The Annotated Edition
The Pious Editor's Creed by James Russell Lowell
A corrupt newspaper editor shares his so-called "creed" — a list of things he claims to stand for, such as freedom, the press, and prayer — but each belief reveals itself as a facade for his own greed and political maneuvering.
- Core theme
- Betrayal
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I du believe in Freedom's cause, / Ez fur away ez Payris is;
Editor's note
The editor starts by expressing a love for liberty — but only when it’s taking place in distant places like Paris. The punchline hits hard in the last two lines: freedom is great in theory, but it "don't agree with niggers." Lowell highlights the hypocrisy of Northern politicians who celebrated European revolutions while still supporting slavery in America.
I du believe the people want / A tax on teas an' coffees,
Editor's note
He backs any tax policy that helps him stay in power. The idea behind "providin' I'm in office" sums it all up — it's not about policy, it's about maintaining control. His patriotism seems more like a love for "Uncle Sam's pockets," which means he's really after government funds.
I du believe in _any_ plan / O' levyin' the texes,
Editor's note
He says he's a free-trade guy, but that's mainly because it rallies voters and helps him stay cozy in his cushy customs-house job. For him, the ideology is just a means to secure and maintain a government position.
I du believe it's wise an' good / To sen' out furrin missions,
Editor's note
Foreign diplomatic posts are worth supporting, provided they offer a salary of nine thousand dollars a year along with an outfit allowance, and he has the freedom to choose who occupies these positions. The "orthodox conditions" are purely about the money.
I du believe in special ways / O' prayin' an' convartin';
Editor's note
A clever double pun: "preyin'" (meaning preying, not praying) until the party gets what it wants, and "convartin' public trusts / To very privit uses" — which refers to embezzlement. Religious language is co-opted to depict corruption.
I du believe hard coin the stuff / Fer 'lectioneers to spout on;
Editor's note
The people are "soft enough" to be molded into hard money for politicians. He has no interest in monetary policy — he just wants his salary to arrive on time. This stanza boils down the whole currency debate to concerns about personal paycheck timing.
I du believe with all my soul / In the gret Press's freedom,
Editor's note
He advocates for press freedom — particularly, the freedom for the press to guide the public toward his established goals. Anyone who examines his government printing contracts too closely faces backlash. In this context, "freedom" signifies freedom for him, not for questioning him.
I du believe thet I should give / Wut's his'n unto Cæsar,
Editor's note
A conscious twist on the Gospel phrase "render unto Caesar." In this context, Caesar represents the political boss or party patron instead of the government. The editor's will, conscience, and honor all carry the boss's "superscription" — they are tied to whoever signs the checks.
I du believe in prayer an' praise / To him that hez the grantin'
Editor's note
The real god he worships is the party boss who controls job distribution. "CANTIN'" — a phrase for hypocritical piety — is emphasized in capitals, revealing his true beliefs. The stanza concludes with the poem's most famous line: "I _don't_ believe in princerple, / But oh, I _du_ in interest."
I du believe in bein' this / Or thet, ez it may happen
Editor's note
He doesn’t have a set political identity; he adapts to whatever stance will help him catch voters off guard. His decisions aren’t guided by principles or loyalty to anyone; he simply looks for what will benefit him the most.
I du believe thet holdin' slaves / Comes nat'ral to a Presidunt,
Editor's note
Slaveholding is justified here not based on morality but rather on tradition and convenience — it’s simpler to pursue a political career if you've been a dependable "doughface" (a Northern politician who supported Southern slaveholders). Lowell is criticizing the history of presidents who have been pro-slavery or accommodating to slavery.
I du believe wutever trash / 'll keep the people in blindness,--
Editor's note
This stanza critiques the Mexican-American War (1846–48), which Lowell strongly opposed. The editor argues that bombing Mexicans into "brotherly kindness" is logical—that bayonets are the most effective way to ensure peace lasts. It's a brutal satire of pro-war propaganda.
In short, I firmly du believe / In Humbug generally,
Editor's note
The closing stanza sheds any pretense. "Humbug" — meaning fraud and deception — is his genuine belief, his loyal guide. The last image turns the Psalm 23 pastoral metaphor on its head: rather than God guiding the flock to green pastures, Humbug keeps the people "green" (naive) so they can be exploited endlessly.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The Shepherd / Crook
- The shepherd imagery throughout the poem is rooted in the sermon's text (Ezekiel 34, "prophesy against the shepherds"). A true shepherd is meant to care for the flock, but this editor-shepherd wields the crook to benefit himself by securing his own wool and mutton. It portrays political and journalistic corruption as a violation of their pastoral responsibilities.
- Caesar / Superscription
- The Gospel command to "render unto Caesar" gets flipped around, making Caesar the party boss. The editor's conscience, honor, and will all carry the boss's "superscription" — just like a coin bearing a ruler's face, he is completely owned by whoever controls his paycheck.
