Skip to content
Storgy

Character analysis

Mary Rommely

in A Tree Grows in Brooklyn by Betty Smith

Mary Rommely is Katie Nolan's immigrant mother and the quiet moral and spiritual anchor for the Nolan family in Betty Smith's A Tree Grows in Brooklyn. Originally from Austria, she came to America without knowing English, bringing with her the deep folk wisdom of her homeland. Although she appears in only a few scenes, her influence resonates throughout the novel. Her most significant moment occurs early on when she visits Katie after Francie's birth and delivers a solemn charge: she urges Katie to read to her children every night from the Bible and Shakespeare, ensuring that even the poorest child grows up surrounded by beauty and language. This directive profoundly shapes Francie's inner life and love for literature.

Mary is devout, stoic, and pragmatic—traits common among women who have faced real hardship. She sees suffering not as an injustice but as part of the human experience, and she shares this outlook with Katie, who in turn instills a resilient spirit in Francie. Mary also accepts her daughter Sissy's flamboyant and rebellious nature, hinting at a deeper compassion beneath her stern demeanor.

Her story is less about personal growth and more about a generational legacy: she is the foundation from which the Rommely-Nolan tree flourishes. By the novel's conclusion, her advice regarding books and resilience has proven to be prophetic—Francie rises above poverty thanks to the literacy and imagination that Mary emphasized. Thus, Mary Rommely serves as the symbolic matriarch of the novel, representing the immigrant dream boiled down to its essence: to give your children more than you had.

About this character

Form
Novel
Author
Betty Smith
First published
1943

The person01–03

01·Who they are

Who is Mary Rommely?

Mary Rommely is the Austrian-born matriarch of the Rommely family and Katie Nolan's mother — a woman of few scenes but immense gravitational pull. She arrived in America without a word of English, carrying instead a freight of Old World pragmatism, Catholic devotion, and folk wisdom refined by genuine hardship. Betty Smith presents her as weathered and deliberate, someone who measures words the way a poor woman measures flour. She is not warm in any conventional sense; she does not dispense affection freely or traffic in sentiment. What she offers instead is something sturdier — a philosophy of living that treats beauty and endurance as moral necessities rather than luxuries.

Her two attributed quotations crystallize her worldview neatly. The instruction to see everything "as though you were seeing it either for the first or last time" is not mere poeticism; it is a survival strategy, a means of extracting wonder from circumstances that offer very little else. Her observation that "the difference between rich and poor is that the poor do everything with their own hands" carries no self-pity — it is a statement of clear-eyed sociology delivered with the calm of someone who has long since made peace with her position in the world.


02·Arc & motivation

What is Mary Rommely's arc and motivation?

Mary has no personal arc in the traditional sense; she enters the novel already formed, already resolved. Her motivation is generational rather than individual — she exists to transmit. Having given her daughters what little she could in material terms, she understands that the only inheritance immune to poverty is cultivated interiority: language, imagination, and the capacity to endure.

Her most decisive act of transmission occurs at Katie's bedside after Francie's birth, when she delivers her solemn directive: read to the child every night from the Bible and from Shakespeare, without exception, without explanation. This is not a suggestion from a grandmother — it arrives with the weight of commandment. Mary has diagnosed the enemy (ignorance, spiritual emptiness, the grinding smallness of Williamsburg life) and prescribed the cure. Her motivation is prophylactic: she is trying to give Francie weapons before Francie is old enough to know she will need them.


03·Key moments

What are Mary Rommely's key moments?

  • The bedside counsel after Francie's birth is the novel's single most consequential act of parenting, and it belongs to Mary rather than to Katie or Johnny. By charging Katie to read Shakespeare and the Bible nightly, she sets the machinery of Francie's entire intellectual life in motion. Smith frames this scene with ceremony — Mary speaks and Katie listens as though receiving scripture, which is precisely the register Mary intends.
  • Her tolerance of Sissy's transgressions constitutes a quieter but revealing moment. Mary neither expels nor enthusiastically endorses her most unconventional daughter; she absorbs Sissy's serial marriages and open sensuality with a silence that reads as understanding rather than indifference. This suggests Mary has a more capacious view of human weakness than her stern manner implies.
  • Her immigrant experience itself, rendered briefly in retrospect, functions as a key moment in the novel's moral architecture. The image of a woman arriving in a country whose language she does not speak and building a philosophy rich enough to guide three generations reframes what survival actually requires.

The cast04–05

04·Relationships

What are Mary Rommely's most important relationships?

Mary and Katie share a relationship closer to apostolic succession than to warmth. Katie receives Mary's wisdom as obligation, not conversation, and this gravity is itself a form of love — Mary treats her daughter as capable of carrying something heavy.

