The Annotated Edition
THE REWARD OF SONG by Alfred Noyes
A poet wonders why anyone bothers to create art and then responds to his own question: it's not for fame or applause, but for the hope that some unknown reader in the future will feel what the poet felt.
- Poet
- Alfred Noyes
- Era
- Modernist (1922)
- Themes
- art, love, memory
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
_Why do we make our music?_ / Oh, blind dark strings reply:
Editor's note
The poem begins with a question that every artist grapples with at some point. The response doesn’t arise from thought but from the instrument itself — "blind dark strings" — hinting that the creative drive is instinctual, nearly automatic. Poets create music because they often feel out of place ("a strange land") and hold onto a memory of something greater, something that has slipped away. Their songs aren’t born from ambition; they emerge like flowers breaking through the frost of winter, inevitable and organic.
And we dream of the unknown comrade, / In the days when we lie dead,
Editor's note
Here, Noyes presents the poem's most vivid image: the ideal reader. Long after the poet has passed away, some unknown individual will find the book on a sunny hillside by the sea, experiencing the poem exactly as it was meant to be felt. The detailed setting — a solitary hill, a firwood, and the murmuring seas — brings this dream reader to life, making them feel tangible rather than just a concept. The phrase "ages and ages ago" conveys the peculiar closeness of reading: a voice from the past speaking directly to someone living today.
If making his may-time sweeter / With dews of our own dead may,
Editor's note
"May-time" and "dews of our own dead may" evoke the freshness of spring as a metaphor for youthful emotions. The poet envisions his own long-lost feelings — "dead heart-strings" — somehow stirring back to life within a future reader's heart. If this transfer of emotion occurs even once, Noyes suggests, no further reward is necessary. "Guerdon," an archaic term for reward or recompense, adds a touch of formality and ceremonial significance to the stanza, as if the poet is making a solemn promise.
As a child might run to his elders / With news of an opening flower
Editor's note
The tone shifts from a dreamy feel to something warmer and more personal. The poet likens the bond between artist and reader to a child eagerly sharing a small find with someone older. Then Noyes moves away from the general "we" and addresses us in the first person: by his own firwood and by a Western sea, he's had real friends walk and talk with him in this way. The poem steps out of the hypothetical for a moment and quietly expresses gratitude for the companionship he has already received.
Too mighty to make men sorrow, / Too weak to heal their pain
Editor's note
The final stanza candidly addresses the limitations of art. While music has the power to move people, it falls short of relieving their suffering. The mention of the hawthorn — a flowering hedge plant linked to the beauty of English spring — suggests that memories of beauty can provide some comfort, perhaps even a fleeting glimpse of paradise. However, the true message comes through in the last four lines: poets are motivated by a desire that goes beyond fame, tied to something more potent than ambition. That driving force is love — love as both the catalyst for creativity and its ultimate reward.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The unknown comrade
- The ideal future reader represents a person the poet will never meet, yet hopes to connect with through time. This figure embodies our deep human desire for true understanding and reflects the belief that the authentic emotions captured in a poem can outlive the poet.
- Blind dark strings
- The instrument that addresses the opening question without sight or reasoning. It embodies the instinctual, pre-rational source of creative drive — the aspect of the artist that creates art not out of choice, but out of necessity.
- May-time / dews of dead may
- Spring symbolizes the freshness of youth and vitality. "Dead may" conveys a similar sentiment even after the poet's passing — it lives on in the poem, ready to bloom anew within a reader, just as spring returns annually.
- The firwood and the sea
- Specific, grounded natural settings mentioned twice in the poem anchor the abstract concept of poetic connection to tangible, sensory experiences—like a specific hillside or the distinct sound of water—allowing the dream reader to feel like a real person in a genuine place.
- Flowers breaking through winter
- Songs emerge even in tough times. The image suggests that creating art is as natural and unavoidable as the changing seasons — it’s not a luxury or a goal, but rather something that occurs when the circumstances are right.
- The laurel leaf
- A classic symbol of poetic fame and success is explicitly rejected here. Noyes uses this to clearly distinguish between creating art for recognition and creating it out of love and connection.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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