THE COMMONWEAL by Algernon Charles Swinburne: Summary, Meaning & Analysis
This poem celebrates the 1887 anniversary of the Magna Carta (1215), highlighting that 672 years have gone by since England — "the land whose name is freedom" — was compelled to sign that foundational charter of rights at Runnymede.
The poem
1887 I Eight hundred years and twenty-one Have shone and sunken since the land Whose name is freedom bore such brand As marks a captive, and the sun Beheld her fettered hand. II But ere dark time had shed as rain Or sown on sterile earth as seed That bears no fruit save tare and weed An age and half an age again, She rose on Runnymede.
This poem celebrates the 1887 anniversary of the Magna Carta (1215), highlighting that 672 years have gone by since England — "the land whose name is freedom" — was compelled to sign that foundational charter of rights at Runnymede. Swinburne conveys that even though England was once a nation held captive under a tyrant, it fought back and gained its freedoms. It’s a patriotic tribute wrapped in meticulous historical calculation.
Line-by-line
Eight hundred years and twenty-one / Have shone and sunken since the land
But ere dark time had shed as rain / Or sown on sterile earth as seed
Tone & mood
The tone carries a ceremonial pride, reminiscent of a toast at a national anniversary dinner. There’s a sense of importance in the vast historical sweep, yet it doesn’t evoke sorrow — Swinburne aims for triumph rather than lamentation. The precise, almost calculated beginning transitions into a more inviting, natural imagery of seeds and seasons, leaving the poem with a sense of both inevitability and vitality.
Symbols & metaphors
- The brand — The mark burned onto a captive or slave. Here, it represents how the Norman Conquest turned England into a subject nation, taking away its self-determination.
- Tare and weed — Useless or harmful plants that choke good crops. They signify the wasted, oppressive years between the Conquest and Magna Carta—years that brought little of value to ordinary people.
- Runnymede — The meadow by the Thames where Magna Carta was sealed in 1215. In the poem, it symbolizes the beginning of constitutional liberty—the moment England "rose" from captivity.
- The fettered hand — England's sovereignty is literally restrained. The hand represents the authority that should govern freely, but it is bound, making the nation's subjugation both physical and personal rather than merely abstract.
- Seed sown on sterile earth — Time passes, but freedom and justice remain elusive. The image references the biblical parable of the sower, implying that oppression leads to a form of spiritual and civic barrenness.
Historical context
Swinburne penned this poem in 1887, coinciding with Queen Victoria's Golden Jubilee — marking fifty years on the throne. The title, *The Commonweal*, refers to the common good or public welfare, a term deeply embedded in English political thought. Swinburne was a staunch republican in his younger days and continued to ardently defend political freedom throughout his life. By counting back 821 years from 1887 to the Norman Conquest of 1066, and recognizing that Magna Carta came about roughly 150 years later in 1215, he presents England's constitutional history as a long battle from oppression to liberty. The Jubilee context is significant: Swinburne is subtly questioning what the nation has achieved with the freedoms secured at Runnymede, reminding his Victorian audience that those rights were hard-won, not just easily passed down.
FAQ
"Commonweal" is an old English term that refers to the common good — the well-being of everyone in society, not just the powerful few. Swinburne uses this word to position the poem as focusing on public liberty rather than royal glory, which is a deliberate choice in a Jubilee year.
It commemorates the Magna Carta, which was sealed at Runnymede in 1215. Swinburne writes in 1887, reflecting on both the Norman Conquest in 1066 and the 150 years that led to England's stand against tyranny.
1887 minus 821 equals 1066 — the year of the Norman Conquest, when William the Conqueror defeated King Harold and seized control of England. Swinburne is being historically accurate to ground the poem in actual events.
England is often depicted as a woman in poetry. This personification was a popular convention, and Swinburne employs it to give the nation's struggle a human touch — it's not just an abstract political event; it’s about a person standing up.
Tares, referenced in the Bible (Matthew 13), are weeds that grow alongside healthy grain, suffocating it. Swinburne uses this imagery to suggest that the years of Norman rule yielded no positive outcomes — they were a time of spiritual and political emptiness. This also highlights the stark contrast with the eventual "rising" at Runnymede.
It's complicated. Swinburne had a republican instinct, and the poem celebrates the moment when barons *forced* a king to curtail his own power. The true hero of the poem is England itself, not any monarchy. Written during Victoria's Jubilee, it serves as a subtle reminder that royal authority has always required oversight.
Each five-line stanza uses an ABBA + A rhyme scheme: lines 1, 4, and 5 rhyme ("sun" / "brand" / "hand" is actually ABBAB — specifically *land/brand/hand* and *sun/sun*). To be more precise, it follows ABBAB, with the short fifth line serving as a powerful echo of the first. This tight structure lends the poem a compressed, monumental quality.
Swinburne is crafting a commemorative lyric rather than a history lesson. The brevity is intentional — he aims for the weight of 821 years to resonate in just ten lines, much like a powerful inscription on a monument. Fewer words, greater impact.