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With this passage read the last two stanzas of _Mr. Hosea Biglow by James Russell Lowell: Summary, Meaning & Analysis

James Russell Lowell

This short poem calls for peace after the American Civil War—yet it’s not a mournful or defeated peace.

The poem
to the Editor of the Atlantic Monthly_, beginning: "Come, Peace! not like a mourner bowed For honor lost and dear ones wasted, But proud, to meet a people proud, With eyes that tell of triumphs tasted!"

Public domain · sourced from Project Gutenberg

Quick summary
This short poem calls for peace after the American Civil War—yet it’s not a mournful or defeated peace. Lowell envisions peace arriving with dignity, recognizing that the sacrifices made were meaningful. It’s a celebration of a nation that fought fiercely and has earned its right to rest.
Themes

Line-by-line

Come, Peace! not like a mourner bowed / For honor lost and dear ones wasted,
Lowell begins by directly addressing Peace as if it were a person entering the room. He quickly dismisses the type of peace that comes with grief and shame — the one that follows a humiliating defeat, where you've lost both your loved ones and your dignity. He has no interest in that.
But proud, to meet a people proud, / With eyes that tell of triumphs tasted!
Here comes the contrast. Peace should arrive *proud*, because the people it encounters are proud as well. The phrase "eyes that tell of triumphs tasted" is striking — it suggests that Peace reflects the expression of someone who has experienced hard-won victories. The word "tasted" makes triumph feel tangible and concrete, rather than just an idea.

Tone & mood

The tone is both triumphant and urgent. Lowell isn’t mourning; he’s taking charge. The exclamation points and the direct call to action ("Come, Peace!") create the vibe of a toast or a rallying cry. While there’s grief lurking beneath the surface—given that the Civil War claimed hundreds of thousands of lives—Lowell won’t allow grief to be the last word. The mood resembles a soldier standing proudly at a ceremony rather than a widow crying at a grave.

Symbols & metaphors

  • Peace personifiedBy personifying Peace as someone who can enter a room, hold her head high, and make eye contact, Lowell transforms an abstract concept into a figure with a strong presence. This approach gives the poem the feeling of a greeting rather than just a hope.
  • The mourner bowedThis image represents a peace that feels defeated or shameful — the type that comes after surrender or a moral failure. Lowell clearly rejects this notion, indicating his belief that the Union's cause was just and that its sacrifices were meaningful.
  • Eyes that tell of triumphs tastedEyes here reflect memory and experience. To have "tasted" triumph means you've earned it through genuine struggle. The eyes symbolize honest witness — Peace has witnessed what occurred and isn't pretending otherwise.

Historical context

James Russell Lowell created the *Biglow Papers*, a collection of satirical dialect poems, during the Mexican-American War (1846–48) and later during the Civil War (1861–65). The character Hosea Biglow, a straightforward New England farmer, served as Lowell's voice to expose political hypocrisy. This excerpt comes from the end of the second series, penned as the Civil War was drawing to a close. As a passionate abolitionist and a prominent literary figure of his time, Lowell was heavily invested in the Union's efforts. By the time he wrote these lines, the nation had faced four years of devastating conflict. His call for a proud peace shows both relief that the war was concluding and a strong belief that the Union's victory — along with the end of slavery — is a significant moral achievement that should be celebrated instead of just mourned.

FAQ

Hosea Biglow is a fictional farmer from New England, created by Lowell to express straightforward, sensible views on politics. By using this rustic character, Lowell could share pointed and controversial opinions while also connecting with everyday readers who might ignore a Harvard professor speaking to them directly.

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