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The Annotated Edition

THE REWARD OF SONG by Alfred Noyes

Summary, meaning, line-by-line analysis & FAQ.

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A poet wonders why anyone bothers to create art and then responds to his own question: it's not for fame or applause, but for the hope that some unknown reader in the future will feel what the poet felt.

Poet
Alfred Noyes
Era
Modernist (1922)
Themes
art, love, memory
The PoemFull text

THE REWARD OF SONG

Alfred Noyes, 1922

_Why do we make our music?_ Oh, blind dark strings reply: Because we dwell in a strange land And remember a lost sky. We ask no leaf of the laurel, We know what fame is worth; But our songs break out of our winter As the flowers break out on the earth. And we dream of the unknown comrade, In the days when we lie dead, Who shall open our book in the sunlight, And read, as ourselves have read, On a lonely hill, by a firwood, With whispering seas below, And murmur a song we made him Ages and ages ago. If making his may-time sweeter With dews of our own dead may, One pulse of our own dead heart-strings Awake in his heart that day, We would pray for no richer guerdon, No praise from the careless throng; For song is the cry of a lover In quest of an answering song. As a child might run to his elders With news of an opening flower We should walk with our young companion And talk to his heart for an hour, As once by my own green firwood, And once by a Western sea, Thank God, my own good comrades Have walked and talked with me. Too mighty to make men sorrow, Too weak to heal their pain (Though they that remember the hawthorn May find their heaven again), We are moved by a deeper hunger; We are bound by a stronger cord; For love is the heart of our music, And love is its one reward.

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

A poet wonders why anyone bothers to create art and then responds to his own question: it's not for fame or applause, but for the hope that some unknown reader in the future will feel what the poet felt. The entire poem serves as a love letter to that imaginary future companion and to the real friends who have already shared that kind of connection. Ultimately, Noyes states that love — the exchange of feelings through song — is both the reason for creating and the reward itself.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. _Why do we make our music?_ / Oh, blind dark strings reply:

    Editor's note

    The poem begins with a question that every artist grapples with at some point. The response doesn’t arise from thought but from the instrument itself — "blind dark strings" — hinting that the creative drive is instinctual, nearly automatic. Poets create music because they often feel out of place ("a strange land") and hold onto a memory of something greater, something that has slipped away. Their songs aren’t born from ambition; they emerge like flowers breaking through the frost of winter, inevitable and organic.

  2. And we dream of the unknown comrade, / In the days when we lie dead,

    Editor's note

    Here, Noyes presents the poem's most vivid image: the ideal reader. Long after the poet has passed away, some unknown individual will find the book on a sunny hillside by the sea, experiencing the poem exactly as it was meant to be felt. The detailed setting — a solitary hill, a firwood, and the murmuring seas — brings this dream reader to life, making them feel tangible rather than just a concept. The phrase "ages and ages ago" conveys the peculiar closeness of reading: a voice from the past speaking directly to someone living today.

  3. If making his may-time sweeter / With dews of our own dead may,

    Editor's note

    "May-time" and "dews of our own dead may" evoke the freshness of spring as a metaphor for youthful emotions. The poet envisions his own long-lost feelings — "dead heart-strings" — somehow stirring back to life within a future reader's heart. If this transfer of emotion occurs even once, Noyes suggests, no further reward is necessary. "Guerdon," an archaic term for reward or recompense, adds a touch of formality and ceremonial significance to the stanza, as if the poet is making a solemn promise.

  4. As a child might run to his elders / With news of an opening flower

    Editor's note

    The tone shifts from a dreamy feel to something warmer and more personal. The poet likens the bond between artist and reader to a child eagerly sharing a small find with someone older. Then Noyes moves away from the general "we" and addresses us in the first person: by his own firwood and by a Western sea, he's had real friends walk and talk with him in this way. The poem steps out of the hypothetical for a moment and quietly expresses gratitude for the companionship he has already received.

  5. Too mighty to make men sorrow, / Too weak to heal their pain

    Editor's note

    The final stanza candidly addresses the limitations of art. While music has the power to move people, it falls short of relieving their suffering. The mention of the hawthorn — a flowering hedge plant linked to the beauty of English spring — suggests that memories of beauty can provide some comfort, perhaps even a fleeting glimpse of paradise. However, the true message comes through in the last four lines: poets are motivated by a desire that goes beyond fame, tied to something more potent than ambition. That driving force is love — love as both the catalyst for creativity and its ultimate reward.

§04Tone & mood

How this poem feels

The tone is warm, sincere, and quietly assured. Noyes isn't struggling with whether art matters — he's already figured that out and is sharing his thoughts with you like a good friend would. There's a hint of nostalgia woven in, especially regarding mortality and the "dead heart-strings," yet it never veers into self-pity. The overall vibe is one of thankful acceptance: art is challenging, fame is empty, but the bond it fosters between one human heart and another is what truly counts.

§05Symbols & metaphors

Symbols & metaphors

The unknown comrade
The ideal future reader represents a person the poet will never meet, yet hopes to connect with through time. This figure embodies our deep human desire for true understanding and reflects the belief that the authentic emotions captured in a poem can outlive the poet.
Blind dark strings
The instrument that addresses the opening question without sight or reasoning. It embodies the instinctual, pre-rational source of creative drive — the aspect of the artist that creates art not out of choice, but out of necessity.
May-time / dews of dead may
Spring symbolizes the freshness of youth and vitality. "Dead may" conveys a similar sentiment even after the poet's passing — it lives on in the poem, ready to bloom anew within a reader, just as spring returns annually.
The firwood and the sea
Specific, grounded natural settings mentioned twice in the poem anchor the abstract concept of poetic connection to tangible, sensory experiences—like a specific hillside or the distinct sound of water—allowing the dream reader to feel like a real person in a genuine place.
Flowers breaking through winter
Songs emerge even in tough times. The image suggests that creating art is as natural and unavoidable as the changing seasons — it’s not a luxury or a goal, but rather something that occurs when the circumstances are right.
The laurel leaf
A classic symbol of poetic fame and success is explicitly rejected here. Noyes uses this to clearly distinguish between creating art for recognition and creating it out of love and connection.

§06Historical context

Historical context

Alfred Noyes wrote at a time when the Romantic notion of the poet as a solitary genius was being replaced by the more detached and ironic styles of Modernism. However, Noyes held firm against this change. He favored accessible, musical poetry and believed that its role was to create emotional connections among people. "The Reward of Song" embodies this approach, resonating with themes from Keats's letters about negative capability and the poet's wish to be remembered by readers. The poem also showcases a distinctly English love for the landscape—firwoods, hawthorn, and the Western sea—as a natural setting for spiritual and creative experiences. Written in the early twentieth century, when mass print culture was making the idea of the "unknown reader" more real than ever, the poem's idea of lasting connection after death felt both timeless and refreshingly possible.

§07FAQ

Questions readers ask

The poem suggests that the true reward for creating art is love — particularly the desire to forge a real emotional bond with a reader, even if that reader is born long after the poet has passed away. In contrast, fame, accolades, and recognition are considered insignificant.

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