- Humbug
- The poem's final word reveals the editor's true beliefs. It symbolizes the whole system of political deceit — the fake ideologies, empty patriotism, and manipulated religion. Referring to it as his "faithful shepherd" brings the pastoral inversion full circle, echoing the beginning of the poem.
- The Green Pasture
- A clear reference to Psalm 23. Just as God guides his sheep to lush fields for sustenance, the editor keeps the audience "green" — that is, naive and gullible — allowing them to be preyed upon. The sacred imagery is transformed into a metaphor for exploitation.
- Hard Coin / Soft People
- The currency debate of the time (hard money vs. soft money) is reimagined as a metaphor for manipulation: the people are soft and adaptable, while politicians emerge hardened and wealthier. Monetary policy becomes just another means of extraction.
- The Press / Pulpit
- The prefatory sermon suggests that the editor's desk is truly the pulpit of our time. The poem illustrates the consequences when that pulpit is held by a fraud — the "gret Press's freedom" turns into a tool for guiding the public rather than educating them.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Why is the poem written in such strange spelling and dialect?
Lowell intentionally wrote the Biglow Papers in a phonetic New England Yankee dialect. This choice indicates that the speaker represents a straightforward, working-class perspective. However, there's a twist: the corrupt editor uses this folksy voice to appear relatable while admitting to his blatant corruption. The dialect also gives the poems a sense of popular entertainment instead of highbrow literary preaching, allowing them to resonate with a much broader audience.
What is the Mexican-American War and why does Lowell attack it?
The Mexican-American War (1846–48) broke out after the U.S. annexed Texas and led to the U.S. taking about half of Mexico's land. Many Northerners, including Lowell, viewed it as a conquest fueled by Southern slaveholders eager for more territory for slavery. The stanza referencing "thrashing the Mexicuns into brotherly kindness" with "bombshells, grape, an' powder" shows Lowell ridiculing the pro-war press's assertion that military force was a benevolent act.
What is a 'doughface'?
A "doughface" referred to a Northern politician who always aligned with Southern slaveholders — someone whose opinions could be easily molded by those with the most influence. This term served as a significant political insult during the antebellum era. Lowell's editor boasts that he has been "th' unrizzest kind o' doughface" — the most consistently spineless type — as a credential for holding office.
Who is 'Caesar' in the stanza about rendering unto Caesar?
In the Gospels, Jesus instructs us to give Caesar what is Caesar's and God what is God's. Lowell's editor turns this on its head: here, his Caesar represents the party boss or political patron who supports him financially. He's essentially stating that his whole moral identity — "will, conscience, honor, honesty" — is tied to whoever pays him. This reveals a stark truth: he lacks any independent conscience whatsoever.
What does 'CANTIN'' mean and why is it in capitals?
"Canting" refers to speaking in a way that is piously hypocritical—using religious or moral language that one doesn't truly believe to sway an audience. Lowell capitalizes the term to signify it as the editor's genuine faith, the one principle he follows with real dedication. This word serves as the climax of the stanza and stands out as the poem's most striking term.
What is the point of the long sermon excerpts before and after the poem?
The Reverend Wilbur's prefaces are key components of the satire's structure. Wilbur compellingly argues that the newspaper editor has taken over the clergyman’s role as the dominant moral authority in American society — and the poem showcases exactly how that power manifests when it’s in the hands of a fraud. Additionally, the sermon allows Lowell to present serious discussions about journalism and democracy, all while maintaining a tone that differs from the dialect comedy.
Is the poem anti-religion?
Not exactly. Lowell was a devoted moralist who genuinely valued religious language — that’s why its misuse frustrated him so much. The poem criticizes the misuse of religious elements (like prayer, conversion, the shepherd metaphor, and the structure of creeds) for political and financial profit. The Reverend Wilbur framing shows that Lowell respected the clerical tradition, even as he pointed out its shortcomings.
Does the poem have any relevance beyond the 1840s?
The specific targets — the Mexican War, slavery, 1840s currency debates — are rooted in history, but the argument’s structure remains relevant today. An editor (or any media figure) who purports to support freedom while really catering to whoever funds them, who cloaks their self-interest in patriotic and religious rhetoric, and who keeps the public "green" to exploit them — that image is still familiar.
Citation
Cite this poem
MLA
Lowell, James Russell. "The Pious Editor's Creed." Storgy, https://storgy.com/poems/the-pious-editors-creed-james-russell-lowell/.
APA
Lowell, J. R. (n.d.). The pious editor's creed. Storgy. https://storgy.com/poems/the-pious-editors-creed-james-russell-lowell/
Row A — Thesis
1 ptIn 'The Pious Editor's Creed,' James Russell Lowell weaponizes the devotional form of a religious creed against the antebellum political editor, revealing that the figure's repeated professions of belief — in freedom, fiscal policy, and the …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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