines, "I fear more than treading on the toes of the sky," where the phrase "toes of the sky" evokes a sense of wonder and vulnerability as the speaker navigates the complexities of his grandfather's life. The imagery suggests that reaching his grandfather's summit is both a physical and emotional journey, symbolizing the speaker's respect for his grandfather's legacy. As he arrives at the peak, he feels "the slow pulse of his good heart," which conveys a profound realization of his grandfather's enduring presence and vitality. The word "slow" here implies a steady, reassuring rhythm, highlighting the grandfather's wisdom and strength. This use of personification deepens the emotional resonance, allowing the reader to feel the connection between generations. Ultimately, the poem encapsulates the bittersweet nature of this relationship, blending nostalgia with the joy of discovery, leaving a lasting emotional impact on the reader.
- Exit ticket
Write one sentence identifying the single most important word in the final five lines of the poem and explaining precisely what it contributes to the reader's understanding of the speaker's feelings at the summit — do not choose 'warm' or 'still' without explaining why no other word would achieve the same effect.
Activities
Mountain vs Grandfather: Pre-Reading Concept Map 10 min · pairs
Before reading the poem, pairs get a sheet split into two columns — MOUNTAIN and GRANDFATHER — with a Venn diagram in the middle. They have eight minutes to fill in all three sections with words, phrases, and associations. After that, pairs share what they wrote in the overlap section with the class. Students return the completed sheet, which will be looked at again at the end of Lesson 1 to check which of their predictions Waterhouse included.
Double-Register Annotation Race 20 min · groups
Groups of three get a printed copy of the poem and two colored highlighters. One color highlights language associated with mountain climbing, while the other highlights words that express emotion or character. Groups compete to see who can identify more words that serve both purposes than the groups next to them. Each group returns their annotated poem along with a count of the words that do both jobs and a one-sentence explanation of their most intriguing discovery.
Slow Read: Tracking the Ascent 15 min · whole class
The teacher reads the poem aloud at a slow pace, allowing students to draw a simple vertical line on their page to represent the grandfather's body. As she names each body part — boots, waistcoat, hands, face, ear, head — students add it to their line and write one word next to it that captures the emotional quality of that moment. The class then compares their annotated lines, discussing why the emotional tone shifts as the speaker climbs higher. Finally, students return their annotated body-line diagrams.
Weak-to-Strong Paragraph Makeover 15 min · pairs
Pairs receive a printed paragraph that accurately identifies features of the poem but does not analyze their effect — it lists metaphors without explaining their significance and quotes without providing commentary. Partners take turns enhancing alternate sentences, turning feature-spotting into analysis. They must improve at least four sentences and underline every word they have changed or added. The revised paragraph is returned with a brief margin note explaining the most significant change they made and why it enhances the analysis.
Structural Choice Hot-Seat 10 min · whole class
One student, playing the role of 'Andrew Waterhouse', sits at the front and fields questions from the class regarding structural choices: Why did he choose one stanza? Why is the poem in present tense? Why doesn’t it have a rhyme scheme? The student in the hot seat has to respond in character, providing evidence from the poem to back up each decision. After three minutes, the class votes on which justification was the most compelling. Before leaving, every student writes a sentence on a sticky note about the structural insight they found most helpful and sticks it on the board.
Timed Paragraph Under Exam Conditions 20 min · individual
Students will write a timed analytical paragraph of 150–200 words in response to the question: 'How does Waterhouse use the extended metaphor to express the speaker's feelings for his grandfather?' They can refer to their annotated poem but cannot use any pre-written notes or plans. A countdown timer will be displayed. Once the time is up, students will self-assess their work using a three-point checklist displayed on the board: (1) Does each sentence analyze rather than just describe? (2) Are both quotations integrated grammatically? (3) Is there one specific word that is closely examined? Students will return their paragraph along with their completed self-assessment checklist.
Assessment
- Lesson 1 do-now: teacher scans Mountain/Grandfather comparison lists to check whether students can intuitively grasp the logic of the extended metaphor before reading.
- Lesson 1 annotation task: teacher circulates checking that students are writing full analytical sentences beside each image, not just labelling techniques — looking for the connection between the climbing register and emotional meaning.
- Lesson 1 exit ticket: teacher reads responses to assess whether students can articulate the effect of the single-stanza structure, specifically that it mirrors the continuous, uninterrupted nature of the climb and the relationship.
- Lesson 2 do-now: teacher reads the two rewritten sentences to check whether students can embed a quotation grammatically and zoom in on a specific word — the two micro-skills the modelled paragraph will depend on.
- Lesson 2 teacher circulation during independent paragraph: teacher checks that students are drawing quotations from across the whole poem, not only the opening lines, and that at least one quotation comes from the final five lines.
Summative task
Write one full analytical paragraph of 150–200 words in response to the question: 'How does Waterhouse present the relationship between the speaker and his grandfather in "Climbing My Grandfather"?' Your paragraph must open with a clear, arguable point; embed at least two quotations from the poem, one of which must come from the final five lines (the summit, where the speaker feels 'the slow pulse of his good heart'); analyse the effect of at least one specific word within each quotation; use at least one piece of subject terminology accurately and explain its effect; and end with a sentence connecting your analysis to the poem's overall emotional impact. Do not retell what happens — every sentence must be doing analytical work.
Marking notes
Top-band responses present a strong, coherent argument about the relationship, such as viewing the grandfather as a source of lasting, geological safety. They also focus closely on individual word choices—like 'shelter', 'still', and 'warm'—explaining their connotations rather than just identifying the techniques. Mid-band responses recognize the extended metaphor and provide accurate quotes, but they tend to discuss the techniques instead of the impact of specific words. Lower-band responses either recount the climb or merely list features without tying them to their meanings. In this poem, the accurate integration of quotations and the correct use of terms (like extended metaphor, conceit, and connotation) set apart mid-band from top-band responses.
Standards covered
- Common Core 11 12
- RL.11-12.1 — cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text
- RL.11-12.4 — determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyse the impact of specific word choices on meaning and tone
- RL.11-12.5 — analyse how an author's choices concerning how to structure a poem contribute to its meaning and aesthetic impact
- W.11-12.9 — draw evidence from literary texts to support analysis, reflection and research
- AP Literature
- Literary Argumentation (LAN-1) — write a thesis-driven analytical paragraph that makes a defensible claim about how Waterhouse uses the extended metaphor to convey meaning
- Figurative Language (FIG-1) — identify and analyse the function of the extended metaphor and conceit as they operate across the whole poem
- Structure (STR-1) — explain how the single-stanza, present-tense structure contributes to the poem's meaning and emotional effect
- Character and Narrator (NAR-1) — analyse how the speaker's perspective and tone shape the reader's understanding of the relationship
- AQA
- AO1 — read, understand and respond to texts, maintaining a critical style and developing an informed personal response with references to the text
- AO2 — analyse the language, form and structure used by Waterhouse to create meanings and effects, using relevant subject terminology
- AO3 — show understanding of the relationship between the poem and its contexts, including Waterhouse's background in environmental science and the tradition of the metaphysical conceit
- Edexcel
- AO1 — respond to texts critically and imaginatively, selecting and evaluating relevant textual detail to illustrate and support interpretations
- AO2 — explain how language, structure and form contribute to writers' presentation of ideas, themes and settings in 'Climbing My Grandfather'
- Eduqas
- AO1 — read, understand and respond to texts, using textual references including quotations to support and illustrate interpretations of the poem
- AO2 — explain and analyse how writers use language and structure to create effects and influence readers, with particular reference to Waterhouse's use of the extended metaphor and geological register
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