Mary and Francie is the novel's great indirect relationship. They barely interact on the page, yet Mary's instruction about books is the single act most responsible for Francie's inner life, her love of the library, her eventual escape from poverty. Mary shapes Francie's destiny without ever being present in it, which is precisely the novel's point about the long reach of matriarchal influence.

Mary and Sissy reveals the compassionate fault line beneath Mary's austerity. That she neither abandons nor fully censures Sissy suggests she understands that her philosophy of endurance must accommodate, not deny, human appetite.

Mary and Johnny, though barely in contact, stand in implicit tension: Mary's bedside directive can be read as a quiet acknowledgment that charm and good intentions — Johnny's entire parenting toolkit — will not be sufficient.


05·Connected characters

How is Mary Rommely connected to the other characters?

Katie Nolan

Katie is Mary's daughter and primary inheritor of her philosophy. Mary's bedside counsel after Francie's birth—read the Bible and Shakespeare nightly—becomes the cornerstone of Katie's parenting and the engine of Francie's intellectual growth. Their relationship is reverent but not warm; Mary speaks in directives, and Katie obeys with the gravity of someone receiving scripture.

Francie Nolan

Mary is Francie's maternal grandmother and, indirectly, the architect of her destiny. Mary never interacts extensively with Francie on the page, yet her instruction to Katie about daily reading is the single act most responsible for Francie's love of books and her eventual escape from Williamsburg poverty.

Aunt Sissy

Sissy is Mary's most unconventional daughter—serially 'married,' openly sensual, and joyfully rebellious. Mary's quiet tolerance of Sissy reveals the compassionate undercurrent beneath her stern exterior, suggesting she understands human weakness even when she cannot openly condone it.

Aunt Evy

Evy is another of Mary's daughters. Like Katie, Evy reflects the practical, enduring temperament Mary cultivated in her children, though she expresses it with more humor and less severity than Katie.

Johnny Nolan

Johnny is Mary's son-in-law. Mary likely perceives his charm and his fatal weakness for drink; her insistence that Katie raise the children with books and discipline can be read as a tacit acknowledgment that Johnny alone cannot secure their future.

The evidence06

06·Key quotes

What are Mary Rommely’s most famous quotes?

“Look at everything always as though you were seeing it either for the first or last time: Thus is your time on earth filled with glory.”

Mary Rommely · to Katie Nolan · Mary Rommely imparts her life philosophy to her daughter Katie before Katie's marriage and motherhood

Why it matters

This line is from Betty Smith's semi-autobiographical novel A Tree Grows in Brooklyn (1943), spoken by Mary Rommely, the immigrant grandmother of the main character, Francie Nolan. Mary shares this wisdom with her daughter Katie (Francie's mother) as a life philosophy — a way to find something greater in the ordinary experiences of daily life. The Nolans struggle with poverty in early 20th-century Brooklyn, and the quote acts as a guiding spiritual principle that helps them face challenges with dignity and a sense of wonder. Thematically, this line is key to the novel's celebration of the beauty found in everyday life. It plays a significant role in shaping Francie's character: she grows up as a deeply observant and imaginative child who discovers meaning and magic in her surroundings — the library, the tree of heaven, and the streets of Williamsburg. The quote also highlights Smith's broader view that imagination and perception are vital for survival, suggesting that even those who are poor and marginalized can possess a rich inner life. It's one of the most quoted passages in the novel because it elevates a simple act — looking — into a moral and spiritual practice.

“The difference between rich and poor is that the poor do everything with their own hands and the rich hire hands to do things.”

Mary Rommely · to Katie Nolan (née Rommely)

Why it matters

This quote is from Betty Smith's A Tree Grows in Brooklyn (1943), a semi-autobiographical novel that tells the story of the Nolan family’s struggles in early 20th-century Brooklyn. It's spoken by Mary Rommely, Francie's wise and thoughtful grandmother, who shares her hard-earned life lessons with her daughter Katie. The line reflects one of the book's main themes: the harsh reality of working-class poverty compared to the comfort of wealth. Mary’s comment is straightforward but layered—those who are poor are defined by their labor, as their bodies are their only resource, while the wealthy can buy the labor of others, remaining shielded from physical work. This contrast highlights broader themes of class, dignity, and survival that permeate the novel. Smith uses these moments of folk wisdom to honor the everyday lives of the poor, suggesting that their intimate connection with work, while tiring, holds its own sense of integrity and humanity. Additionally, the quote hints at Francie's aspirations to rise above her class through education and imagination, rather than just by accumulating wealth.

