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War Photographer

Carol Ann Duffy

Type

Short story

Published

1985

Questions

3 with answers

Access

Free

A LevelAQAEdexcelGCSEGCSE AQAGCSE EdexcelGCSE English Literature

Curated set · answers marked

In Carol Ann Duffy's poem "War Photographer," where does the photographer develop his photographs?

AA darkroom in a war zone
BA newspaper office in London
CA darkroom in his home in rural England
DA hospital in a conflict region

Rationale

The poem begins with the war photographer working alone in his "darkroom" in "rural England," highlighting the sharp contrast between the calm domestic environment and the disturbing images of war he is processing.

In Carol Ann Duffy's poem War Photographer, the photographer develops his photographs in a darkroom likened to "a church." What does this comparison mainly imply about his darkroom?

AIt is a large, impressive space filled with high-end equipment
BIt is a place of solemnity, ritual, and reverence — where the weight of suffering is processed
CIt is a bright and welcoming environment that brings him comfort
DIt represents his desire to leave photography and pursue religion

Rationale

The comparison "like a church" suggests that the darkroom serves as a sacred, serious space. Much like a church, which is linked to rituals, quiet contemplation, and grappling with deep human experiences (life, death, suffering), the darkroom becomes the setting where the photographer not only develops his film but also confronts the moral and emotional weight of the horrors he has witnessed.

In "War Photographer," what does the photographer do with the photographs he develops in his darkroom?

AHe destroys them to protect the identities of the victims
BHe sends them to a newspaper editor, who selects only a few for publication
CHe keeps them privately as a personal record of the suffering he witnessed
DHe donates them to a war memorial museum

Rationale

The poem illustrates how the photographer sends his developed images to a newspaper editor in London. The editor picks only a few of the most impactful photographs for publication, while the rest — along with the suffering they depict — are mostly overlooked by a comfortable and indifferent public.

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