Study07–08

07·Questions

Questions readers ask about Mary Rommely

What famous advice does Mary Rommely give to Katie after Francie's birth?

Mary Rommely charges Katie to read to her children every night from the Bible and Shakespeare, without exception. She delivers this at Katie's bedside as a solemn directive, resembling more a commandment than a suggestion. By prescribing daily exposure to great language, Mary sets in motion the entire machinery of Francie's intellectual life, making this single act the most consequential moment of parenting in the novel.

What is Mary Rommely's most famous quote in A Tree Grows in Brooklyn?

Mary Rommely's most celebrated line is: "Look at everything always as though you were seeing it either for the first or last time: Thus is your time on earth filled with glory." This statement reflects a survival philosophy, a method of extracting wonder from circumstances that offer little else. The directive descends through Katie to Francie, shaping the novel's entire moral and narrative sensibility.

What does Mary Rommely say about the difference between the rich and the poor?

Mary states plainly: "The difference between rich and poor is that the poor do everything with their own hands and the rich hire hands to do things." The line carries no self-pity; it is a clear-eyed sociological observation delivered with the calm of someone who has long made peace with her place in the world, reflecting the stoic, pragmatic worldview she passes on to her daughters.

How does Mary Rommely's relationship with Francie Nolan shape the novel?

Mary is Francie's maternal grandmother and, indirectly, the architect of her destiny. The two barely interact on the page, yet Mary's instruction to Katie about nightly reading is the single act most responsible for Francie's love of books and her eventual escape from Williamsburg poverty. Smith's point is this: Mary shapes Francie's entire future without ever being present in it, illustrating the long, quiet reach of matriarchal influence.

Why does Mary Rommely tolerate her daughter Sissy's rebellious behavior?

Mary neither expels nor openly endorses Sissy's serial marriages and unconventional sensuality; she absorbs them with a silence that reads as understanding rather than indifference. This tolerance reveals a compassionate fault line beneath Mary's stern exterior—she grasps that her philosophy of endurance must accommodate human weakness, not deny it. It suggests her apparent austerity conceals a deeper, more capacious view of human nature.

Why does Mary Rommely insist on books rather than leaving Francie's upbringing to Johnny Nolan?

Mary's bedside directive to Katie can be read as a quiet acknowledgment that Johnny's charm and good intentions alone will not secure the children's future. She has diagnosed the enemy—ignorance and spiritual emptiness—and prescribed the cure before Francie is old enough to know she will need it. Her emphasis on cultivated interiority reflects her belief that language and imagination are the one inheritance poverty cannot confiscate.

Where was Mary Rommely born, and how did she come to America?

Mary Rommely was born in Austria and arrived in America without knowing a word of English. She brought instead Old World pragmatism, Catholic devotion, and folk wisdom forged by real hardship. Betty Smith frames her immigrant experience as a key element of the novel's moral architecture: a woman who crossed into a country whose language she did not speak and still managed to build a philosophy rich enough to guide three generations.

Is Mary Rommely a major or minor character in A Tree Grows in Brooklyn, and why does she matter so much?

Mary Rommely appears in only a few scenes, making her technically a minor character; yet her influence resonates throughout the entire novel. She is the symbolic matriarch from whom the Rommely-Nolan tree flourishes, representing the immigrant dream distilled to its essence: give your children more than you had. Her single act of counsel at Francie's birth proves prophetic, as Francie's literacy and imagination ultimately lift her out of poverty.

08·Essay angles

Use this in your essay

Tool · Essay angles

  • Literacy as class resistance: Argue that Mary's instruction to read Shakespeare and the Bible constitutes a deliberate counter-strategy against economic immobility

    that she understands cultural capital as the one inheritance poverty cannot confiscate.

  • Silent matriarchy and narrative power: Explore how Smith constructs Mary's influence entirely through reported action and directive rather than extended scenes, and what this technique suggests about how female wisdom is transmitted across generations.

  • The immigrant's paradox: Mary brings Old World values to a New World context; examine how her folk philosophy

    rooted in stoicism and acceptance of suffering — either equips or limits her daughters in a society premised on upward mobility and self-invention.

  • Mary versus Johnny as competing parenting models: Compare Mary's prescriptive, disciplined approach to child-rearing with Johnny's warmth-without-structure, and assess which the novel ultimately endorses as the engine of Francie's growth.

  • Seeing as a moral act: Using Mary's directive to see everything "as though for the first or last time," build a thesis about how *A Tree Grows in Brooklyn* frames perception and attention as ethical stances

    and trace how this philosophy descends from Mary through Katie to Francie's narrative voice.

A Tree Grows in Brooklyn

Continue

Full study guide →